= Van Gelder 144. SEE ILLUSTRATION PLATE LXXXV.
- Lower margin trimmed just within the image, otherwise just outside image; laid down.
= Very rare. Bartsch 20.
= Sliggers 4.
AND 15 other etched views by the same, various sizes, i.a. "Abdij te Rijnsburg", "Spakenburg', "Overblyf van 't huys van G.a van Velsen" and "in Overveen by Haarlem".
- With added modern margins.
= Perhaps part of the series of Small Friezes with hunting scenes (with slightly different measurements). Cf. Hollstein 61-66 and Würzbach 34. Rare. SEE ILLUSTRATION PLATE LXXXV.
- Cut to the borderline.
= Hollstein 11. Very rare. SEE ILLUSTRATION PLATE LXXXVI.
- Yellowed.
= Consisting of a view (17,9x25,2 cm.) w. (parts of) 5 small other views in left and lower margin, of which 3 w. resp. "Montmartre" and (both in reverse) "au Boulevard des Italiens" and "Chauffeurs publics" in the plate. Beraldi 128.
- All prints tipped onto mounts at upper/ lower corners. Mostly fine.
= I.a. the series of 8 etchings cows, Hollstein (De Bye) 9-16 (5th and final state; trifle foxed; vague red colouring on title; w. collector's mark of C.G.L. Matthes (Lugt 2871); 4 etchings from the series of 8 cows, Hollstein 25-32; and 3 etchings from the series of 8 etchings of cows, Hollstein 17-24.
- The missing print ("Smaraolo cornuto") is added in facsimile; 17 prints cut outside the platemark, 6x on/ just within the platemark; one plate "Esgangarato Cap. Crocodrillo" section cut off and section from other copy reattached; one upper left corner repaired; some plates sl. soiled.
= Lieure 379-402, all first state of 3. SEE ILLUSTRATION PLATE LXXXVI.
- Worn spots along right edge, w. a sm. hole between the antlers of the beast; trimmed a few mm. outside the platemark; sl. grey impression.
= Rare. Lieure 179, 2nd state of 2.
- Cut just outside the platemark. = Lieure 537. Part of the series of the Small Passion.
Idem. The Battle of Avigliano. Etching and engraving, 35x52,7 cm., 1630.
- Right corners dam.; sl. frayed. = Lieure 663.
Idem. (The Firing squad). (Rogue soldiers escaping from an inn). Two etchings, both 8,5x18,7 cm., both w. the address of Israel Henriët.
= Both from the series Les misères et les malheurs de la guerre (18 prints).
AND 9 others by/ after the same, i.a. 3 etchings from the series of the Life of the Holy Virgin.
- Fine impression. Trimmed on/ just within the borderline; tiny closed tear in the sky; a few spots repaired/ strengthened on verso, along edges.
= Lieure 670, 1st state (of 2).
- Title print trimmed just within the borderline, lower margin cut short, w. part of the image cut out; all other prints trimmed on/ just outside the borderline; in fine condition.
= All on laid paper, no watermark visible. Perhaps an 18th century impression. Lieure 1339-1356, 3rd state of 3, with the address of Israel changed into "Callot inv. et fec.". SEE ILLUSTRATION PLATE LXXXVI.
- Collector's mark shining through in the image; a few spots/ sections strengthened on verso; trimmed on/ just outside the platemark; sl. dustsoiled..
= Lieure 665, 2nd state. With the collector's mark of Albert van den Briel (1881-1971) (Lugt 407a).
- Both greyish impressions and sl. yellowed; 1st print w. dampstain in blank margin; 2nd print w. closed tear in blank margin.
= Both numbered copies, as listed by Lieure with changed numbers due to insertion of "Jésus au Jardin des Oliviers": Lieure 286, copies 2nd state of 3 (numb. "7" (with erased no. 6 still partly visible)) and 281 (listed in the introduction: "3e état, chiffrés de 1 à 8 avec insertion de Jésus au Jardin des Oliviers qui porte le no.3").
- Paper w. weak/ thin spots. Dark impression. = Lieure 403, 1st state of 3. Title print of the series
AND 8 others by the same: 3 prints from the series Capricci: Gentilhomme au manteau posé sur la hanche (Lieure 238, only state); Les deux pantalons (copies after Lieure 248 and 249); 2 prints from the series Varie figure gobbi: Lieure 419 (2nd state) and 425 (sides cut short); 2 prints from the series Balli di Sfessania (Lieure 379, 3rd state) and 397 (2nd state of 2): and a print from the series of Mysteres de passion (4 sm. oval and round etchings together on 1 leaf): Lieure 691, 692, 697 and 698 (2nd state, with the original plate cut in half). - AND 10 sm. etchings after CALLOT from the Small Passion series (cf. Lieure 537-548, all w. "Callot inv.", agetoned, 1x w. hole).
= Rejected as by Wenzel Hollar, Hollstein R18. "Engelse spotprent op de Nederlanden ten tijde van de Tweede Engelse Oorlog. Op de Dam voor het stadhuis is een menigte als mensen geklede kikkers bijeengekomen om de redevoering van een oude pad bij te wonen. Verspreid op de Dam staan beelden van Neptunus, Mercurius, Jupiter en Minerva opgesteld" Used as illustration in J. OGILBY, The Fables of Aesop (London, 1665. The fable "Of the Frogs fearing the Sun would marry").
= After a long period of neglect, king George III started the long and costly restoration and expansion of Windsor Castle. Cf. Description and comment from M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', V, 1935: ""The Little Man" [in the title] appears to be "No. 1", or "Mr T--ds--y", evidently T. Tildesley, Clerk of the Board of Works at Windsor Castle and the Queen's Lodge. It appears from the dialogue that Tildesley is to be dismissed because, owing to his alterations by stopping up drains or watercourses, the building has been endangered; moreover, he has acted without consulting the Board of Works, and is accused of a "firey pitch, tow and tar temper". The disasters, says the Clerk to the Board, are "no wonder ... when sailors are appointed surveyors". "All the tradesmen" say 'If a worse come in his place it must be that gentleman [the devil] upon the adjacent tower' ".
- A few plates sl. frayed/ chipped; central fold occas. strengthened w. tape.
= SEE ILLUSTRATION PLATE LXXXVII.