82 6604 Schäfer Dirk 1864 1941 
= Design for the seal of Forum Hadriani Loge no. 56 of the Independent Order of Odd Fellows, an organisation resembling the Freemasonry.
82 6605 Schalcken Godefridus 1643 1706 style of 
82 6605 Schalcken Godefridus 1643 1706 style of 
82 6605 Schalcken Godefridus 1643 1706 style of 
- Varnish renewed; several (vague) horizontal dents.
= According to a label on verso of the frame this painting is by Godefridus Schalcken himself (and signed in upper right corner), with a provenance leading back to the collection Goudstikker. We found three references probably to this particular painting, regarding its provenance: Lijst van kunstwerken, door beoefenaars en verzamelaars bijeengebracht, om verloot te worden ten behoeve van Het Vaderland (Amst. 1831), no.95: "Saul bij de tooveresse te Endor, door of in de manier van Rembrand"; Veiling Amsterdam 25-01-1905, lot 815: "Godfried Schalcken. De Heks van Endor, Saul knielende voor de geest van Samuel, de heks op de achtergrond. Paneel. Fraai." (RKD: fichescollectie Cornelis Hofstede de Groot, no. 1483922) and Mak van Waay 12/15-12-1950, lot 75: "Koning Saul bij de waarzegster te Endor (...). Geparqueteerd paneel. H.74, B.97. Getekend." (RKD: fichescollectie Cornelis Hofstede de Groot, no. 1483921). Not mentioned in C. Hofstede de Groot, A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth century Based on the work of John Smith (London, 1913). SEE ILLUSTRATION PLATE CVII.
82 6606 Schelfhout Andreas 1787 1870 
82 6606 Schelfhout Andreas 1787 1870 
- Yellowed.
= With annot. by Van den Broek on verso: "Door Pieter Scheen te 's Gravenhage echte Schelfhout bevonden." Provenance: the collection A.M. van den Broek.
82 6607 Scherrewitz Johan 1868 1951 
= Title supplied on verso.
82 6608 Scholten H early 19th cent 
82 6609 Schouten Hermanus Petrus 1747 1822 
= Provenance: the collection A.M. van den Broek, with his extensive annotation.
82 6610 Schouten Johannes 1716 1792 attrib 
- Drawing trimmed to the framing line; fine.
= Earlier sold as a drawing attributed to "J.H. Prins", at auction by Paul Brandt (14-12-1972). Current attribution by Van den Broek. Provenance: the collection A.M. van den Broek, with his annots. on verso.
82 6611 Schut Cornelis 1597 1655 school of 
- Probably doubled; laid down on mount; foxed; a few small marginal tears.
= Attribution in pencil on mount.
82 6612 Segaar Abraham 1888 1962 
82 6612 Segaar Abraham 1888 1962 
= Provenance: the collection A.M. van den Broek, with his collector's stamp on verso.
82 6613 Severijnse Jan 1760 1846 
82 6613 Severijnse Jan 1760 1846 
82 6613 Severijnse Jan 1760 1846 
- A few foxed spots/ tiny vague stains; nevertheless fine.
AND 2 others (probably) by the same: a detailed pencil drawing of tower mill 'De Adriaan' and a pen drawing of saw mill 'De Liefhebber'.
= Provenance: the collection A.M. van den Broek, all with his collector's stamp on verso.
82 6614 Severijnse Jan 1760 1846 attrib 
82 6614 Severijnse Jan 1760 1846 attrib 
82 6614 Severijnse Jan 1760 1846 attrib 
82 6614 Severijnse Jan 1760 1846 attrib 
82 6614 Severijnse Jan 1760 1846 attrib 
82 6614 Severijnse Jan 1760 1846 attrib 
82 6614 Severijnse Jan 1760 1846 attrib 
= Provenance: the collection A.M. van den Broek, all with his collector's stamp on verso.
82 6615 Severijnse Jan 1760 1846 attrib 
82 6615 Severijnse Jan 1760 1846 attrib 
82 6615 Severijnse Jan 1760 1846 attrib 
82 6615 Severijnse Jan 1760 1846 attrib 
- Partly cut short; a few vague folds.
= On laid paper with a watermark showing the coats of arms of Amsterdam (Churchill 64).
AND a anonymous similar smaller drawing.
= Provenance: the collection A.M. van den Broek, each with his collector's stamp/ signature on verso.
82 6616 Ships Anonymous 19th cent 
82 6616 Ships Anonymous 19th cent 
82 6616 Ships Anonymous 19th cent 
82 6616 Ships Anonymous 19th cent 
82 6616 Ships Anonymous 19th cent 
- Drawing on tracing paper dam. in blank margin.
AND 2 blue prints of the same ship.
= The "Concordia" was built around 1886 by Huygens & Van Gelder in Amsterdam.
82 6617 Ships Anonymous 19th cent 
82 6617 Ships Anonymous 19th cent 
82 6617 Ships Anonymous 19th cent 
82 6617 Ships Anonymous 19th cent 
- Occas. sl. dustsoiled/ trifle frayed.
= Interesting lot providing a good insight in the technical development of the Willem Daniël, which was built around 1854 by F.F. Groen on wharf De Boot in Amsterdam.
82 6618 Smies Jacob 1764 1833 
= The scene can be seen as an allegory on the search for Truth. By unveiling Sight people can see clearly. A jester is often a figure that can tell painful truths in ajoking manner.
82 6619 Spilman Hendrik 1721 1784 
= Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
82 6620 Spilman Hendrik 1721 1784 attrib 
- Drawing trimmed to framing line; sm. white paint(?) stain in centre.
= Provenance: the collection A.M. van den Broek, with his collector's mark and attribution on verso.
82 6621 Staring Willem 1847 1916 
82 6621 Staring Willem 1847 1916 
- Sl. browned. Modern identification on recto in pencil; tipped onto passepartout.
82 6623 Steffelaar Cornelis 1797 1861 
82 6623 Steffelaar Cornelis 1797 1861 
= With collector's mark of J.Q. van Regteren Altena on mount and on verso of drawing (Lugt 4617).
Koster, Everhardus. "Kerkhof Weimar". Watercolour w. pencil underdrawing, 18,7x22 cm., signed in lower left corner, titled on verso.
= With the collector's mark of J.Q. van Regteren Altena on verso.
AND 1 other by G.J. MICHAELIS (from the same collection).