81 5035 Hiroshige 1797 1858 after 
= A facsimile restrike of the original from the series Tôkaidô gojûsan-tsugi no uchi (Fifty-three stations of the Tôkaidô).
Idem (after). Kameido Tenjin keidai (Inside Kameido Tenjin Shrine). Col. woodcut chûban, signed Hiroshige-hitsu, facsimile reprint by publisher Uchida.
- Two tiny foxed spots, otherwise fine.
= A facsimile restrike of the original from the series Meisho Edo hyakkei (One hundred famous views of Edo).
81 5036 Hiroshige II 1829 1869 
- All without margins; w. restored holes; (sl.) faded and soiled/ stained; edges strengthened w. thin Japanese; one doubled w. thin Japanese.
= Depicting act 6-8 (rokudanme, shichidanme and hachidanme) of the play Chûshingura (The Storehouse of the Loyal Retainers) about the 47 rônin.
81 5037 Hokusai 1760 1849 
- Laid down on thin paper, closing a large tear in right part and 2 sm. tears in lower part and a few weak spots.
= Restrike from a recut block, perhaps late 19th century. From the series Fugaku sanjûrokkei (Thirty-six Views of Mount Fuji).
81 5038 Hokusai 1760 1849 after 
- Early(?) 20th century copy from new blocks; tipped onto board; sl. wrinkled/ creased; uppermost third sl. soiled; a few sm. foxed spots.
= Cf. Forrer (1991), 11.
81 5039 Hokusai 1760 1849 after 
81 5039 Hokusai 1760 1849 after 
81 5039 Hokusai 1760 1849 after 
- Modern copy from new blocks. Fine. = Part of the series Fugaku sanjūrokkei (Thirty-six Views of Mount Fuji). Cf. Forrer (1991), 21.
AND 11 lvs. w. woodcut ills. by HOKUSAI (1760-1849), i.a. from HOKUSAI MANGA and TOSHISEN EHON (all sl. browned/ trifle foxed and tipped onto mount).
81 5040 Hozumi Eiki 1823 1904 
81 5040 Hozumi Eiki 1823 1904 
81 5040 Hozumi Eiki 1823 1904 
- First "page" foxed; sm. unobtrusive hole in last "page", otherwise fine. Boards sl. soiled.
= An illustrated dictionary of words used for haikai poetry.
81 5041 Hu Zhenyan 1584 1674 after 
81 5041 Hu Zhenyan 1584 1674 after 
81 5041 Hu Zhenyan 1584 1674 after 
81 5041 Hu Zhenyan 1584 1674 after 
81 5041 Hu Zhenyan 1584 1674 after 
= A fine facsimile edition of the 1644 original collection from Hu Zhenyan's Ten Bamboo Studio. Contains many detailed woodcuts of landscapes, plants, animals, objects and people. SEE ILLUSTRATION PLATE LIX.
81 5042 Jin Li b 1958 
- Slightly yellowed; a few vague horizontal folds; nevertheless a fine drawing.
= SEE ILLUSTRATION PLATE LIX.
- Paper partly brittle.
= With a publication on the subject: S. YOSHIOKA (ed.), Katagami Katazome. Paper stencils for Dyeing. The Yoshiake Collection (Kyoto, 1989, num. ills., orig. wr., 4to).
81 5044 Keinen Imao 1845 1924 
81 5044 Keinen Imao 1845 1924 
81 5044 Keinen Imao 1845 1924 
81 5044 Keinen Imao 1845 1924 
81 5044 Keinen Imao 1845 1924 
- Three prints trifle/ sl. foxed; 1x sl. soiled.
= From the series Keinen kachô gafu (Keinen's Drawing Book of Flowers and Birds).
ADDED: 1 other modern col. woodcut of an iris, 17,5x12,5 cm., printed on silk, w. illegible red seal.
81 5045 Kikumoto Yoshiyasu active 1688 1704 
81 5045 Kikumoto Yoshiyasu active 1688 1704 
81 5045 Kikumoto Yoshiyasu active 1688 1704 
- All vols. partly sl. wormholed.
= From the series Banpô zensho (Complete book of many treasures). Originally published in 1693.
81 5046 Kiyohara Hitoshi 1896 1956 
- Yellowed; small unobtrusive dam. spot in the lower left corner; paper remnants in blank margins from previous mounting under passepartout.
Idem. (Children having a picnic). Col. woodcut, 36x24,5 cm., signed Hitoshi, no publ., ±1950.
- Yellowed; mounted under passepartout.
81 5047 Kiyonaga 1752 1815 
81 5047 Kiyonaga 1752 1815 
- Crease in upper left corner; yellowed; paper strip along verso upper edge.
= From the series Tôsei yûri bijin awase (Contest of Contemporary Beauties of the Pleasure Quarters).
AND 3 others.
81 5048 Koen Gokaku 1786 1868 
81 5048 Koen Gokaku 1786 1868 
81 5048 Koen Gokaku 1786 1868 
81 5048 Koen Gokaku 1786 1868 
- Both vols. first page w. red seals (unread). Wrappers creased and sl. soiled; w. identical tickets on frontwr. and w. red seals.
= Illustrated haikai poetry, divided into the four seasons (vol. 1 spring and summer, vol 2. autumn and winter), depicting people engaged in various activites or situations of daily life (e.g. having tea, travelling, sweeping leaves, doing laundry, etc.). The embossed banana leaves on the cover refer to Matsu Bashô (bashô means 'Japanese fiber banana'), who played a major part in popularising haikai poetry.
81 5049 Kôgyo 1869 1927 
81 5049 Kôgyo 1869 1927 
81 5049 Kôgyo 1869 1927 
81 5049 Kôgyo 1869 1927 
81 5049 Kôgyo 1869 1927 
81 5049 Kôgyo 1869 1927 
81 5049 Kôgyo 1869 1927 
- Takasago prob. doubled w. Japanese.
= From the series Nogaku hyakuban (One hundred Noh plays). Comprises: Takasago (diptych), Sagi, Hibariyama (lefthand leaf of a diptych), Mekari and Yôrô. Schaap/ Rimer, The Beauty of Silence, appendix no. 37, 38, 67, 92, 108, and 109 respectively.
AND: IDEM, (Two actors in a scene from a Noh play) (col. woodcut horizontal ôban, signed Kôgyo, w. artist's seal in red, without publisher).
81 5050 Koîtsu 1870 1949 
- Fine impression. = Showing the Pagoda of Hôryû Temple in Nara on a rainy evening.
81 5051 Koson Ohara 1877 1945 
- Lower-right corner without ink; sm. foxed spot on verso not affecting image, but otherwise a fine copy and impression.
= Newland/ Perrée and Schaap 46.
81 5052 Koson Ohara 1877 1945 
- With three sm. spots of foxing (unobtrusive); tiny tear or paper flaw along top margin (±4mm). Otherwise fine.
= Newland/ Perrée and Schaap K5.1. Very rare. SEE ILLUSTRATION PLATE LVIII.
81 5053 Koson Ohara 1877 1945 
- Laid down on mount; sl. browned.
81 5054 Kunichika 1835 1900 
81 5054 Kunichika 1835 1900 
81 5054 Kunichika 1835 1900 
- With binding holes, a hole on the face of the actor and some pinholes in upper right corner; (sl.) soiled/ w. some stains; lower right corner sl. dam.; sl. creased.
= Shows the actor Onoe Kikugorô V in a fight at knifepoint.
AND 2 others, both with some (slight) defects, i.a. SEKKÔTEI HOKUMYÔ, Actors Nakamura Utaemon and Nakamura Shikan doing the Ise Ondo Dance (col. woodcut ôban, signed Sekkôtei Hokumyô-ga, publisher Shôhonya Seishichi (Honsei), (1837)).