81 6055 Uden Lucas van 1595 1672 
- Wide margins; some foxed spots; a few grey areas.
= Hollstein 34, the 2nd state (of 2), with the address of Franc vanden Wijngaerde in upper right corner. From a series of 4 Wide landscapes. Rare.
81 6056 Uden Lucas van 1595 1672 
- Vague yellowish stains/ foxing.
= Rare. Hollstein 43, the 3rd state (of 4). With an unidentified collector's mark on recto (not in Lugt).
81 6057 Uyttenbroeck Moyses van 1595 1646 
- Trimmed ±0,5 cm. outside the platemark. Fine impression. Pinpoint hole in clouds; trifle foxed.
= New Hollstein 17, 2nd state of 5. One of a series of 4, The story of Tobias. With the collector's mark of Albert van den Briel (Lugt 407a).
81 6058 Valckert Werner van der ±1580 ±1627 
- Trimmed on (lower edge just within) the borderline; somewhat soiled.
= Very rare. Hollstein 17. SEE ILLUSTRATION PLATE CIII.
81 6059 Velde II Jan van de 1593 1641 
- Fine; trimmed on the platemark.
= Hollstein 422, only state; cat. Harlemia Illustrata 123 ("behoren tot de oudste en fraaiste stadsgezichten van Haarlem").
81 6060 Velde II Jan van de 1593 1641 
81 6060 Velde II Jan van de 1593 1641 
- Both cut to the image, lacking the captions; both very dark impressions; first print w. old flattened vertical creases and trifle soiled.
= Hollstein 73 and 74.
81 6061 Velde II Jan van de 1593 1641 
- Sl. yellowed; a few sm. foxed spots om sky area. = Hollstein 39 ('Ouwerkerk nae Apkou toe').
81 6062 Velde II Jan van de 1593 1641 
81 6062 Velde II Jan van de 1593 1641 
81 6062 Velde II Jan van de 1593 1641 
- Printed on thick 18th cent. paper. = Hollstein 183, 2nd state of 2. Part of a series of 18 prints.
Idem. Dilapidated church-tower surrounded by houses. Etching, 12,2x18,9 cm., numb. "8".
- Sl. soiled; vague handcolouring in the tower. = Hollstein 275, 2nd state of 4.
AND 4 others by the same: Hollstein 241, 252, 260 and 291 (all 2nd state).
81 6063 Velde II Jan van de 1593 1641 circle of 
- Laid down on sl. later laid paper; sl. soiled.
= Very rare. Hollstein 524. Part of a series of 14 landcape etchings by an anonymous artist (often attributed to van de Velde), published by Barthélemy Gaultier (act. 1625-1661 in Lyon) and his brother-in-law Claude Savary.
81 6064 Veneziano Agostino ±1490 ±1569 
- Laid down on mount (attached along the edges, otherwise loose); fingersoiled in margins; an impression from a sl. worn plate; trimmed ±0,5 cm. outside the platemark.
= Bartsch XIV, 50, 2nd state with the address. With the collector's mark of Pim van Eekelen (Lugt 5101) on verso mount.
81 6065 Vernet Claude Joseph 1714 1789 after 
81 6065 Vernet Claude Joseph 1714 1789 after 
81 6065 Vernet Claude Joseph 1714 1789 after 
81 6065 Vernet Claude Joseph 1714 1789 after 
- All w. ample margins; occas. (sl.) yellowed/ trifle frayed/ trifle waterst. in blank margins; 1x browned and creased; 1x w. closed tear in centre.
= Comprises i.a. the ports of Languedoc, Marseille and Toulon. Under the title "peintre des marines de sa majesté", Vernet was commissioned by Louis XV in 1753 to paint fifteen views of the main ports of France. At that time the country was at war with England, and Louis specifically requested that the artist show off the economic activities and maritime strength of France. This rare series of engravings was created after those paintings. Despite its incompleteness, a desirable set.
81 6066 Villamena Francesco 1566 1624 
- Verso strengthened on old folds and outer margins; lacks small portion of upper right corner (repaired).
= Le Blanc 62.
81 6067 Visscher Claes Jansz 1586 1652 
= View of the castle Loevestein, the prison of Hugo de Groot and Rombout Hoogerbeets. In the background Woudrichem and Gorinchem.
81 6068 Visscher Jan de 1633 after 1693 
81 6068 Visscher Jan de 1633 after 1693 
- Trimmed to the borderline; yellowed; laid down.
= One of 25 plates/ large illustrations from the Lutheran bible: Biblia. Das ist: die ganze H. Schrift (...). (1672) Hollstein 157.
AND 12 others by the same from the same work. - AND 7 other large(r) devotional prints, i.a. Christ as the Good Shepherd (17th cent. engraving by an anonymous artist, printed by Pierre Bertrand).
81 6069 Vliet Jan Gillisz van 1600 1668 
- Printed from a sl. worn plate; otherwise fine.
= On laid paper with watermark "MI" or "IM". Hollstein 56, 2nd state of 2.
81 6070 Vliet Jan Gillisz van 1600 1668 
= Hollstein 42.
81 6071 Vliet Jan Gillisz van 1600 1668 
81 6071 Vliet Jan Gillisz van 1600 1668 
81 6071 Vliet Jan Gillisz van 1600 1668 
81 6071 Vliet Jan Gillisz van 1600 1668 
= Hollstein 59, 2nd state of 5, Hollstein 63, 67, 68, all 2nd state of 3.
81 6072 Vos Maerten de 1532 1603 after 
81 6072 Vos Maerten de 1532 1603 after 
81 6072 Vos Maerten de 1532 1603 after 
- Cut on/ to the platemark; a foxed spots; sm. brown spot in centre.
= Hollstein 1143 (De Vos). Part of the series of Repentant sinners from the Old and New Testament.
Gaultier, Léonard (1561-1630/41). The last Judgement. Etching after MICHELANGELO, 31,4x23,4 cm., with "Leonardus Gaultier fecit" engr. in the plate.
- Browned; laid down on modern paper; large superficial scratch in lower part; foxed spots.
= Le Blanc 18, first state (of 2): "Avant le nom de Mariette".
AND 14 other engraved Biblical scenes, 16th-17th cent., i.a. Christ in conversation with Nicodemus (by Raphael SADELER after Maerten DE VOS. Hollstein 18) and Jubal and his family making music (Johannes SADELER after the same. Hollstein 27).
81 6073 Voüet Simon 1590 1649 
81 6073 Voüet Simon 1590 1649 
81 6073 Voüet Simon 1590 1649 
81 6074 Wael Cornelis de 1592 1667 after 
= Hollstein 19. On 17th cent. paper w. a large watermark showing the coat of arms of Amsterdam(?).