- Owner's entry on upper pastedown, otherwise fine.
Broos, B. and Suchtelen, A. van. Portraits in the Mauritshuis 1430-1790. The Hague/ Zwolle, Mauritshuis/ Waanders, 2004, 374p., num. col. ills., orig. cl. w. dustwr., 4to.
- Owner's entry on upper pastedown, otherwise fine.
AND 13 others on 17th century paintings, i.a. A. VAN SUCHTELEN and Q. BUVELOT, Genre Paintings in the Mauritshuis (The Hague/ Zwolle, 2016, num. col. ills., orig cl. w. dustwr., 4to).
- Portions of backstrip loose(ning) at spine-ends.
= First monograph on the artist by the famous art critic Jakov Tugendhold.
= Arntzen/ Rainwater F73: "A monumental reference work for literary historians and art historians."
= Nice lot of publications by the artist collective, who distributed their publications by mail. Comprising: DE ENSCHEDESE SCHOOL MODERNE KUNST, no.1-10 (in 8 vols., 1980-1982, periodical ed. by i.a. J. Dietvorst, K. Maas, Wim T. Schippers, B. Vermeulen, R. Zaal); KEWI UNIVERSITY OF SWING. Terracotta me, baby (LP record in sleeve); K. DE GOEDE, Tilt binnenwereld-buitenwereld (col. silkscreen LP Record, 1988, 350 copies); J. DIETVORST and M. HEFFERT, Een vooroorlogs verlangen (1982, lvs. and 15 slides in orig. wr.); K. MAAS, Tweeëntwintig kleuren (Amst., 1986, 22 silkscreen lvs., orig. wr., folio.); Y. YOUNG, Kleurloosbook (spiral bound colouring book, 1982, folio); J. VAN DE PAVERT, Villa Naispier (1986, 2 ills., printed in 300 copies, orig. wr. Together with fold. poster in plastic sleeve); K. MAAS, O .. gevleugelde verfkwast (1983, rectangular box filled with a brush, pencils and bird feathers. Used to be part of an installation by the artist in Stedelijk Museum in 1983); G. DE WILDE, box w. sm. vehicle made out of cut metal (1984); KNOLLEN VOOR CITROENEN. A X-MAS CARROT (n.pl., 1984, ills., printed in 300 copies, orig. wr., 12mo); FONDSLIJST 83/84 (loose printed cards in orig. printed board box); F. OOSTERHOFF, Harmonie d'Images (1983, ills., orig. wr.); J. DIETVORST and L. VAN DER PUT, Het Beeldhouwnummer (1983, ills., 450 copies, orig. ringbinder) and K. MAAS, Het Zwaard des oordeels (foldable wooden wall object, loosely inserted in sm. rectangular box, 1985).
- Owner's entry on first free endpaper. Boards sl. soiled, stain on spine.
= Flemish Painters in the Circle of the Great Masters, vol. 1.
Bertier de Sauvigny, R. de. Jacob et Abel Grimmer. Catalogue Raisonné. N.pl., La Renaissance du Livre, 1991, 259 (col.) ills., orig. cl. w. dustwr., folio.
- Owner's entry on first free endpaper.
AND 6 others, i.a. H. DEVISSCHER (ed.), De uitvinding van het landschap. Van Patinir tot Rubens 1520-1650 (Antw., 2004, num. (col.) ills., orig. cl. w. dustwr., 4to) and A. KOOPSTRA, Lucas Gassel van Helmond. Meester van het Landschap (Zwolle, 2020, richly illustrated, orig. pict. wr., 4to).
- Occas. wrs. trifle worn.
= Comprises i.a. Bois gravés pour un poème de Paul Eluard (1958, num. pochoir-col. ills. and orig. stiff wr. by J. MIRÓ); Hommage a Picasso (1971, num. col. ills.); Klee & Kandinsky (1959, num. (col.) ills., col. lithogr. cover after P. Klee) and F. Léger. huiles, aquarelles & dessins (1975, num. (col.) ills.). Provenance: the collection of the Dutch artist Gust Romijn (1922-2010).
- Some minor occas. defects; mostlly fine.
= Comprises i.a. J. KOUNELLIS, 'La stanza vede - The room sees' (The Hague, exhib. cat. Haags Gemeentemuseum, 1990, printed in 2750 copies); A. RAINER, Hiroshima. Group of 57 works (Bochum, M Bochum, 1982); P. STRUYCKEN a.o. Vormgeving en exacte disciplines (Utr., Rijksuniv. Utrecht, 1971); M. DUCHAMP, Manual instructions for Étant Donnés (Philadelphia, Museum of Art, 1987, num. facs. lvs.); G. VERDIJK, Schetsboek (Rott., RAM galerie, (1992)); The object transformed (New York, MoMA, 1966) and B. ROSE, Claes Oldenburg (ibid., idem, 1970). Provenance: the collection of the Dutch artist Gust Romijn (1922-2010), occas. w. his owner's stamp.
= I.a. HERBERT ZANGS, Westfalischer Kunstverein (Münster, 1974, w. contributions by i.a. Klaus Honnef and Werner Ruhnaus); MARIO MERZ, (Paris, Galerie Sonnabend, 1969); EMO VERKERK (Amst., Art & Project, 1991, printed in 500 copies); GER VAN ELK (Amst., Sted. Mus., 1975); CHARLKES SAATCHI, Be the worst you can be (London, Booth-Clibborn, 2012); MICHAEL TEDJA, A.U.T.O.B.I.O.G.R.A.F.I.E. (Amst., Vassallucci, 2003, w. SIGNED DEDICATION); ERIK ANDRIESSE, Schilderijen 1989-1991 (ibid., Zoologisch Museum, 1991, w. SIGNED DEDICATION); CALDERARA, Kunstinformatie. No.17 (Gorinchem, Kunstcentrum Badhuis, 1977); SOL LEWITT, Notes on the Wall drawings of Sol LeWitt (Genève, Salle Patiño, 1977); ULRICH RÜCKRIEM (Oxford, Museum of modern Art, 1966) and REINOUD OUDSHOORN (n.pl., the artist, 2008, w. SIGNED DEDICATION). All from the collection of Amsterdam artist Eli Content, Partly w. his owner's entry.
= I.a. STUDIO SCARABEE, 7 Projecten (The Hague, 1975); PIERO MANZONI (Eindhoven/ Amst., Van Abbe Mus./ Stedelijk Mus., 1969); XXXII International Biennial Exhibition of Art Venice 1964. Four Germinal Painters. Four Younger Artists (Venice, 1964); EDUARDO PAOLOZZI/ ANTHONY CARO (Otterlo, Rijksmus. Kröller-Müller, 1967); MARK ROTHKO (Rott. Mus. Boymans, 1972); SIGURDER GUDMUNDSSON, Situaties (Amst., Stedelijk Mus., 1980); PARANOIA (...) Carlos Mensa, Joan Ponç Manuel Moll (...) (Girona, Cyprus Art, 2003); GEORGES BRAQUE (Rott., Mus. Boymans, 1956); VIEIRA DA SILVA/ GERMAINE RICHIER (Amst., Stedelijk Mus., 1955); CONTEMPORARY GERMAN PRINTS CONSTRUCTIVISTS-REALISTS. 33 artists of the Federal Republic of Germany (Stuttg., 1982); THREE BLIND MICE. De collecties: Visser, Peeters, Becht (Eindh., Van Abbemus., 1968); MARINO MARINI (Rott., Mus. Boymans,1965); DE VITALITEIT IN DE KUNST (Venice, Centro Internazionale delle Arti et del Costume, 1959); MOHOLY-NAGY (Eindh., Van Abbemus., 1967); WERKEN VAN AAD DE HAAS EN A.P. STOKHOF DE JONG (Utr., Mus. van Nieuwe Religieuze Kunst, 1948); INCHIOSTRI DI THEO BITTER FRANCO GELLI (Rome, San Luca, 1962); PAUL KLEE (Amst., Stedelijk Mus., 1940); S. JESSURUN DE MESQUITA. Dr. J. MENDES DA COSTA (Amst., Stedelijk Mus., 1946); JOHAN CLAASSEN (Apeldoorn, Van Reekum Mus., 1987); NIKKI DE SAINT PHALLE (Amst., Stedelijk Mus., 1967. Vague fold in frontwr.); JORN (Amst., Stedelijk Mus., 1965); EDWARD KIENHOLZ Tableaux (Amst., Stedelijk Mus., 1970) and IXe OLYMPIADE, AMSTERDAM 1928, Concours et exposition d'art Olympique (Amst., Stedelijk Mus., 1928).
= Printed in a very small edition, ±15 to 40. According to the colophon, issue no.1 is a later reprint (1989) in an edition of 10 (on top of the original edition of 15). No. 4 and 5 are supposedly printed in 70 copies, but probably much less. The contents are entirely cyclostyled. With an original envelope. Very rare.
- Sl. yellowed; folded. = Rare protest flyer handed out to visitors at the Köln 4th Art Fair.
Bubenik, G. Integrierte Kunst ist innerhalb der Gesellschaft ein Mechanismus der Veränderung. Berlin, n.publ. (the artist), 1966, broadside, 41,9x29,5 cm., printed in blue on recto only.
- Folded.
Marc Adrian 10 optische Gestaltungen. Vienna, Galerie Junge Generation, 1960, fold. catalogue/ poster, 85x60,5 cm., ills., printed in black and red on recto only (fine). Zum erstenmal in Deutschland, Abattoir III (Schlachthof). Berlin, Galerie Benjamin Katz, 1964, fold. catalogue/ poster, 50,5x39,5 cm., ills., printed on recto only.
- Yellowed; sm. glue stain in upper blank margin.
AND 3 others: Bilanz einer Aktivität. 18. und letzte Ausstellung (Amst., Galerie im Goethe-Institut/ Provisorium, 1974, ills., 101x63,5 cm., supplied in 2 copies (printed on resp. orange and green paper)); "Manifest" gegen Avantgardismus (Basel, Panderma, 1958, fold. broadside on red paper. A few names crossed out in ink) and Liberté de Parole (Paris, Soleil noir, 1969, fold. brochure, photo(montage) ills., printed in black and red. Sl. worn/ yellowed, annot. in marker on last page).
- Very fine copy of the deluxe edition.
AND a deluxe copy of J. GENIER, François Fiedler ((ibid.), iidem, 1961, 1st ed., (full-/ double-p.) (col.) plates and orig. wr. by F. FIEDLER, printed in 150 numb. and signed copies, in orig. light blue board chemise and slipcase, folio. Very fine).
- Very fine copy of the deluxe edition.
= With contributions by C. Caspari, Christo, Jed Curtis, Henry Flint, Dick Higgins, György Ligeti, Franz Mon, Nam June Paik, Pera, Frank Trowbridge, Jan Voss, Vostell and Jean-Pierrre Wilhelm.
- A few fold. plates sl. worn/ frayed on fold.
= Special issue "Happenings". Contains contributions by i.a. George Brecht, Dick Higgins, Allan Kaprow, Wolf Vostell and Nam June Paik.
= On the European Zero movement with contributions by i.a. Arman, Pol Bury, Lucio Fontana, Piero Dorazio, Henk Peeters, J.J. Schoonhoven, G. Uecker and J. Verheyen.
De nieuwe stijl. Werk van de internationale avant-garde. Vol. 1 and 2. Ibid., De Bezige Bij, n.d. (1965-1966), 2 vols., 180; 206p., photogr. ills. i.a. by P. MECHANICUS, orig. not unif. wr.
= Rare Fluxus item documenting a theatrical happening in which collaborators were i.a. Woody van Amen, Pat Andrea and Lucebert.