= Kersten 206.
Idem. Ossekoppen. Copperengraving, 21,6x27,4 cm., signed "Kuno Brinks" in pencil, monogrammed and "39" in the plate.
= Kersten 89 and p.44-45.
- Both formerly folded and trifle creased in right margin.
= Two open letters from a series that Marcel Broodthaers published from 1968 to 1972 in a small edition and that were sent to people in the artworld to promote his conceptual art project, the initially fictitious Musée d'Art Moderne, a comment on the (social) context of art. Provenance: the collection of Kees Broos and Liesbeth Brandt Corstius.
- Formerly folded.
= Listing 5 (unrelated) points, i.a. "1. Conceptual artists are more rationalists rather than mystics... etc.../ 2. Comme je tiens à défendre un sens de la réalité plutôt que la théorie et la rêve.../ (...) 5. Qu'est-ce qu'un artiste étranger? (...)". Provenance: the collection of Kees Broos and Liesbeth Brandt Corstius.
= Barthel 15, the fourth state (of 5).
AND 2 other etchings by the same: Portrait of Edmond de Goncourt and La Relêve (2e planche) (Barthel 187 and 403).
= Geffroy/ Boutitie 240.
= Geffroy/ Boutitie 184.
AND 1 other drypoint by the same: l'Aveugle (Joueur d'orgue) (Geffroy/ Boutitie 80).
= Geffroy/ Boutitie 13.
AND 1 other etching by the same: Vieille maison à Audemps (signed "A. Brouet" and "17/50" in pencil) (Geffroy/ Boutitie 22).
- Yellowed. = Geffroy/ Boutitie 107.
= Geffroy/ Boutitie 143.
AND 1 other drypoint by the same, Vieillle rue à Dieppe (signed and "5/75" in pencil).
= Barthel 11.4. SEE ILLUSTRATION PLATE X.
= Geffroy/ Boutitie 213
= Geffroy/ Boutitie 221; Barthel 427.
= Geffroy/ Boutitie 239.
= SEE ILLUSTRATION PLATE IX.
= SEE ILLUSTRATION PLATE XI.