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82/6304 [Print stands]. Wooden print stand, early 20th cent., walnut legs, brass trestles for supporting folded open front panel, hinging panels each measuring 56(h.)x81(w.) cm., total measurements when closed 100(h.)x81(w.) cm., panels w. leather and brass clasp and catch, back panel w. 2 brass hooks on verso (to prevent from collapsing).

- Leather over panels sl. worn and dam. along upper edge and at corners.

= Large print stand, with the possibility of displaying large prints when the frontpanel is folded 90 degrees.

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82/6305 Professions  Lot of ±50 mostly handcol engravings 82/6305 Professions Lot of ±50 mostly handcol engravings
82/6305 Professions  Lot of ±50 mostly handcol engravings 82/6305 Professions Lot of ±50 mostly handcol engravings
82/6305 [Professions]. Lot of ±50 mostly handcol. engravings, various sizes, 18th-19th cent., by i.a. J. and C.. LUIKEN and J.S. LEITNER, all under passepartout.

= From i.a. A. VAN ST. CLARA, Iets voor Allen, Zynde een Verhandeling en Verbeelding Van allerhande Standen, Studien, Konsten, Wetenschappen, Handwerken enz. (...) (Amst., 1740); J. and C. LUIKEN, Spiegel van het menselyk Bedryf (Amst., 1749); J.P. VOIT, Faßliche Beschreibung der gemeinnützlichsten Künste und Handwerke (Nuremb., 1790) and The Book of English trades, and library of the useful arts (London, ±1825).

AND ±20 mostly handcol. steelengravings, various sizes, 19th cent., by i.a. A.H. PAYNE and W. FRENCH, mostly under passepartout.

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82 6306 Provost A  19th cent  82 6306 Provost A 19th cent
82 6306 Provost A  19th cent  82 6306 Provost A 19th cent
82 6306 Provost A  19th cent  82 6306 Provost A 19th cent
82/6306 Provost, A. (19th cent.). "Entrée des flottes anglo-française dans la Mer Noire à la sortie du Bosphore." Tinted lithograph, 35x47,5 cm., Paris/ London, R. Lebrasseur/ V. Delarue, ±1855, bound in a contemp. giltlettered and blindst. green album w. 27 other prints, folio (remnants of paper ticket on frontcover). - BOUND WITH: Idem. "Combat de Kalafat au village de Tzitati (Citaté)". Lithograph, 35x47,5 cm., ibid., iidem, ±1855 (fine). - AND BOUND WITH 26 miscellaneous other lithographs, i.a. ANONYMOUS, "Champ des morts. Ispahan" (tinted lithograph, 34x46,5 cm.); L. DE LABORDE, "Guiera. Vue du Grand Temple, Frise du Pronaos" (tinted lithograph, 29,5x38,5 cm., possibly from Voyage de l'Arabie Pétrée. Sl. foxed); IDEM, "Guiera. Vue générale de la Ville moderne et de ruines d'Aphrodisias" (tinted lithograph, 26x36 cm., from the same work(?). Trifle foxed); 4 other similar tinted lithographs by the same: two views of "Selefke" and 2 of "Denislou" (the latter sl. foxed) and Jules ARNOUT, "Paris en Ballon. Vue prise au dessus de l'Isle St. Louis" (32,5x44 cm., from Excursions Aériennes).
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82 6307 Raffaelli Jean Marius ±1860 1882 82 6307 Raffaelli Jean Marius ±1860 1882
82/6307 Raffaelli, Jean-Marius (±1860-1882). (Café scene). Etching, 13x10 cm., signed "Raffaëlli Jne" in the plate.

- Trifle foxed (mostly in blank margins).

= Delteil, Oeuvres Apocryphes (first print of a series of six etchings). Marius Raffaelli was a younger brother of Jean-Francois Raffaëlli who died at the age of 22.

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82 6308 Raimondi Marcantonio ±1480 1527/34 82 6308 Raimondi Marcantonio ±1480 1527/34
82/6308 Raimondi, Marcantonio (±1480-1527/34). Il morbetto. Engraving after RAPHAEL, 19,8x25,3 cm., monogrammed in the plate, tipped onto mount.

- Cut to/ just inside the borderline. Sl. grey impression w. old repairs (marginals tears etc.); sl. foxed.

= Bartsch 417. With the collector's stamp of Fred Bianchi (Lugt 3761) on verso.

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82 6309 Read David Charles 1790 1851 82 6309 Read David Charles 1790 1851
82 6309 Read David Charles 1790 1851 82 6309 Read David Charles 1790 1851
82 6309 Read David Charles 1790 1851 82 6309 Read David Charles 1790 1851
82 6309 Read David Charles 1790 1851 82 6309 Read David Charles 1790 1851
82 6309 Read David Charles 1790 1851 82 6309 Read David Charles 1790 1851
82/6309 Read, David Charles (1790-1851). (Landscapes with people and cattle). Lot of 5 etchings, ±10x14,5 to 15x25 cm., on wove paper.

- All fine, 1x doubled(?).

= Descriptive Catalogue of the Etchings, Landscapes and Portraits, of the late David Charles Read of Salisbury (London, 1874): 90, 96, 99, 104 and 125. Two etchings with the collector's stamp of Richard Jung on verso (Lugt 3791).

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82/6310 Recueil d'estampes gravées d'après les tableaux du cabinet de Monsieur le duc De Choiseul 82/6310 Recueil d'estampes gravées d'après les tableaux du cabinet de Monsieur le duc De Choiseul
82/6310 Recueil d'estampes gravées d'après les tableaux du cabinet de Monsieur le duc De Choiseul 82/6310 Recueil d'estampes gravées d'après les tableaux du cabinet de Monsieur le duc De Choiseul
82/6310 Recueil d'estampes gravées d'après les tableaux du cabinet de Monsieur le duc De Choiseul 82/6310 Recueil d'estampes gravées d'après les tableaux du cabinet de Monsieur le duc De Choiseul
82/6310 Recueil d'estampes gravées d'après les tableaux du cabinet de Monsieur le duc De Choiseul 82/6310 Recueil d'estampes gravées d'après les tableaux du cabinet de Monsieur le duc De Choiseul
82/6310 (Recueil d'estampes gravées d'après les tableaux du cabinet de Monsieur le duc De Choiseul). Lot of 36 (of 127) engravings after various old masters, various sizes, Paris, printed by Basan, 1774.

- Margins for the greater part trimmed in various degrees; a few (sl.) foxed/ soiled.

= I.a. after various Dutch masters, i.a. Rembrandt, van Ostade, Terborch, P. Wouwerman. Catalogue of the collection of the French statesman Etienne-François, duc de Choiseul (1719-1785), a favorite of madame de Pompadour. In 1771 he asked Basan to create a visual catalogue of his art collection. In 1772 De Pompadour died and Du Choiseul fell from grace and he was forced to sell a part of his collection that same year.

AND 4 others similar from other collections.

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82 6311 Rembrandt van Rijn 1606 1669 82 6311 Rembrandt van Rijn 1606 1669
82/6311 Rembrandt van Rijn (1606-1669). Beggar man and beggar woman conversing. Etching, 7,8x6,6 cm., monogrammed "RHL 1630" in the plate.

- Trimmed ±0,5 cm outside the platemark; four tiny pinholes in outer blank margins. Fine copy.

= On thick (18th cent.?) laid paper. New Hollstein 45, 2nd state of 3, before the re-biting by the Basan workshop, but with the horizontal scratch between figures, common in the later impressions. SEE ILLUSTRATION PLATE XCI.

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82 6312 Rembrandt van Rijn 1606 1669 82 6312 Rembrandt van Rijn 1606 1669
82/6312 Rembrandt van Rijn (1606-1669). Christ seated disputing with the doctors. Etching, 1654, 9,5x14,3 cm., signed "Rembrandt f. 1654" in the plate.

- Modern impression on laid paper w. margins trimmed outside the platemark (±0,5 cm.). Two tiny holes in centre of image.

= New Hollstein 281, only state; White/ Boon 64, only state. SEE ILLUSTRATION PLATE XCI.

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82 6313 Rembrandt van Rijn 1606 1669 82 6313 Rembrandt van Rijn 1606 1669
82/6313 Rembrandt van Rijn (1606-1669). Male nude, seated and standing ('Het Rolwagentje'). Etching, ±1646, 19,6x12,9 cm.

- Trimmed on or just outside the platemark; edges partly strengthened on verso w. Japanese paper, prob. taken from an earlier mount; sl. grey impression. Good copy

= With an unidentified collector's mark on verso "E" (or K or H) (blue stamp). New Hollstein 233, 5th state (of 8). SEE ILLUSTRATION PLATE XCI.

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82 6314 Rembrandt van Rijn 1606 1669 82 6314 Rembrandt van Rijn 1606 1669
82/6314 Rembrandt van Rijn (1606-1669). The triumph of Mordechai. Etching and drypoint, 17,4x21,6 cm.

- Yellowed/ browned and scattered thin spots. = New Hollstein 185, 3rd state of 4.

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82 6315 Rembrandt van Rijn 1606 1669  after 82 6315 Rembrandt van Rijn 1606 1669 after
82/6315 Rembrandt van Rijn (1606-1669) (after). Jan Six. Etching by Pierre-François BASAN, 24,2x19,2 cm., monogrammed "B" and "Rembrandt in. 1647" below the image.

- On thin late 18th cent. laid paper w. a few weak spots and offsetting in blank margins.

= Hollstein 238, copy a.

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82 6316 Rembrandt van Rijn 1606 1669  after 82 6316 Rembrandt van Rijn 1606 1669 after
82/6316 Rembrandt van Rijn (1606-1669) (after). Lievens Willemsz. van Coppenol, Writing Master: the larger plate. Etching by Pierre-François BASAN, 36,2x30,5 cm.

- Sl. soiled in margins and w. a few sm. defects: left corners repaired.

= New Hollstein 306, copy a, 1st state of 2. With the manuscript collector's mark of William Esdaile (Lugt 2617) on recto and verso. With the Auvergne watermark.

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82 6317 Rembrandt van Rijn 1606 1669  after 82 6317 Rembrandt van Rijn 1606 1669 after
82 6317 Rembrandt van Rijn 1606 1669  after 82 6317 Rembrandt van Rijn 1606 1669 after
82/6317 Rembrandt van Rijn (1606-1669) (after). The raising of Lazarus: small plate. Etching, 14,9x11,2 cm., "Rembrandt f. 1642" in lower left corner.

- Numerous restored tears around the edges, all affecting the image; cut on/ just inside the border line; yellowed. Not subject to return.

= New Hollstein 206, the 2nd state (of 2); White/ Boon 72, the 2nd state (of 2). Later impression possibly by Pierre-François BASAN.

AND an early 20th cent. facs. reprint after the same: Christ preaching ('La petite tombe') (Cf. New Hollstein 298).

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82 6318 Reni Guido 1575 1642 82 6318 Reni Guido 1575 1642
82/6318 Reni, Guido (1575-1642). (Saint Roch dispensing charity). Etching after Annibale CARRACCI, 28,6x45,5 cm., "Anibal Car. invent.", "P. Stephanonius formis cum privilegio" and "1610" in the plate.

- Trimmed to the borderline and laid down on mount; sl. foxed and stained; sl. browned along edges.

= Bartsch 53.

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82 6319 Renoir Pierre Auguste 1841 1919 82 6319 Renoir Pierre Auguste 1841 1919
82 6319 Renoir Pierre Auguste 1841 1919 82 6319 Renoir Pierre Auguste 1841 1919
82/6319 Renoir, Pierre-Auguste (1841-1919). Femme nue assise. Vernis mou, 1906, 18,5x14 cm., on laid paper.

- Trifle browned; w. a few sm. brownish stains. = Delteil 12, only state.

AND 1 other engraving by Alphonse LEGROS.

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82 6320 Rethel Alfred 1816 1859 82 6320 Rethel Alfred 1816 1859
82/6320 Rethel, Alfred (1816-1859). Ein Todtentanz. Six woodcut scenes by A. RETHEL, each scene 22,2x32 cm., w. letterpress text by R. Reinick below each image, Leipsic, Wigand, ±1850, orig. wr., obl. folio.

- Sl. foxed. Spine partly split.

= Cf. Rümann, Das ill. Buch des 19. Jhdt 252: "Rethel hat mit diesen 6 Blättern das Grösste geschaffen, was die Kunst neben Daumiers Rue Transnonain dem Geist einer Revolution verdanken kann". Schultz-Jacobi 189. Published against the revolutionary movement in Germany in the year 1848.

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82 6321 Richard de Saint Non Jean Claude 1727 1791 82 6321 Richard de Saint Non Jean Claude 1727 1791
82/6321 Richard de Saint-Non, Jean-Claude (1727-1791). Paysages des Environs de Beauvais. Oval engraving after François BOUCHER, 23,3x34,1 cm., on laid paper.

- Trifle foxed (mainly) in blank margins.

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82/6322 Roberts, David (1796-1864). "Ruined Mosques in the Desert West of the citadel". Lithograph, 31,5x24,5 cm.

- Leaf browned. = From the first edition of The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia.

AND 3 others similar by the same, similar defects.

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82 6323 Rodermondt Pieter act 1639 after 1703 82 6323 Rodermondt Pieter act 1639 after 1703
82/6323 Rodermondt, Pieter (act. 1639-after 1703). Esau selling his first-birthright to Jacob. Etching after REMBRANDT VAN RIJN, 27,6x20,5 cm.

- Fine. = Hollstein 1, the 3rd and final state. On laid paper with "DG" watermark.

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