= I.a. Mataré (Stedelijk Museum Amsterdam no.357, 1967), Gerrit Brenner (Stedelijk van Abbe-Museum a.o., 1955-'56), Matthijs Maris (Haags Gemeentemuseum, 1974-'75), Josef Albers (Musée des Beaux-Arts, 1988), Wobbe Alkema (Groninger Museum, 1984) Jacques Lipchitz, Sculptures and drawings (Marlborough Fine Art, 1973).
= Comprises i.a. 9x "Jonge Kunstenaars" and many on Bergense School artists.
- Lacks 3 lithographs (by H. de Toulouse-Lautrec, P. Bonnard and Éd. Vuillard); occas. sl. foxed. Wrappers loose (frontwr. detached from backwr.) and foxed.
= Contains lithographs by Anquetin, M. Denis, Eug. Grasset, H.-G. Ibels, A. Laugé, M. Maufra, Ch. Maurin, Hermann-Paul, H. Rachou, R. Ranft, P. Ranson, K.-X. Roussel, P. Sérusier and F. Vallotton. For the latter lithograph see Vallotton and Goerg 52.
= Facs. reprint of the edition Siena, 1854-1856.
Borghesi, S. and Banchi, L. Nuovi documenti per la storia dell'arte Senese. Soest, idem, 1970, (IX,(5),702p., orig. (unif. bound w. the preceding) giltlettered cl.
= Facs. reprint of the edition Siena, 1898.
AND 2 others similar: G. MILANESI, Sulla storia dell'arte Toscana (ibid., 1973, 1 fold. plate, orig. gilt cl.) and IDEM, Nuovi documenti per la storia dell'arte Toscana (ibid., 1973, orig. (unif. bound w. the preceding) gilt cl.).
- Fold. portrait of prince Maurits w. sm. tear, repaired w. paper tape. Binding sl. rubbed/ worn along extremities.
= Facs. reprint of th ed. Leyden, 1715.
Bray, S. de. Architectura moderna ofte Bouwinge van onsen tyt. Introd. E. Taverne. Ibid., idem, 1970, (2),13,(3),25p., title, 44 (double-p./ full-p.) plates, 3 ills., orig. hmor., giltlettered spine, large folio.
- Corners worn; lower joint dam. at top of spine.
= Facs. reprint of th ed. Amst., 1631.
AND 1 other similar.
- Hinges broken; occas. dustsoiled; a few annots. Backwr. stained; boards worn.
= Interleaved with various other printed contemp. commentaries on neo-impressionism and neo-luminists.
- Loose(ning). = Rare catalogue, supplying an extensive and useful overview of works by Rinsema.
Brüning, U. (ed.). Das A und O des Bauhauses. Bauhauswerbung: Schriftbilder, Drucksachen, Ausstellungsdesign. Berlin, Bauhaus-Archiv/ Edition Leipzig, 1995, 335,(7 advert.)p., num. (col.) ills., orig. wr., folio. - AND 11 other (small) publications on 20th cent. art(ist)s, i.a. on Wobbe Alkema, Bart van der Leck, Lou Loeber (2x) en Douwe van der Zweep.
- Owner's entry on first free endpaper. Dustwr. sl. soiled/ scratched.
WITH: loosely inserted program booklet The Spirit of Fluxus. Drei Konzerte im Amerikahaus Berlin 1983 (Berlin, 1983, orig. wr.). Rennert, S. a.o. (ed.). Nam June Paik. Düsseldorf/ Ostfildern, Museum Kunst Palast/ Hatje Cantz, 2010, 238,(2)p., num. (col.) ills., orig. boards w. dustwr., 4to. - AND 2 others, i.a. C. CHERIX, In & Out of Amsterdam (2009, New York, num. ills., orig. boards, 4to. Ticket on frontcover; spine sl. sunned).
- Horizontal and vertical middle-fold; partly yellowed; red stamp "European Mail-order Warehouse (...)" in blank corner p.(3).
= Fluxus Newspaper #3. One of the copies printed on thicker, white paper. Contains contributions by i.a. Henry Flynt, Ben Vautier, Nam June Paik, Marian Zazeela, Robert Filliou and Heinz Gappmayr.
Daniel Spoerri presents Eat Art/ Richard Lindner Der blauer Busenengel. Düsseldorf, Eat Art Gallery/ Produktion, 1970, announcement/ invitation, ill., 1 folio leaf, printed on recto only.
- Horizontal and vertical middle fold.
- A few cards sl. foxed; box waterstained.
AND 2 others: R. BLOCK (ed.), 1962 Wiesbaden Fluxus 1982 (Berlin, 1982, ills., orig. wr., 4to); P. WEIBEL (ed.), Die Wiener Gruppe/ The Vienna Group - A Moment of Modernity 1954-1960, The Visual Works and the Actions (Vienna/ New York, 1997, ills., orig. wr., 4to).
= Rare. Contains the official (cycostyled) program leaf (2 copies); a leaf stamped "biting your nails? go on"; a cyclostyled leaf "wekker - clocks" concerning the performance "stuk voor Wekkers" by Bob Lenz (2 copies); a cyclostyled leaf w. texts by i.a. Emmett Williams, Robert Watts and Nam June Paik; and a cyclostyled "OZUP-bon".
- Mint.
= One of 66 copies of the DELUXE EDITION with an original colour "Fluxportrait" by EMMETT WILLIAMS w. letterpress instruction ticket, both mounted on loosely inserted board leaf, titled, signed and "91" in black fineliner on recto of mount, and numb. "18/66" in pencil on verso ofmount; in orig. board slipcase w. mounted col. plate by the artist, signed below. SEE ILLUSTRATION PLATE XXII.
= SIGNED and "with affection" on title.
WITH 2 loosely inserted invitations to Emmett Williams exhibitions/ performances, 1991 and 1996, the first with a small ORIGINAL DRAWING in black felt-tip writer of a small figure with text balloon "Remember me?" signed "Love, Emmett".
- Fine copy of the hardcover edition.
AND 3 others on furniture, i.a. D.E. OSTERGARD (ed.), Bent Wood and Metal Furniture 1850-1946 (New York, 1987, num. photogr. ills., orig. wr., obl. 4to).
- First free endpaper and title-p. loose; first 3 lvs. folded; owner's entry on title-p.; pencil annots. throughout; occas. (water)st./ soiled; several lvs. (previously) stuck together/ dam.; one leaf with vertical tear along inner margin, repaired w. tape. Binding worn/ stained.
= Rare. SEE ILLUSTRATION PLATE XXII.
- Most leaves foxed and/ or waterstained. Wrappers frayed/ dam. in corners and soiled.
= Rare. No copy traced.