- Occas. lacks gold. Backing fabric partly frayed and w. traces of clay(?).
= A decorative wall-hanging of a peacock or a rooster.
- Gold occas. lacking; edges occas. sl. frayed.
- Gold occas. lacking; edges sl. frayed. Verso stained along the edges (remnants of glue?).
= An attractive miniature tapestry with star motifs.
- Gold occas. lacking; edges occas. sl. frayed. Backing loosening; verso w. some tears and a few wormholes; remnants of glue from tape in upper corners.
= Reinforced with repurposed paper on this inside. An attractive miniature tapestry w. flowers, birds and fish.
- Lacks some sequins; colours (sl.) faded. Verso w. remnants of glue from tape on upper corners.
= A miniature tapestry showing a lattice with paisley-shapes and circles within, with a border of circles and flowers.
AND 1 other wall-hanging, (19th(?) century, 21,5x18,5 cm., yellow floral silk brocade panel, w. cotton and silk patchwork borders, silk tassels along edges, backed w. silk. Verso stained and w. some wormholes).
- Colours sl. faded
- Trifle/ sl. soiled and w. a small foxed spot, but otherwise a good impression.
= From the series Sanjuroku kasen (Thirty-six Elegant Selections).
Gekkô (1895-?). (Woman holding something covered by a cloth, accompanied by two sitting dolls/ children). Col. woodcut, 20x25 cm., signed Gekkô, with the artist's seal, n.publ., first half 20th cent.
- With some tiny foxed(?) spots; sl. browned on verso; otherwise fine. = Print by Ohashi Gekkô.
- Covers sl. stained; cord replaced; title-strip (sl.) faded.
= Contains woodcut reproductions of calligraphed Chinese poems from the Tang dynasty in different styles, accompanied by explanations of the poems in Japanese and double-page illustrations.
- Sl. foxed in lower margin; tipped onto mount along upper and lower margin. Otherwise fine.
AND 1 other by KUNICHIKA (A masked actor holding a dagger in his hand) (part of an ōban triptych. Cut short).
- Image and signature/ caption cut short.
Eitoku Tatsunobu, Kano (1814-1891) (?). (The sage Lin Ho-Ch'ing feeding a crane). Drawing, brush and ink, 19,5x25,5 cm., signed "(...) Eitoku hitsu". Anonymous (19th cent.). (Immortal standing on a sword crossing a river). Drawing, 26,5x22 cm. - AND 5 other drawings, i.a. a man with a pack horse (Shijô-school).
- Occas. trifle/ sl. foxed, otherwise contents fine. One wormhole (±2x1cm.) in back cover.
= Woodcuts after many famous artists, such as Harunobu, Eisen, Koryûsai, and Toyokuni.
- Lacks vol. 4. One vol. (sl.) wormholed. Wrs. sl. worn, one vol. lacks hashira strip.
= Each vol. is about a different region of Japan, e.g. the Tôkaidô-area, the Tôsandô-area, the Hokurikudô-area, Hokkaidô and the Saikaidô-area (Kyûshû). The views are of rivers, mountains, deltas, and cityscapes.
- With brown spot on the lower inner blank margin, but otherwise a fine impression.
= This print also has a variant for "night". Provenance: from the Robert O. Muller Estate.
- With some sl. creasing in the upper left corner. Otherwise fine.
= From the series Sakura hachi-dai (Eight Scenes of Cherry Blossoms).
- With two sm. holes in the inner blank margin, probably from the printing process (registration marks). A fine impression.
- Rebacked. A fine impression.
= From the series Tsuki hyakushi (One Hundred Aspects of the Moon). "The warrior Yamanaka Shikanosuke Yukimori (sixteenth century), a vassal of Amako Yoshihisa, and the crescent moon of faith as seen on his helmet." Van den Ing & Schaap, Beauty & Violence 54.22.
- Rebacked w. Japanese; cut sl. short along right margin, not affecting image; sl. foxed, mostly unobtrusive but visible in the top half of the image.
= Showing nice gauffrage patterns in Fujiwara no Sanekata's black overcoat and white collar. From the series Shinkei sanjûroku kaisen (The New Forms of Thirty-six Ghosts), a series of yôkai-prints, featuring ghost-stories of Japanese folklore. Van den Ing & Schaap, Beauty & Violence 65.14.
- Lacking sm. portion along middle of left margin (sl. affecting image); cut sl. short on the left margin, w. partial loss of the publisher's information; reinforced w. Japanese along left and right margin; w. some light bleeding in red dye in the upper left corner. Nevertheless a vibrant and attractive print.
= From the series Shinkei sanjûroku kaisen (The New Forms of Thirty-six Ghosts), a series of yôkai-prints, featuring ghost-stories of Japanese folklore. Van den Ing & Schaap, Beauty & Violence 65.11.
= From the series Tsuki hyakushi (One Hundred Aspects of the Moon). Van der Ing/ Schaap 98. SEE ILLUSTRATION PLATE LIX.
- With a closed wormhole in the upper left corner (blank margin); paper (sl.) soiled, but still a good impression.
= From the series Shinkei sanjûroku kaisen (The New Forms of Thirty-six Ghosts), a series of yôkai-prints, featuring ghost-stories of Japanese folklore. Van den Ing & Schaap, Beauty & Violence 65.21.