- Tiny chips in left margin. Otherwise fine.
Idem. (Interior of a peasant's cottage). Drawing, pencil and brush and sepia, 15,6x13,5 cm., on wove paper.
= Attractive drawings, both after Adriaan van Ostade.
= The considerably larger painting after which this copy was made, was painted by Maris around 1891-1892. We were not able to identify the copyist "Alma".
= Attribution in contemp. hand in pencil on verso. Attractive scene.
- Sl. foxed.
= With annot. in pencil on verso providing information on the sitter and on Anton Mauve: "L.J. Egeling als jong dokter te Haarlem geteekend door Mauve (...) dominee Mauve te was vriend van L.J. Egeling. Suze meisjes waren vriendinnen van tante Janneke. Anton mocht op raad van L.J. Egeling teekenen leeren, waar zijn vader op tegen was. Zijn kleindochter is Mevr. Dr. Gerritsen te Lunteren."
Kept in simple paper portfolio w. 2 tipped-in cartes-de-visite of L.J. Egeling (one dated "Nov. 1861" and one dated "1863" in pen and ink on portfolio).
= Perhaps after Michiel Versteegh, who also drew this composition and was his contemporary in Dordrecht. Both artists were specialized in candle light scenes, after i.a. Gerrit Dou.
- Slightly foxed.
- A few unobtrusive small old tears in lower margin.
AND a handcol. lithogr. by PH. BENOIST, "Le Capitole avec l'Escalier et l'Eglise de l'Ara Coeli" (28,2x36 cm. (incl. captions), ±1870, framed).
= Drawing from a mirrored perspective. With an attribution to Pierre Louis DUBOURCQ on verso.
AND 6 smaller drawings (mainly 19th cent.) of views in Haarlem and its surroundings.
= Provenance: the collection A.M. van den Broek, each with his collector's mark on verso.
- Loosening. Covers foxed.
= Various sketches and drawings, incl. a few amusing caricatures. SEE ILLUSTRATION PLATE CVIII.
- A few creases, mostly in upper part/ margin; sl. dustsoiled in upper margin.
= View of New Longwood House, St. Helena that was built for Napoléon, but never occupied by him. Perhaps made by a Dutch naval officer.
- A brown stain on the right arm and a few scattered spots.
= With the collector's mark of "Sammlung Leyendecker".
AND a pencil drawing of a female nude by Bernard Pierre BERTALOTTI.
- Tipped onto paper mount; trifle creased along outer blank margins.
= After an engraving by Jan Luyken (±1680). SEE ILLUSTRATION PLATE CVIII.
= SEE ILLUSTRATION PLATE CIX.
= With the collector's stamp of A.M. van den Broek on verso.
= Rare. Cat. Harlemia Illustrata p.47 (without number): "Om de overige vier bij de serie aan te laten sluiten werden deze geheel door Pannebakker getekend, maar voorzien van een kunstmatig aangebrachte plaat "moet" (...) Dit zijn vier tekeningen die moesten lijken op de acht prenten [by NIEUWHOFF and PANNEBAKKER]". Provenance: the collection A.M. van den Broek.
AND 4 engravings/ aquatints by the same from the same series (Cat. Harlemia Illustrata 810 (2x), 812 and 813).
= Rare. Cat. Harlemia Illustrata p.47 (without numbers): "Om de overige vier bij de serie aan te laten sluiten werden deze geheel door Pannebakker getekend, maar voorzien van een kunstmatig aangebrachte plaat "moet" (...) Dit zijn vier tekeningen die moesten lijken op de acht prenten [by NIEUWHOFF and PANNEBAKKER]". Provenance: the collection A.M. van den Broek.
= From an album amicorum (of Verschuer).
- Tipped onto mount along top margin.
(Dillen, Georg van (act. 1800-1830)). (Two travellers walking along a stream in a wooded landscape). Drawing, pen and ink, 18x24,8 cm. Bendorp, Johann (1767-1849). (An angler and a passer by near a bridge and farm). Drawing, brush and grey wash, 6,7x12 cm., signed and dated "1782" in pen and ink on verso.
= On 17th/ 18th century laid paper.