82 6284 Pitteri Marco Alvisi 1702 1786 
82 6285 Place Francis 1647 1728 
82 6285 Place Francis 1647 1728 
- Cut on/ just outside the borderline.
AND 1 similar by the same, most likely published by the same.
82 6286 Ploos van Amstel Cornelis 1726 1798 
- Tipped onto modern mount. Fine. = LNP 26, the 4th state of 4; Van H. 95.
82 6287 Ploos van Amstel Cornelis 1726 1798 
82 6287 Ploos van Amstel Cornelis 1726 1798 
- Both tipped onto mount.
= Both with the Ploos stamp on verso. LNP 40 (1st and only state) and 43, 2nd state (of 2).
ADDED: 3 others, i.a. a sl. waterstained copy of Jacob LUTMA, (A well with bucket) (etching, 14,1x12,3 cm., with "Both inv. Jacobus Lutma fecit" engr. in lower margin in the image and numb."1" below image. H. (Both) 13 and H. (Lutma) 1 (2nd state)).
82 6288 Podesta Giovanni Andrea 1620 1674 
- Cut just outside the borderline; (finger)soiled, sl. unevenly browned; upper left corner w. two repaired chips.
= Bartsch 5.
82 6289 Portman Ludwig 1772 after 1828 
82 6289 Portman Ludwig 1772 after 1828 
- Both sl. yellowed/ waterst. and w. some tears, mainly in blank margin. "Oorlog" w. small tear in image and lower margin trimmed, affecting publisher's address.
= F.M 5622. Allegory on the Treaty of Amiens, 1802.
- Fingersoiled in margins. = Hollstein 83; F.M. 6168.
AND ±150 other portraits, various techniques (etchings/ engravings/ lithographs), various sizes, 17th-19th cent.
= Mostly Dutch. I.a. artists, military, historical figures, royalty. I.a. a mezzotint portrait of the artist J. Punt (by McARDELL after G.V. VAN DE MIJN), the priest Adriaan van Oirschot (engr. by Cornelis BLOEMAERT), centenarians (i.a. Jan Kuiper) and famous men from Haarlem.
82 6291 Portraits Bry Theodor de 1528 1598 
82 6291 Portraits Bry Theodor de 1528 1598 
82 6291 Portraits Bry Theodor de 1528 1598 
82 6291 Portraits Bry Theodor de 1528 1598 
82 6291 Portraits Bry Theodor de 1528 1598 
82 6292 Portraits Couwenberg Henricus Wilhelmus 1814 1845 
82 6292 Portraits Couwenberg Henricus Wilhelmus 1814 1845 
82 6292 Portraits Couwenberg Henricus Wilhelmus 1814 1845 
82 6292 Portraits Couwenberg Henricus Wilhelmus 1814 1845 
= Provenance: the collection A.M. van den Broek.
82 6293 Portraits Edelinck Gerard 1640 1707 
82 6293 Portraits Edelinck Gerard 1640 1707 
82 6294 Portraits Folkema Jacob 1692 1767 
82 6294 Portraits Folkema Jacob 1692 1767 
= Muller 9.a and 10.a, with the bifolium letterpress prospectus (fold strengthened).
82 6295 Portraits Holbein Hans ±1465 1524 after 
- Vaguely foxed; verso remains of former mounting.
AND 9 other engr. portraits, i.a. after Anthony van DYCK.
82 6296 Portraits Jode II P de 1601 1667 
82 6296 Portraits Jode II P de 1601 1667 
82 6296 Portraits Jode II P de 1601 1667 
82 6296 Portraits Jode II P de 1601 1667 
82 6296 Portraits Jode II P de 1601 1667 
82 6296 Portraits Jode II P de 1601 1667 
82 6296 Portraits Jode II P de 1601 1667 
82 6296 Portraits Jode II P de 1601 1667 
= Hollstein 152; F.M. portretten 4652.
AND 28 other portraits, of mostly Dutch 17th century notable people, i.a. authors, nobility and theologians.
= By i.a. J. Suyderhoef, M. Mosijn, C. de Passe, A. Conradius, J. van Meurs, C. Galle. I.a. P.C. Hooft, Vondel, Anna Maria Schurman, Johannes Coccejus, Jacobus Trigland, Gerard Vossius, Jacob Cats and Samuel Ampzing.
82 6297 Portraits Preisler Valentin Daniel 1717 1765 
- Sl. soiled in ample margins.
82 6298 Portraits Sompel Pieter van ±1600 ±1650 
82 6298 Portraits Sompel Pieter van ±1600 ±1650 
= Hollstein 17 and 18, both first state (of 4)
AND 6 other similar large portraits, i.a. of Albert II (by Jonas SUYDERHOEFF after Pieter SOUTMAN) and of "Philippus III.us, Hispaniar. et Indiar. Rex" (by Cornelis VISSCHER after Antionio MORO).
82 6299 Portraits Zenoi Domenico act 1559 1574 
82 6299 Portraits Zenoi Domenico act 1559 1574 
82 6299 Portraits Zenoi Domenico act 1559 1574 
82 6299 Portraits Zenoi Domenico act 1559 1574 
- Pinpoint holes in corners; some foxing, especially in outer blank margins.
AND 3 engraved portraits by Nicolo NELLI of Franceso Maria Feltri, Alphonso d'Este II and Ferdinand de Valois.
82/6300 Portraits Lot of 17 engraved/ etched/ lithogr portraits of artists and art scholars 
82/6300 Portraits Lot of 17 engraved/ etched/ lithogr portraits of artists and art scholars 
82/6300 Portraits Lot of 17 engraved/ etched/ lithogr portraits of artists and art scholars 
82/6300 Portraits Lot of 17 engraved/ etched/ lithogr portraits of artists and art scholars 
82/6300 Portraits Lot of 17 engraved/ etched/ lithogr portraits of artists and art scholars 
82/6300 Portraits Lot of 17 engraved/ etched/ lithogr portraits of artists and art scholars 
82/6300 Portraits Lot of 17 engraved/ etched/ lithogr portraits of artists and art scholars 
82/6300 Portraits Lot of 17 engraved/ etched/ lithogr portraits of artists and art scholars 
82/6300 Portraits Lot of 17 engraved/ etched/ lithogr portraits of artists and art scholars 
82/6300 Portraits Lot of 17 engraved/ etched/ lithogr portraits of artists and art scholars 
- Apart from some minor defects mostly fine.
= Comprises i.a. Nicolas DE L'ARMESSIN II, "Donato Scultore Fior" (engraving, from an unknown publication, ±1660); James BRETHERTON, "Frederick Zincke/ Liotard" (engraving of Zincke with an engr. oval vignette of Liotard incorprated, ±1780); Emile BOILVIN, "Eugene Delacroix" (etching, ±1880), Edith Marie HESTER (Portrait of Emma Hamilton) (col. mezzotint, signed in pencil, w. embossed "proof" stamp, ±1912); Léopold FLAMENG, "M. Puvis de Chavannes" (engraving after Leon BONNAT, ±1880), Etienne Gabriel BOCOURT, "Camille Corot" (engraving, 1882) and Theo MOLKENBOER, (Father Van Meurs) (lithograph, signed in black pen).
= I.a. handcol. portraits of Stadtholder Willem V and Wilhelmina van Pruisen and portraits of the counts of Holland.
82 6303 Prestel Maria Katharina 1747 1794 
82 6303 Prestel Maria Katharina 1747 1794 
82 6303 Prestel Maria Katharina 1747 1794 
82 6303 Prestel Maria Katharina 1747 1794 
- All prints w. some fading; partly also w. black stains (from sloppy printing?) in blank margins/ corners and w. whitish spots (from rubbing or silverfish activity); all prints without captions.
= Incl.. one of Le Blanc 54-55 (Evening or Morning). "(...) she produced some plates which are etched with spirit and finished in aquatint in a picturesque manner." (Prideau p.57). The print signed "Prestel" shows a landscape with a shepherd returning with his cattle to a village on a hill, with a mill on top of the hill.