- Very dark impression on antique laid paper with a coat of arms watermark; wide margins.
= Delteil 20, 2nd state (of 4). With a collector's mark of Bijvoet (not in Lugt).
- Expertly rebacked w. thin Japanese. = LNP 117.
AND 2 other printdrawings, i.a. by Cornelis PLOOS VAN AMSTEL after Ludolf BAKHUIZEN, Zeegezicht bij met volle maan (LNP 33).
- Trimmed to the border line.
AND an etching by Gerrit GROENEWEGEN, "Koopvaardy-buys Zeylende by de wind" (14,5x11,8 cm., w. engr. caption, "E" and "6" below image, framed. Laid down and sl. browned).
- Fine impression with much contrast, on wove paper w. good margins; vague waterstain in lower right corner; a few foxed spots (mainly in blank margins).
= Martens 162, 2nd state (of 2), with the signature.
= Proof before letters. Martens 300, 2nd state (of 3). Part of the series Collection des tableaux en gouache et des dessins de Salomon Gessner. Gravés à l'eau forte par Guil. Kolbe.
- All w. wide margins; (very) fine impressions.
= Probably all first or early states, almost all before the engraved text below. Text supplied in contemporary pen and ink below. Various series, partly w. engr. number below image, i.a. series of Italian gardens and a series of 9 allegorical women.
- Sl. darkened in both upper corners.
= From the series of 16(?) etchings of Dutch and foreign vessels. De Groot/ Vorstman 157-160.
AND 8 others, various sizes, i.a. "Fluste" (engr. by BENARD after GOUSSIER, 20,3x21,3 cm., from the "Marine" section of DIDEROT/ D'ALEMBERT's Encyclopédie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers) and "Fregat dat leyt te kielen" (engr. by Gerrit GROENEWEGEN, from the series of 12 Verscheide soorten van Hollandse Vaartuigen).
- All doubled; tipped onto mount; trimmed just outside the border line. Nevertheless an attractive set.
= From A. van der Laan, Zee, Land en Stroom Lust Bestaand in (...) Verscheyde Gezigten Binnen en Buytenlandsche Vaartuygen en Scheepen (...). De Groot/ Vorstman p.17 and p.23.
- Both agetoned; trimmed 5 mm. outside the platemark. = Hollstein 1 and 2, both 1st state of 2. First print is the title print of the series.
AND 2 other etchings, both fine contemporary impressions: Grazing Horse by Adriaen VAN DE VELDE (Hollstein 7) and Reclining cow and calf by Karel DUJARDIN (Hollstein 3).
= Hollstein 20, 1st state of 2, before the borderline. With the collector's marks of Wilhelm Graf von Lepell (1755-1826) (Lugt 1672) and the Kupferstichkabinett of the Berlin Staatlicher Museen (Lugt 1633 and 2398 (Doublettes)). And annot. or manuscript mark "K.N. 24" in pencil.
Idem. Landscape with two trees. Etching, 3,3x4,8 cm. (platemark).
- Collector's mark of Van Nagler shining through.
= Hollstein 18, 2nd state of 2, with the borderline. With the same collector's marks of the Kupferstichkabinett as above and of Karl von Nagler (1770-1846) (Lugt 2529). And annot. or manuscript mark "K.N. 22" in pencil.
= Very rare etching by the German lawyer and amateur botanist and artist Von Laffert. Vollmer mentioning this print in Allgemeines Lexicon (...). Leipzig 1928, p.205.
Weirotter, Franz Edmund (1730-1771). (People sitting in front of their farms at dusk). Etching and mezzotint, 13,2x19,6 cm., signed "F.E. Weirotter fecit" in the plate.
- Margins cut a few mm. outside the image.
AND 12 other etchings, all landscape views, i.a. by Jacques Philippe HACKERT and Christian Ludwig VON HAGEDORN.
= Second state of 3, before the address of G. Valck. Roy G. 84-2; Hollstein 81.
AND 1 other by the same: The Abduction of Europa (Roy G. 103, 1st state of 2; Hollstein 17).
- Old restored horizontal fold and 2 unobtrusively restored tears. = Hollstein 37.
- Mostly fine.
= Showing mostly landscapes and or people in rural environments, i.a. by Ernst Willem Jan BAGELAAR, Leendert OVERBEEK, Jan Frederik VAN DEVENTER, Nicolaas Jan VISSCHER and Paul VAN LIENDER.
= Rare. From a series of 12 well-known Amsterdam handicapped beggars, i.a. Flip.
Scheyndel, Gillis van (act. 1622-1654). Genre subjects (Ian hagels Compagnie). Lot of 4 (of 32) etchings, each 5,5x4,5 cm. (platemark), numb. "12", "24", "26" and "27".
- Sl. agetoned; ample margins.
= Scarce. Edition by Frederik de Wit (±1670). Hollstein 33, 45, 47 and 48, 3rd state of 3 (w. the names and the numbers).
- Trimmed just outside/ on/ just within the borderline; vague remnants of red chalk. Fine impression.
= Inventaire du Fonds Français 84. In the style of Guido Reni. With the collector's mark of Thomas Clutterbuck (1775-1837) (Lugt 2424) in upper left corner recto. Rare.
- Poor copy, lacks sections of lower left, right and upper right corner and in centre lower part, partly redrawn; soiled; cut to the image; laid down. Sold w.a.f.
= New Hollstein 137, 1st or 3rd state. With the collector's marks of Friedrich August of Saxony (Lugt 971 on recto and 972 and 780a on verso) and unidentified collector's mark ("H" within circle).
AND 3 sm. others after the same: copies of Paul (cf. NH 88, in reverse), Christ (cf. NH 86) and The Virgin with Child in the niche (NH 81, copy in reverse and without the niche).
- Trimmed to/ just within the image, w. a few tiny chips in the edge; grey impression w. sl. loss of details; sl. agetoned w. a few foxed spots.
= Hollstein 101 (b, grey impressions, with minor scratches).