- The 2nd print some soiling in blank margins.
- Pinholes in blank corners; a few small professionally repaired/ retouched spots in upper margin.
= Cf. D. Adelaar, "Constructivistische tendenzen", in Willem van Leusden, essays over een verhard romanticus (Utr., 1990), p.99ff. Provenance: Auktionshaus Villa Grisebach, Berlin, 2009. SEE ILLUSTRATION PLATE XXXI.
- Signature and title faded and hardly visible. Upper corners torn off (preserved).
= A similar copy traced in the collection of The Kröller Müller Museum, Otterlo. Provenance: the collection of Hank Onrust.
- Slightly yellowed; a few foxed spots.
= Schiefler 174b. From the periodical Kriegszeit. Künstlerflugblätter, year 1, no. 3.
= Provenance: the collection of Ton and Dobs van Dijk (Galerie Petit).
- A few superficial scratches in upper right corner.
- Foxed. = Very rare.
- Sl. browned and foxed, but nice.
= Very rare suite. SEE ILLUSTRATION PLATE XXXII.
= SEE ILLUSTRATION PLATE XXXI.
AND 1 other: H. THOMA, Wundervogel (drypoint, 20x24,5 cm., monogrammed and dated "HTh 09" in the plate. Proof?). - ADDED: 1 other unrelated.
- Occas. sl. frayed/ yellowed; mostly fine.
= Drawings showing mainly Dutch and some foreign landscapes. Comprises i.a. a watercolour view of Dordrecht and of Enkhuizen by Th. VAN HEEMSTEDE OBELT; a black chalk view of London by Poppe DAMAVE; a view of an unidenified heath by Charles BEEK and two Dutch landscape views by Cornelis DE ZEEUW.
- Sl. browned.
= Blokland 69 (Broadway at Times Square); Venema p.31 (Broadway/Times Square). SEE ILLUSTRATION PLATE XXXIII.