- All fine. = SEE ILLUSTRATION PLATE LV.
- Partly sl. foxed. Lacks backstrip and some sm. portions of covers; remnants of sticker on frontcover; some paint(?) splatter on frontcover; backcover sl. rubbed.
= Comprises i.a. "Earthen Store, Shimizu, Kioto"; "Wooden clog's shop"; "Buddhist priests"; "Drinking wine" and "A rikisha overturned".
= I.a. farmers processing rice and people performing at a temple.
- Two photographs w. cut in left margin of the image; photographs occas. loose(ning). Nevertheless in near fine condition.
= This dummy is almost identical to the publication Kalypso & Nausikaä (Amst., 2004), only without the text and with a few small changes in the order of the contact prints. This dummy provides a good insight in the production process of Kando's iconic photographic story of the chapters 'Kalypso' and 'Nausikaä' from Homer's Odyssee, an early photo-graphic story with and for children. This lot is subject to 4% resale royalties ('droit de suite') over the total amount of hammerprice and buyer's premium.
= "Amsterdamse Bos"; "Broek in Waterland"; "Drente", "Friesland"; "Muiderslot" and "Zuid-Holland". Unique series, Aart Klein was commissioned for this series on occasion of the previous owner's emigration to the United States.
= See K. van Lohuizen, After us the Deluge, p.124-125.
WITH: a SIGNED copy of Kadir VAN LOHUIZEN, After us the Deluge (Tielt, 2021) and a similar C-print by the same: "Groenland" (signed, titled and dated "2018" on verso. Thin scratch in lower right corner. K. van Lohuizen, After us the Deluge, p.50-51).
= Mostly European topography, i.a. showing the guns of Gibraltar (4x), the Old Town Bridge Tower in Prague (2x), construction works at the Danube near Orşova (Romania) and a battery overlooking Lima (Peru).
= Varied collection.
= Also includes about 15 prints w. Spanish views. Provenance: A.J. van der Chijs (owner's entry on upper pastedown of album with date "1906").
= SEE ILLUSTRATION PLATE LIV.
- A few hairline scratches/ tiny chips and sl. rippled.
= Van Sinderen p.278: "Max Natkiel liep al aardig tegen de veertig toen hij in 1980 besloot om van zijn jarenlange wekelijkse bezoek aan poppodium Paradiso in Amsterdam een wat zinvoller tijdspassering te maken. Met een oude Rolleiflex van zijn vader ging hij medebezoekers portretteren. Hij fotografeerde ze niet sfeervol al pogoënd op de vloer of pratende aan de bar, maar afzonderlijk bij de toiletten in kil vooraanzicht en meedogenloos flitslicht. Tussen 1980 en 1985 maakte Natkiel op deze manier meer dan 5000 opnames, waarvan een kleine selectie in 1986 werd uitgegeven in het boek Paradiso Stills. (...) Het feit dat Natkiels serie al na twintig jaar als een interessant historisch document wordt beschouwd, ligt deels aan de inhoud (modetrends zijn al gauw historie) en voor het overige aan de uitzonderlijke ziens- en werkwijze van de fotograaf. (...) Natkiel werd gefascineerd door 'heavy' jongeren, niet door het gemiddelde poppubliek dat Paradiso het vaakst frequenteert." SEE ILLUSTRATION PLATE LVI.
WITH: D. VAN WEELDEN, Studio Paradiso (Amst., 2013, 623,(1)p., hundreds of photogr. ills. by M. NATKIEL, orig. wr. The above portrait illustrated on p.216).
= Titled and dated "24. Sept. 1877" in contemp. pen and ink on verso.
Idem. Monumento a Tiziano - Venezia. Albumen print, 24,9x14,2 cm., w. photographer's name "Naya Fotografo Venezia" blindst. in mount below image.
= Titled, with description in Dutch and dated "25 Sept. 1877" in contemp. pen and ink on verso.
AND 3 miscellaneous other photographs (incl. two modern prints), i.a. ENDREY (aka A.E. Roekaert), (Portrait of a man dressed as a nawab) (oval gelatin silver print, w. photographer's blindst. in lower blank corner "Endrey Paris (...)").
= Views of i.a. Amsterdam, Rotterdam, The Hague and Utrecht.
= Varied collection, incl. views of i.a. Amsterdam, The Hague, Deventer, Enkhuizen, Haarlem, Hoorn, Leyden, Nijmegen and Scheveningen (the Kurhaus).
= With AUTOGRAPH SIGNED DEDICATION on htitle: "Voor Patrick heel erg bedankt voor je 'haar' [signed] 14-5-95" (referring to the hairstyling of Mieke Stemerdink done by Patrick Moonen (owner of "Shampoo Planet") for this portrait). An accompanying article states that the portrait symbolizes autumn.
- Two prints and lower pastedown (sl.) soiled.
- A few scratches/ dam. spots.
AND 3 other prints: a railway viaduct near Sebastopol (mounted albumen print, ±1900. Sl. foxed); a section of the Gotthardbahn near Giornico (gelatin silver print, ±1930, under passe-partout) and a section of the Albula railway line in Switzerland (gelatin silver print, ±1935, framed). - ADDED: 2 others.