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81/5095 Tapestries and textiles  Hand embroidered Persian ? wall hanging with goldwork shaped like a bird 81/5095 Tapestries and textiles Hand embroidered Persian ? wall hanging with goldwork shaped like a bird
81/5095 [Tapestries and textiles]. Hand-embroidered Persian(?) wall-hanging with goldwork, shaped like a bird. Blue, purple, green and black silk and gold-wrapped threads on red silk, ±22x19 cm., 19th(?) century, edged w. a wavy ribbon, backed w. patterned cotton.

- Occas. lacks gold. Backing fabric partly frayed and w. traces of clay(?).

= A decorative wall-hanging of a peacock or a rooster.

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81/5096 Tapestries and textiles  Persian ? circular hand embroidered wall hanging with goldwork 81/5096 Tapestries and textiles Persian ? circular hand embroidered wall hanging with goldwork
81/5096 [Tapestries and textiles]. Persian(?) circular hand-embroidered wall-hanging with goldwork. Blue, black and green silk and gold-wrapped threads on red cotton, Ø27 cm., 19th(?) century, framed w. a woven ribbon, backed w. patched woven cotton.

- Gold occas. lacking; edges occas. sl. frayed.

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81/5097 Tapestries and textiles  Persian ? hand embroidered wall hanging with goldwork 81/5097 Tapestries and textiles Persian ? hand embroidered wall hanging with goldwork
81/5097 [Tapestries and textiles]. Persian(?) hand-embroidered wall-hanging with goldwork. Blue and yellow silk and gold-wrapped threads on red silk, 30,5x24,5 cm., 19th(?) century, framed w. a woven ribbon and woollen threads, backed w. woven cotton.

- Gold occas. lacking; edges sl. frayed. Verso stained along the edges (remnants of glue?).

= An attractive miniature tapestry with star motifs.

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81/5098 Tapestries and textiles  Persian ? hand embroidered wall hanging with goldwork 81/5098 Tapestries and textiles Persian ? hand embroidered wall hanging with goldwork
81/5098 [Tapestries and textiles]. Persian(?) hand-embroidered wall-hanging with goldwork. Orange, green and blue silk and gold-wrapped threads on purple silk, 28,5x23 cm., 19th(?) century, framed w. a woven ribbon, backed w. (repurposed) woven cotton w. paisley pattern.

- Gold occas. lacking; edges occas. sl. frayed. Backing loosening; verso w. some tears and a few wormholes; remnants of glue from tape in upper corners.

= Reinforced with repurposed paper on this inside. An attractive miniature tapestry w. flowers, birds and fish.

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81/5099 Tapestries and textiles  Persian ? hand sewn wall hanging with sequins 81/5099 Tapestries and textiles Persian ? hand sewn wall hanging with sequins
81/5099 Tapestries and textiles  Persian ? hand sewn wall hanging with sequins 81/5099 Tapestries and textiles Persian ? hand sewn wall hanging with sequins
81/5099 [Tapestries and textiles]. Persian(?) hand-sewn wall-hanging with sequins. Cotton and silk appliqués and brass(?) sequins on woven cotton, 27x22,5 cm., 19th(?) century, backed w. woven cotton.

- Lacks some sequins; colours (sl.) faded. Verso w. remnants of glue from tape on upper corners.

= A miniature tapestry showing a lattice with paisley-shapes and circles within, with a border of circles and flowers.

AND 1 other wall-hanging, (19th(?) century, 21,5x18,5 cm., yellow floral silk brocade panel, w. cotton and silk patchwork borders, silk tassels along edges, backed w. silk. Verso stained and w. some wormholes).

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81/5100 Tapestries and textiles  Two Chinese embroidered panels 81/5100 Tapestries and textiles Two Chinese embroidered panels
81/5100 [Tapestries and textiles]. Two Chinese embroidered panels. Silk and bronze-coloured metal threads on silk, 54x9 cm., 19th/ early 20th cent., mostly pekin knots and satin stich, showing figures in a garden engaged in various activities.

- Colours sl. faded

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81 5101 Toshikata 1866 1908 81 5101 Toshikata 1866 1908
81 5101 Toshikata 1866 1908 81 5101 Toshikata 1866 1908
81/5101 Toshikata (1866-1908). Sozoro aruki, Meireki koro fujin (Out for a Stroll: Woman of the Meireki Era). Col. woodcut, 22x32,5 cm., signed Toshikata, w. the artist's seal, publisher Akiyama Buemon, 1891 (Meiji 24).

- Trifle/ sl. soiled and w. a small foxed spot, but otherwise a good impression.

= From the series Sanjuroku kasen (Thirty-six Elegant Selections).

Gekkô (1895-?). (Woman holding something covered by a cloth, accompanied by two sitting dolls/ children). Col. woodcut, 20x25 cm., signed Gekkô, with the artist's seal, n.publ., first half 20th cent.

- With some tiny foxed(?) spots; sl. browned on verso; otherwise fine. = Print by Ohashi Gekkô.

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81/5102 Tôshisen ehon Picture Book of Selected Tang Poems  Vol 5 81/5102 Tôshisen ehon Picture Book of Selected Tang Poems Vol 5
81/5102 Tôshisen ehon Picture Book of Selected Tang Poems  Vol 5 81/5102 Tôshisen ehon Picture Book of Selected Tang Poems Vol 5
81/5102 Tôshisen ehon (Picture Book of Selected Tang Poems). Vol. 5. N.pl., publisher Kasa Sanbô(?), 1801, 1 vol. (of 5), 17 text-p., 7 (double-p.) woodcut ills., bound as a block book in orig. cordbound wr. w. hashira title.

- Covers sl. stained; cord replaced; title-strip (sl.) faded.

= Contains woodcut reproductions of calligraphed Chinese poems from the Tang dynasty in different styles, accompanied by explanations of the poems in Japanese and double-page illustrations.

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81 5103 Toyokuni I 1769 1825 81 5103 Toyokuni I 1769 1825
81/5103 Toyokuni I (1769-1825). (Actor crouching below a flowering branch). Col. woodcut ōban, signed Toyokuni ga, publ. Matsumura Tatsuemon, kiwame seal.

- Sl. foxed in lower margin; tipped onto mount along upper and lower margin. Otherwise fine.

AND 1 other by KUNICHIKA (A masked actor holding a dagger in his hand) (part of an ōban triptych. Cut short).

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81 5104 Tozan 19th cent  81 5104 Tozan 19th cent
81 5104 Tozan 19th cent  81 5104 Tozan 19th cent
81 5104 Tozan 19th cent  81 5104 Tozan 19th cent
81 5104 Tozan 19th cent  81 5104 Tozan 19th cent
81/5104 Tozan (19th cent.). (Hotei carrying his inexhaustible bag). Drawing, brush and black and red ink, 45x31,5 cm., signed Tozan.

- Image and signature/ caption cut short.

Eitoku Tatsunobu, Kano (1814-1891) (?). (The sage Lin Ho-Ch'ing feeding a crane). Drawing, brush and ink, 19,5x25,5 cm., signed "(...) Eitoku hitsu". Anonymous (19th cent.). (Immortal standing on a sword crossing a river). Drawing, 26,5x22 cm. - AND 5 other drawings, i.a. a man with a pack horse (Shijô-school).

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81/5105 Ukiyo e shi Korei bijin gafu Masters of ukiyo e Picture album of beauties from ancient times 81/5105 Ukiyo e shi Korei bijin gafu Masters of ukiyo e Picture album of beauties from ancient times
81/5105 Ukiyo e shi Korei bijin gafu Masters of ukiyo e Picture album of beauties from ancient times 81/5105 Ukiyo e shi Korei bijin gafu Masters of ukiyo e Picture album of beauties from ancient times
81/5105 Ukiyo-e-shi. Korei bijin gafu (Masters of ukiyo-e. Picture album of beauties from ancient times). N.pl., n.publ., n.d. (19th cent.), 46p. w. woodcut ills., bound as blockbook w. hashira title.

- Occas. trifle/ sl. foxed, otherwise contents fine. One wormhole (±2x1cm.) in back cover.

= Woodcuts after many famous artists, such as Harunobu, Eisen, Koryûsai, and Toyokuni.

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81 5106 Uryû Tora 1842 1923 81 5106 Uryû Tora 1842 1923
81 5106 Uryû Tora 1842 1923 81 5106 Uryû Tora 1842 1923
81 5106 Uryû Tora 1842 1923 81 5106 Uryû Tora 1842 1923
81/5106 Uryû, Tora (1842-1923). Kaisei nihon kunitsukushi (Revised guide to all of Japan). Tokyo, Izumiya Kichibê, 1874, 7 (of 8) vols., woodcut text, 10 col. (fold.) (double-p.) maps, 22 col. (fold.) views, orig. unif. cordbound wr. w. hashira-title.

- Lacks vol. 4. One vol. (sl.) wormholed. Wrs. sl. worn, one vol. lacks hashira strip.

= Each vol. is about a different region of Japan, e.g. the Tôkaidô-area, the Tôsandô-area, the Hokurikudô-area, Hokkaidô and the Saikaidô-area (Kyûshû). The views are of rivers, mountains, deltas, and cityscapes.

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noimage
81/5107 Yoshida (1876-1950). Caravan from Afganistan. Col. woodcut, 24,5x37 cm., signed "Hiroshi Yoshida" in pencil, signed Yoshida, w. red artist's seal Hiroshi, w. jizuri seal, 1932.

- With brown spot on the lower inner blank margin, but otherwise a fine impression.

= This print also has a variant for "night". Provenance: from the Robert O. Muller Estate.

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81 5108 Yoshida 1876 1950 81 5108 Yoshida 1876 1950
81/5108 Yoshida (1876-1950). Chion-in Temple Gate. Col. woodcut, 37,5x24,5 cm., signed Yoshida, w. red artist's seal Hiroshi, signed "Hiroshi Yoshida" and titled in pencil, w. jizuri seal, 1935.

- With some sl. creasing in the upper left corner. Otherwise fine.

= From the series Sakura hachi-dai (Eight Scenes of Cherry Blossoms).

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81 5109 Yoshida 1876 1950 81 5109 Yoshida 1876 1950
81/5109 Yoshida (1876-1950). Himeji Castle, Morning. Col. woodcut, 37x24,5 cm., signed "Hiroshi Yoshida" and titled in pencil, signed Yoshida, w. red artist's seal Hiroshi, w. jizuri seal, 1926.

- With two sm. holes in the inner blank margin, probably from the printing process (registration marks). A fine impression.

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81 5110 Yoshitoshi 1839 1892 81 5110 Yoshitoshi 1839 1892
81/5110 Yoshitoshi (1839-1892). Faith in the Third-day Moon Col. woodcut ôban, signed Yoshitoshi, artist's seal "Taiso", publ. Akiyama Buemon, 1886.

- Rebacked. A fine impression.

= From the series Tsuki hyakushi (One Hundred Aspects of the Moon). "The warrior Yamanaka Shikanosuke Yukimori (sixteenth century), a vassal of Amako Yoshihisa, and the crescent moon of faith as seen on his helmet." Van den Ing & Schaap, Beauty & Violence 54.22.

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81 5111 Yoshitoshi 1839 1892 81 5111 Yoshitoshi 1839 1892
81/5111 Yoshitoshi (1839-1892). Fujiwara no Sanekata's Obsession with the Sparrows. Col. woodcut ôban, signed Yoshitoshi, w. artist's seal Taiso, publisher Sasaki Toyokichi, 1890.

- Rebacked w. Japanese; cut sl. short along right margin, not affecting image; sl. foxed, mostly unobtrusive but visible in the top half of the image.

= Showing nice gauffrage patterns in Fujiwara no Sanekata's black overcoat and white collar. From the series Shinkei sanjûroku kaisen (The New Forms of Thirty-six Ghosts), a series of yôkai-prints, featuring ghost-stories of Japanese folklore. Van den Ing & Schaap, Beauty & Violence 65.14.

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81 5112 Yoshitoshi 1839 1892 81 5112 Yoshitoshi 1839 1892
81/5112 Yoshitoshi (1839-1892). Gamô Sadahide's Servant, Toki Motosada, Hurling a Demon King to the Ground at Mount Inohana. Col. woodcut ôban, signed Yoshitoshi-ga, w. artist's seal Taiso, publisher Sasaki Toyokichi, 1890.

- Lacking sm. portion along middle of left margin (sl. affecting image); cut sl. short on the left margin, w. partial loss of the publisher's information; reinforced w. Japanese along left and right margin; w. some light bleeding in red dye in the upper left corner. Nevertheless a vibrant and attractive print.

= From the series Shinkei sanjûroku kaisen (The New Forms of Thirty-six Ghosts), a series of yôkai-prints, featuring ghost-stories of Japanese folklore. Van den Ing & Schaap, Beauty & Violence 65.11.

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81 5113 Yoshitoshi 1839 1892 81 5113 Yoshitoshi 1839 1892
81/5113 Yoshitoshi (1839-1892). Ideshio no tsuki (The Moon at Full Tide). Col. woodcut ôban w. gauffrage, signed Yoshitoshi, with Yoshitoshi seal, publ. Akiyama Buemon, 1892.

= From the series Tsuki hyakushi (One Hundred Aspects of the Moon). Van der Ing/ Schaap 98. SEE ILLUSTRATION PLATE LIX.

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81 5114 Yoshitoshi 1839 1892 81 5114 Yoshitoshi 1839 1892
81/5114 Yoshitoshi (1839-1892). Ii no Hayata kills the Nue at the Imperial Palace. Col. woodcut ôban, signed Yoshitoshi, w. artist's seal Taiso, publisher Sasaki Toyokichi, 1889-1892.

- With a closed wormhole in the upper left corner (blank margin); paper (sl.) soiled, but still a good impression.

= From the series Shinkei sanjûroku kaisen (The New Forms of Thirty-six Ghosts), a series of yôkai-prints, featuring ghost-stories of Japanese folklore. Van den Ing & Schaap, Beauty & Violence 65.21.

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