82 6364 Swanenburgh Willem van ±1581 1612 
- Formerly tipped onto mount, w. sm. remnants on verso; vague horizontal fold.
= Hollstein 10, 2nd state of 4. From the collection of F. Rechberger, with his manuscript collector's mark (Lugt 2133) on verso and dated 1803.
82 6365 Swanenburgh Willem van ±1581 1612 
- Fine impression. Attached to mount w. tape along upper margin; cut to the image; lacks sm. portion of lower corners (restored); a few professionally restored marginal tears; some vague brown spots; a few flattened folds and thin spots.
= Very rare print. These types of scenes, which often came with a moralising message, were very popular in the 16th and 17th century, mainly in the Southern Netherlands. Hollstein 26, first state (of 5) with the address of Baudouz and Colijn. Only two copies known of the first state. SEE ILLUSTRATION PLATE XCIII.
82 6366 Swanenburgh Willem van ±1581 1612 
82 6366 Swanenburgh Willem van ±1581 1612 
- Vague horizontal fold; a few sm. inkstains on verso (not visible on recto). Trimmed just outside borderline.
= Hollstein 19, 1st state (of 5).
82 6367 Swanenburgh Willem van ±1581 1612 
- First print trimmed just inside the plate mark; second print trimmed just outside the plate mark; first print partly foxed on verso; second print foxed on verso and recto.
= Hollstein 9 and H.11, both 2nd state (of 3).
AND 1 other by the same: Christ Healing the paralytic (Hollstein 3, 1st state (of 3). A sliver of lower left margin cut off (provisionally reattached)). - ADDED: 1 other.
82 6368 Swanevelt Herman van ±1600 1655 
82 6368 Swanevelt Herman van ±1600 1655 
- Cut partly on the platemark/ just outside the borderline; upper right corner restored/ strengthened on verso.
= Hollstein 1, 1st state of 2. First of a series of 4 scenes from the Old Testament.
Wtenbroeck, Moyses van (1595-1646). Tobias restoring his father's vision. Etching and engraving, 12,8x18,1 cm., "M v Wtenbrouck 1621" in the plate.
- Trimmed ±0,5 cm. outside the platemark. Fine impression. Pinpoint hole in clouds; trifle foxed.
= New Hollstein 17, 2nd state of 5. One of a series of 4, The story of Tobias. On thin laid paper with a 'Strasbourg bend' watermark. With the collector's mark of Albert van den Briel (Lugt 407a).
Potter, Paulus (1625-1654). The Bull. Etching, 10,6x14,2 cm., "Paulus. Potter. f. 1650." and "Clement de Ionghe excud." in the plate.
- Cut ±5 mm. outside the platemark; soiled; upper corners restored.
= First etching from the series of eight various oxen and cows ("Het bullenboekje"). Hollstein 1, 2nd state of 4.
AND 10 others, i.a. by/ after Nicolaas Berchem, Daniel Marot, Jacques de Gheyn and Abraham Bloemaert.
82 6369 Swanevelt Herman van ±1600 1655 
82 6369 Swanevelt Herman van ±1600 1655 
82 6369 Swanevelt Herman van ±1600 1655 
82 6369 Swanevelt Herman van ±1600 1655 
= Hollstein 6-9, the 4th state (of 4). With unidentified collector's mark "J.N.S." (not in Lugt, identified in later hand on mounts as Johan Nepomuk). Rare series. SEE ILLUSTRATION PLATE XCIV.
82 6370 Swidde Willem 1661 1697 
82 6370 Swidde Willem 1661 1697 
- Very fine set.
= Extremely rare complete set in superb condition. Le Blanc 4; Hollstein 8-15 (publ. by Nicolaus Visscher). SEE ILLUSTRATION PLATE XCIV.
82 6371 Teniers II David 1610 1690 after 
82 6371 Teniers II David 1610 1690 after 
82 6372 Teniers II David 1610 1690 after 
= Probably from the series of 7 Peasants, busts (Le Blanc 22f and Hollstein p.192).
82 6373 Teniers the younger David 1610 1690 
82 6373 Teniers the younger David 1610 1690 
82 6373 Teniers the younger David 1610 1690 
82 6373 Teniers the younger David 1610 1690 
82 6373 Teniers the younger David 1610 1690 
- Partly foxed and/ or browned; lacks almost all textleaves (only 2 textleaves of the introduction and the engraved list of contents are present); upper hinge split. Sold w.a.f.
= The Italian paintings in the collection of the Archduke Leopold Wilhelm of Austria were reproduced in engravings made by various engravers after reduced-size copies (modelli) created by David Teniers. The engravers of these copies were i.a. Jan van Troyen, Lucas Vorsterman II, Pieter van Lisebetten, Coryn Boel and Theodor van Kessel. SEE ILLUSTRATION PLATE XCV.
82 6374 Terwesten Augustinus 1649 1690 
= Hollstein 4, only state.
AND 6 others, i.a. a lithograph after N. STRIXNER, an engraving "Hesione" after Gerard de LAIRESSE by I.D. HERTZ and an engraving published by Gillis van SCHAGEN,"Tarra. de Aerden".
82 6375 Thulden Theodoor van 1606 1669 
82 6375 Thulden Theodoor van 1606 1669 
82 6375 Thulden Theodoor van 1606 1669 
82 6375 Thulden Theodoor van 1606 1669 
- Eight etchings cut to the image, the others w. margins and captions.
= With 5 duplicates. Depicting the story of Odysseus after the paintings by Primaticcio at Fountainebleau. Published by Melchior Tavernier, Paris, 1633. Scenes present: 2, 3, 4, 14-16, 21-27, 32, 33, 36, 37, 41-44, 46, 49-52 and 54-58. Hollstein 39-96.
82 6376 Tissot James 1836 1902 
- Trifle yellowed; a fine dark impression.
= Wentworth 74, only published state; Tissot 76; Béraldi 65. Published in an edition of ±100 copies. Tissot had personal contact with the De la Seillière family and portrayed Baron Aimé de la Seillière in 1866. SEE ILLUSTRATION PLATE XCV.
82 6377 Tissot James 1836 1902 
- Yellowed; brownish stain in lower margin of the image; closed horizontal tear just above the upper edge of the border line.
= Wentworth 42, only state; Tissot 38; Béraldi 24. Published in an edition of ±100 copies.
82 6378 Tissot James 1836 1902 
- Image fine; a few brownish remnants of sellotape in outer blank margins.
= Wentworth 32, only state; Tissot 28; Béraldi 25. Published in an edition of ±100 copies. SEE ILLUSTRATION PLATE XCV.
82 6379 Tissot James 1836 1902 
- Trifle yellowed.
= Wentworth 10, only state: "In preparation for the portfolio Ten Etchings, Tissot made three figural frontispieces, all of which were ultimately rejected"; Tissot 4; Béraldi 4. Published in an edition of ±100 copies.
82 6380 Tissot James 1836 1902 
82 6380 Tissot James 1836 1902 
- Small tear in lower outer blank margin; impression partly grey; nevertheless fine.
= Wentworth 48, possibly a posthumous impression with the title margin blank, after the 3rd and final state; Tissot 43; Béraldi 47. Although it was not uncommon for Tissot to use wove paper, it is not known he did so for this particular etching. "In other cases, trial proofs were taken on papers closely related to that used for the edition itself. Promenade dans la neige and Le journal are examples." (Wentworth, p.20). For the other known copies of this print, he used cream laid paper. Wentworth also states that the whereabouts of the plate are unknown, which could indicate that this is a posthumous impression.
AND 1 offset lithograph after James TISSOT: "Type of Beauty".
82 6381 Tissot James 1836 1902 
= Wentworth 64, 2nd state (of 2) with "p.105" engr. in lower left corner; Tissot 66; Béraldi 55.
82 6382 Tissot James 1836 1902 
- Closed wormhole in the image near lower edge.
= Wentworth 36, 2nd state (of 2); Tissot 32; Béraldi 28. Each state published in an edition of ±100 copies. SEE ILLUSTRATION PLATE XCV.
82 6383 Tissot James 1836 1902 
- Fine dark impression. = Wentworth 28, only state; Tissot 22; Béraldi 21.