= With an original SIGNED PENCIL DRAWING of a bird by the artist on the title-p.: "Corneille. Amsterdam 3 Mei 1987".
Journal de la Tour Corneille. Paris, Galilée, 1981, (96)p., num. full-p. ills., orig. stiff wr.
= With an AUTOGRAPH SIGNED DEDICATION to "Erik Slagter" on first free endpaper.
AND 4 others by/ on Corneille (incl. duplicates), i.a. by E. SLAGTER.
= One w. SIGNED DEDICATION "Dag lieve Henny. Corneille" in purple felt-tip pen on verso frontwr.
= With small ORIGINAL DRAWING in pencil and red ink on htitle, w. dedication by the artist dated "Parijs 10 februari 2004".
Donkersloot-Van den Berghe, P. Corneille. The complete graphic works 1948-1975. Amst., Meulenhoff, 1992, 1st ed., 319,(1)p., photogr. frontisp., num. (full-p.) (col.) ills., pict. endpapers, orig. cl. w. dustwr., 4to.
- Dustwr. partly sunned and w. sm. dam. at top of spine.
= English language edition of the standard catalogue raisonné; also containing an essay by Graham Birtwistle, a preface by Enrico Baj and an introd. by Michel Cassé.
- Owner's entry on first free endpaper. = Contains a catalogue raisonné.
Perez-Tibi, D. Dufy. London, Thames and Hudson, 1989, 335p., 379 (fold./ full-p.) (col.) ills., orig. cl. w. dustwr., folio. - AND 5 others on modern artists, i.a. R.V. GINDERTAEL, Hans Hartung (Paris, 1960, num. (col.) ills., orig. gilt cl., 4to) and J.J. SWEENEY, Soulages (Neuchatel, 1972, num. (full-p./ col.) ills., orig. cl. w. dustwr., 4to).
- Fine copy. = Vicaire II, 9.1055.
- Partly sl. foxed. Wrappers chipped and sl. worn; backstrip worn off at spine-ends.
= Fine Dutch Art Nouveau publication, rare in its original wrappers. Braches 360; Cat. Ned. Boek 16.
- Corners and spine rubbed
= Fine Dutch Art Nouveau publication. Braches 360. Interesting detail: the colours used on the binding are sl. different from the first edition: the leather is brown (instead of black) and the paper over the covers is grey instead of brown. With loosely inserted a drawn certificate in Art Nouveau style (pen and col. ink and watercolour, 21x16 cm.).
= Published as a new year wish. Without the invitation leaf for the opening of the exhibition De wereld is a cremertorium at Galerie 207.
Cremer, J. (ed.). Jan Cremer Krant. No.1-4. N.pl., 1967-1978, 4 vols., (col.) ills., orig. not wr., folio. - AND 1 other.
= Artist periodical, containing small literary contributions i.a. by H. Savelberg and original (signed) artwork/ photographs, in various techniques, occas. loosely inserted or mounted/ tipped-in by Dutch artists, i.a. Dick Bakker, Ad Boogers, Teun Hocks, Rik van Iersel, Leon Janssen and Gaston Klein.
= Fine monograph with catalogue raisonné. Aetas Aurea Monographs on Dutch & Flemish Painting, vol. X.
Cornelis, B. a.o., Adriaen van de Velde. Dutch Master of Landscape. Amst./ London, Paul Holberton, 2016, 224p., richly illustrated, orig. boards w. dustwr., 4to. - AND 6 others on Dutch 17th cent. landscape painters, i.a. C.J. WELCKER, Hendrick Avercamp 1585-1634 bijgenaamd 'de stomme van Campen' en Barent Avercamp 1612-1679. Schilders tot Campen (Doornspijk, 1979, num. plates and ills., orig. boards w. dustwr., large 4to).
- Small tear in backwr; good copy.
- Upper hinge sl. weak; first blank loosening.
= Provenance: the collection of the Dutch artist Gust Romijn (1922-2010).
- Spine no.1. splitting.
= Very rare Flemish neo-expressionist periodical founded by Remy C. van de Kerckhove after he left the periodical Tijd en Mens. I.a. contributions by Remy C. van de Kerckhove, Herman van San and Illustrations by Paul Joostens and Rudolf Meerbergen.
- Fine copy. = SEE ILLUSTRATION PLATE VII.
- No.29/30 spine splitting.
- Wrappers nibbled by silverfish along upper margin.
AND 2 other issues of DLM, both fine: No.50. Tendances (ibid., 1952, (fold.) col. plates by PALAZUELO, orig. wr., folio) and No.117. Maeght Éditeur 1959 (ibid., 1959, (col.) plates/ ills. i.a. by G. BRAQUE, orig. col. lithogr. wr. by J. MIRÓ, folio).
- Fine copy. = Sorlier (Chagall) 297; Mourlot (Miró) no. 265.
Derriere le Miroir. No. 155. Fondation Maeght Inauguration. Paris, Maeght, 1965, (1),18,(9)p., 2 col. lithogr. plates by R. UBAC and J. MIRÓ, (col.) plates and ills., orig. wr., folio.
- Fine. = Cramer 106.
Derriere le Miroir. No. 148. La Fondation Marguerite et Aimé Maeght à St. Paul. Paris, Maeght, 1964, (1),70,(2)p., 2 (1x col.) lithogr. plates by J. MIRÓ and A. GIACOMETTI, num. (col.) plates and ills., orig. boards., folio.