- Without the textpages, but w. the letterpress title-p. and the colophon. = Cramer 81.
WITH: Derrière le Miroir, no. 182. C. Esteban, Comme un parfait chimiste. (Paris), Maeght, 1969, 32p., 4 (full-/ double-p.) col. (lithogr.) plates (incl. wr.), (col.) plates/ ills. by M. CHAGALL, kept together w. the preceding in orig. green board chemise and slipcase, w. mounted printed title-piece on upper cover, folio.
- Backstrip of chemise and slipcase nibbled by silverfish.
- Very fine copy of the deluxe edition. = Cramer 111.
- Very fine copy of the DELUXE edition. = Cramer 104.
- Very fine copy of the deluxe edition. = Cramer 110. SEE ILLUSTRATION PLATE V.
- Wrappers of issues 99/100 trifle age-toned. Otherwise all vols. fine and complete.
= Issue 121/122 also contains 2 col. lithogr. plates by/ after F. LEGER and A. CALDER. SEE ILLUSTRATION PLATE VI.
- Fine copy.
- Very fine copy of the DELUXE edition.
- Vague offsetting of backwr. of no. 90/91 on frontwr. of another copy of no. 90/91. Otherwise fine.
- Dustwr. sl. frayed along top, otherwise fine.
Antoni Tàpies. Basel, Galerie Beyeler, 1988, 1st ed., no pagination, num. col. ills., orig. wr. w. glassine dustwr., 4to. Eyck, Zsa-Zsa (ed.). Sigurdur Gudmundsson. Venlo, Van Spijk, 1991, 1st ed., 299p., num. (col.) ills., orig. giltlettered cl., 4to. - AND 3 others, i.a. J. VAN DER MARCK, George Segal (New York, 1975, num. (col.) ills., orig. giltlettered cl. w. dustwr., 4to).
- Some sl. foxing. Wr. sl. dustsoiled.
= With an ORIGINAL DRAWING by PAUL CITROEN tipped onto prelim. blank (pen and ink, grey wash, 14,3x9,3 cm., signed in pen and ink).
= SIGNED by the artist on title-p.
Stokvis, W. Cobra. De weg naar spontaniteit. Blaricum, V+K Publishing, 2001, 470,(2)p., 138 (double-p./ full-p.) col. ills., 247 (full-p.) monochr. ills., orig. boards, 4to.
- No.4 without the loosely inserted silkscreen by ROB SCHOLTE.
= Issue of this very rare periodical with contributions by i.a. Paul de Vree, Herman Daman, Timm Ulrichs and Herman de Vries ("permutabel tekstmateriaal", mounted envelope with pieces of paper with typescript words, with an explanation).
= All from the library of Erik Slagter.
- No. 5 without the record but with the "eskiese" gold leaf contribution by Herman DAMEN.
= Rare periodical with concrete poetry, i.a. with contributions by HERMAN DAMEN (DEMAN AH), G. BERTINI, NANNUCI, PERFETTI, TARGOWSKI, TODOROVIC, CHISTIAN WABL and HERMAN DE VRIES (No. 8 "On language"). No. 3+4 are posters.
AND 1 other on concrete/ visual poetry: H. CLAVIN, L'Angerie (Amst., 1973).
= One of the rarest and most important Belgian literary journals. Focusing on the avant-garde, it became increasingly important for visual poetry and sound poetry. This part of the periodical is important because it comprises the period when HENRI CHOPIN was on the editorial board from year 9 up to year 22. Despite the fact that it was initially published in the Dutch language, the journal attracted highly important international contributors, both literary as artistic.
- Manuscript "492" and a few tiny coffee stains on frontwr.; a few tiny tears in upper margin frontwr.
= Exhibition catalogue on visual and sound poetry organized by the Stedelijk Museum Amsterdam in 1971. Incl. poems by Augusto de Campos, Oyvind Fahlstrom, Ian Hamilton Finlay, Mathias Goeritz, Eugen Gomringer, Hansjorg Mayer, Andre Thomkins and Emmett Williams.
Williams, E. (ed.). An Anthology of concrete poetry. New York/ Stuttg., Something Else Press/ Hansjörg Mayer, 1967, 1st ed., X,342p., ills., orig. wr. - AND 6 others, i.a. G.J. DE ROOK (ed.), Anthologie visuele poëzie. Visual poetry anthology (The Hague, 1975, ills., orig. wr.).
= Very rare and almost complete run of this Belgian experimental literary quarterly from Belgium, with concrete poetry. The magazine ceased after the 2nd number of year 10. I.a. work by Max Kazan, Ivo Vroom, Leon van Essche.