81 1675 Assisi F van 
81 1675 Assisi F van 
81 1675 Assisi F van 
= One of 335 copies on Oud Hollandsch. Attractive publication.
81 1676 Atalanta Pers Bakker R and Oosterkerk K 
81 1676 Atalanta Pers Bakker R and Oosterkerk K 
= Final project by this collective of private presses, consisting of De Ammoniet, De Baaierd, Clio Pers, De Overkant, De Pers Achter de Muren, t Schuurtje, Typografiek and ZonderDak.
81/1677 Atalanta Pers Lot of 22 publications 
= I.a. M. BOOG, Maak water (2008); H. BEURSKENS, Vleugels (1984, 4 lithographs); J. HAMELINK (ed.), Als een boom die bloeit en overwintert (1982, silkscreens by H. LANDSAAT); OEY TJENG SIT, Een stilte die gelukkig maakt (1990, linocut); IDEM, Courant Incourant (1988, 7 linocuts); C. ANDRIESSEN, Nu veel later (n.d., col. silkscreens); D. HILLENIUS, Verre plekken die herinnerd blijven (1986, gouache by Henri PLAAT); W.S. GRAHAM, Benaderingen van hoe ze zich gedragen. Dutch transl. W. van Toorn (1986, 6 silkscreen prints by H. Landsaat, SIGNED by the translator and the artist, orig. boards w. transparent dustwr.); Ton FRENKEN, Getekend (1996, 4 pencil drawings and 2 gouaches); J. CORTÁZAR, Het te pletter slaan van de druppels (1981, 3 etchings by Z. Janeczek, printed in 80 numb. copies (50), orig. cl.); R. BAKKER ed., Kopwit (2006, typography and ills by René BAKKER, perspex slipcase, 4to).
81 1678 Atlan Kafka F 
81 1678 Atlan Kafka F 
= Monod 6480.
81 1679 Auriol G 
- Both vols. unopened. First vol. backstrip dam. Otherwise fine copies.
= Vol. 1 one of 30 numb. copies on "Japon mat à la forme" with "un fleuron original". Vol. 2 one of 50 numb. copies on the same paper. Leroy-Crevecoeur 342.
81 1680 Avalon Pers Doesburg T van 
= One of 20 Roman numb. copies bound by J.C. van Hooff.
Idem. Het onvergankelijke kruid. Ibid., idem, 1982, (7)p., printed in 111 (numb.) copies (14), orig. cl.
= One of 14 Roman numb. copies printed for the publisher and bound by J.C. van Hooff.
Bonset, I.K. (= T. van Doesburg). Ernest. Ibid., idem, 1983, (23)p., printed in 80 numb. copies (20), orig. cl.
= One of 20 Roman numb. copies bound by J.C. van Hooff.
81 1681 Ballantyne Press Browne T 
- Untrimmed; some occas. foxing. Backstrip tanned.
81 1682 Barlach E Goethe J W von 
81 1682 Barlach E Goethe J W von 
- Extremities sl. rubbed. Fine copy.
AND 2 others by the same: Zeichnungen zum Michael Kohlhaas (ibid., 1940) and Ein selbsterzähltes Leben (ibid., 1928).
81 1683 Barlach E Walter R von 
81 1683 Barlach E Walter R von 
81/1684 Bauer M A J La Jeunesse inaltérable et la vie eternelle Conte populaire traduit litteralement du Roumain Pref A Alexandre French transl by W Ritter 
81/1684 Bauer M A J La Jeunesse inaltérable et la vie eternelle Conte populaire traduit litteralement du Roumain Pref A Alexandre French transl by W Ritter 
- Sm. rubbed spot on first blank; frontcover trifle duststained and upper outer corners of both covers trifle bumped.
= Colophon unnumb. but w. manuscript: "Not for Sale" instead. Van Wisselingh 273-291, stating that only 180 copies were printed (p.18), or even only 150 copies (p.91). Braches (ed. 2016) 376; Braches (2nd ed.) 348; Braches (1st ed.) 980116 and p.292-293: "Deze versieringen [van Dijsselhof] zijn, omdat ze moesten komen naast etsen van Bauer, geëtst. Ze zijn als zodanig uniek in de geschiedenis der boekherleving." SEE ILLUSTRATION PLATE XL.
81 1685 Beardsley A Wilde O 
81 1685 Beardsley A Wilde O 
81 1685 Beardsley A Wilde O 
- Owner's entry on htilte; lacks first free endpaper; bookplate on upper pastedown. Spine-ends and corners trifle worn. Good/ fine copy.
= Lasner 59D; Taylor p.96f: "(...) the illustrations for Salomé probably represent the peak of Beardsley's career (...)"; Mason 355. English translation by Alfred Douglas; the first French ed. was published in Paris, 1893. Ray, The illustrator and the book in England 1790-1914, 315: "If Le Morte Darthur made Beardsley known, his designs for the first edition in English of Wilde's Salomé made him notorious, and it remains the book of which most people think when his name is mentioned. (...) When Salomé was published, the critics made their expected protest, though Wilde was their primary target, and relations between writer and artist became strained. But even if Beardsley offers amiable caricatures of Wilde in "Enter Herodias" and two other designs, it is mistaken to think that he was contemptuous of the text he was illustrating. It moved his imagination as did few other subjects." In the first Beardsley illustrated edition of 1894 two drawings and the cover design were cancelled and several plates were bowdlerized. SEE ILLUSTRATION PLATE XLI.
81 1686 Bébert Weemoedt L 
= Contains 20 AUTOGRAPH POEMS in pen and black and red ink, of which the majority will not be reprinted according to the colophon. WITH the accompanying "Zelfportret (5)": an ORIGINAL DRAWING, pen and ink, 29,5x21 cm., signed "Lévi Weemoedt 1982 (B.K.R.)", w. AUTOGRAPH title and caption "Ik kan nog altijd in het KLOOSTER!", loosely inserted in orig. plain cl. portfolio, w. autogr. "©Lévi Weemoedt Vlaardingen" on inside frontcover.
AND 2 others by and publ. by the same: 'Van Dansen en Zingen & Treuriger Dingen'. Introd. (SIGNED in pen and ink) by Maarten Biesheuvel (1980, printed in 133 numb. and signed copies, 1 autogr. poem, orig. cl. w. dustwr. and slipcase) and De zachte stal (1984, w. signed silkscreen by MARLEEN FELIUS, printed in 115 numb. and signed copies, orig. wr.), both w. owner's stamp/ entry.
= One of 24 DELUXE copies, signed by the author and artist, bound in orig. cl. w. dustwr. and with a matching cl. portfolio w. loosely inserted 2 AUTOGRAPH poems signed (dated "12.VII.1983" and "13.I.1985", according to the colophon the latter poem will never appear in print) and an orig. drawing (pen and ink) and a handcol. silkscreen by Anton Vrede (both on (thin) Japanese, both signed "Vrede", dated "84" and "10 VII 85", the silkscreen also numb. "12/38" in pencil), together in orig. cl. slipcase.
81/1688 Behmer M Buddha Auswahl aus dem Pali Kanon 
81/1688 Behmer M Buddha Auswahl aus dem Pali Kanon 
- Bookplate on upper pastedown. Binding sl. dustsoiled. Internally (very) fine. = Rodenberg p.446.
81 1689 Béranger P J de 
81 1689 Béranger P J de 
- Endpapers sl. soiled; some lvs. sl. foxed. A fine copy. = Vicaire I, p.412ff.
81 1690 Bewick T and J 
- Spine split; spine-ends restored.
= Roscoe p.117-180; Hugo 428; Ray 52: "Bewick deplored this well-produced volume, which to his mind could only serve "to feed the whimsies of bibliomanists", but he tolerated its publication. Though some of the engravings hardly rise above the chapbook level (...) the book is useful as a record of his work before he achieved his mature style."
81 1692 Bieruma Oosting J Baudelaire C 
- A fine copy.
81 1693 Bilibin I Afanasev A 
- Spine splitting and w. traces of tape(?). Internally fine.
= Lemmens/ Stommels, Russian Artists and the Children's Book p.27: "Between 1901 and 1903 seven fairy tales were published [by the State Dispatch Office] in six volumes of the same size and with an identical cover on paper of the best quality and with the most up-to-date chromolithographic technique, all illustrated by Bilibin."
81 1694 Bilibin I Afanasev A 
- Spine sl. worn and w. traces of tape(?); wr. trifle foxed. Internally fine.
= Lemmens/ Stommels, Russian Artists and the Children's Book p.27: "Between 1901 and 1903 seven fairy tales were published [by the State Dispatch Office] in six volumes of the same size and with an identical cover on paper of the best quality and with the most up-to-date chromolithographic technique, all illustrated by Bilibin."