- Probably cut sl. short; yellowed line along sides from passepartout.
= Fine views in fine condition.
= After the print by Schelte à Bolswert after the painting by Jordaens.
- Creased and scratched; several surface dam. spots.
= Drawing after the engraving "'s Lands schip de Vryheid, by Minorca op laager wal vervallen, in den storm, tusschen den 3e en 4e Febr. 1784" by C.F. Bendorp. SEE ILLUSTRATION PLATE CIV.
AND 1 other similar large drawing, most likely by the same (num. dam. spots). - WITH: a copy of the engraving by C.F. BENDORP.
- Yellowed/ sl. browned; some stains and chafed spots; upper corners creased.
= Drawing after the engraving "'t Vergaan van 's Lands schip Drenthe, by het eiland Minorca; in den storm, tusschen den 3e en 4e Febr. 1784" by C.F. Bendorp.
AND 1 other similar large drawing, most likely by the same. - WITH: a copy of the engraving by C.F. BENDORP.
= Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
- Horizontal fold in upper margin.
= Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
- Sl. yellowed along margins of passepartout. = SEE ILLUSTRATION PLATE CIII.
- Both w. a few foxed spots.
= Provenance: the collection A.M. van den Broek, one w. his collector's stamp on verso.
- Lower left corner bumped/ restored; trimmed to the framing line.
= The original drawing is in the Rijksmuseum (RP-T-FM-80).
Guffroy (19th cent.). (View of the Spaarne with the St. Bavo in the background). Drawing, pen and brush and black ink, grey wash, 29,5x41 cm., signed "Guffroy" in lower right corner.
- Yellowed; some tiny dam. spot to surface; drawing trimmed to border line.
= Provenance: the collection A.M. van den Broek, both with his (manuscript) collector's mark on verso.
= Provenance: the collection A.M. van den Broek.
- Trimmed to the framing line; a few foxed spots. = With Van den Broek's attribution on verso.
AND 2 similar drawings of the same subject, i.a. an anonymous pen and brush drawing after the first drawing.
= Provenance: the collection A.M. van den Broek.
- Drawing trimmed to the outer framing line; a few foxed spots; trifle yellowed.
= In the early 18th century, the renovation of the church was paid for by Paulus Loot, master craftsman of Zandvoort. In 1728 he had the burial chapel built for his family, which is clearly visible in this drawing. Provenance: the collection A.M. van den Broek, with his collector's mark and attribution on verso.
- Drawing trimmed to the framing line.
= On paper with a fleur-de-lis watermark. Provenance: the collection A.M. van den Broek, with his collector's mark and attribution on verso.
= Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
- Doubled, causing signature to be vaguely visible; drawing trimmed to the framing line.
= On laid paper with a watermark by "D. & C. Blauw". Sold with incorrect attribution to Paul van Liender at auction: Mak van Waay, 14-01-1974 (lot 1056). With the collector's mark of Hans van Leeuwen (Lugt 2799a) on verso.
Idem. "Groote Houtpoort te Haarlem". Drawing, pen and brown and black ink, watercolour, 12,8x19,7 cm., signed (?) "P. V. Loo" and titled in pencil on verso.
- Laid down along upper margin on contemp. laid paper mount (w. drawn frame).
= On paper w. a part of a "Pro Patria"(?) watermark. Provenance: the collection A.M. van den Broek, both with his collector's mark on verso.