= Delteil 31, the 9th and final state.
= Delteil 28, the 6th state of 10. With the collector's mark of Van Doorne on verso.
= Delteil 29, 3rd state of 3.
AND 1 small other etching by the same: Pêcheurs de la mer du sud (Delteil 15, 2nd state).
- Sl. browned; narrow diagonal brown stain in upper part.
= First print of the rare series of 16 prints showing the life of a ship, from the construction until its ultimate fate. De Groot/ Vorsterman, Sailing ships 138-153
Nooms, Reinier (called Zeeman) (±1623-1667). "Het Leytsche veer". Etching, 12,3x24,6 cm. (image), numb. "7" in the plate.
- Trimmed just outside the borderline, below just within the borderline. = Hollstein 19, 2nd state of 2.
AND 3 others, all showing ships, by Adolf VAN DER LAAN (2x) and Reinier NOOMS (browned and soiled).
= F.M. 4423. The famous battle of the Dogger Bank.
- Both fine.
- Trifle yellowed. = Delteil 20, only state. SEE ILLUSTRATION PLATE XCVI.
- Browned; tiny pinhole in centre; a few sm. tears on left border line.
= Delteil 18. SEE ILLUSTRATION PLATE XCVI.
- Good impressions w. small margins. Occas. sl. stained. = Hollstein 5-8.
- Wide margins.
= With the collector's mark of Gian-Carlo Rossi (2nd half 19th cent) (Lugt 2212, collection was auctioned in 1886) on recto. With an attribution to Antonio Tempesta in pencil.
AND 9 other sm. woodcuts, mostly 16th cent., taken from various works.
- All cut short w. loss of image; various corners chipped or damaged; three prints waterstained. Sold w.a.f.
= (Very) rare. Part of a set of 20 prints depicting the Acts of the Apostles. The print collection of Staatliche Kunstsammlungen Dresden holds a numbered set, contrary to the prints above, which suggest that these engravings are a first or earlier state. Hollstein XIII, p.36, 8 (The Ascension of Christ) and probably Hollstein 3 (Liberation of St. Peter) are part of the series; Nagler 2882. GDW is identified as a print artist from Brussels. There is also a slight possibility that the monogram stands for Giovanni da Udine (who was part of Raphael's workshop).
- Occas. trifle foxed; mostly fine.
= Comprises i.a. 9 engravings by C. SOULZBERGUER after J. WEIJSTER (Augsb., G.B. Probst, ±1780. Ample margins) and 5 etchings by Izaak DE WIT JANSZ. after Jacob CATS (Amst., n.publ., 1805-1807. Incl. one duplicate).
- Cut on/ just outside the platemark. = Scarce. Robert-Dumesnil 99.
- Trifle yellowed; nevertheless fine.
= Printed after drilling holes at the top and bottom of the plate. SEE ILLUSTRATION PLATE XCIII.
= Ad 1: First edition and complete series of beautiful plates of the 17th century estate Heemstede (near Utrecht). Hollstein 10-35. Ad 2: State before the address.
- Scattered dustspots; sl. agetoned.
= Rare business card for the instrument maker and bassoon player Coenraad Rijkel (1664-1726), apprentice, nephew of and business partner of Richard Haka. In 1696 they had a business conflict; in 1700 they reconciled and Rijkel continued under his own name.
- Formerly folded (w. some tears on folds); sl. browned (verso worse). = Rare. F.M. 1374.
AND 9 others, mostly (Dutch) historical prints, i.a. "Friedens Handlung zu Breda, geschlossen durch die gevollmächtigten (...) geratificirt (...)1667" (etching after R. DE HOOGHE showing the ratification of the peace of Breda).
- Trimmed just outside the borderline, with the address cut off; flattened central vertical fold.
= From the series Hollstein 76-111, 3rd state (of 5). With the collector's mark of Collection d'Arenberg on verso (Lugt 567).
= All proofs before letters, first state of 2. All etchings by this artist are very rare.