- Good impressions with broad margins. Blank margins some (dust)soiling.
- Trimmed to/ on the border line; right margin trifle creased. Otherwise a fine copy.
= Hollstein 8.
- Trimmed just outside the platemark, 1x on/ just within. = Le Blanc 1, 2, 3, 4 and 5.
- Both folded twice (the second print w. a sharp fold (strengthened on verso) and w. sm. dam. to lower blank corner (outside the plate mark).
= Hollstein 256 and 257.
- Remnants of former mount in upper corners; sm. stain from tape in left margin; horizontal crease.
= Very rare. Bartsch XV.127.64. With the manuscript collector's mark of the painter and art conservator F. Rechberger (1771-1843), dated 1801 (Lugt 2133) and the collector's mark of Richard Fischer (1809-1890) (Lugt 2205).
- Broad margins sl. foxed. Otherwise a fine and strong impression.
= SEE ILLUSTRATION PLATE LXXXIV.
- Ample margins sl. fingersoiled.
= Rare and complete series. Four oval scenes each set in a separated printed ornamental border by an unknown engraver. New Hollstein 11-14, but without the biblical reference in the border, instead numbered "1 2" or "4 3". SEE ILLUSTRATION PLATE LXXXV.
= I.a. a woman crossing a wooden bridge at Jan Hanzenpad.
AND 1 other similar by the same after Salomon RUYSDAEL.
- Cut on the borderline, w. later extended margins; sm. inkstain in lower part.
AND 7 miscellaneous others.
- All plates w. a few sm. wormholes; 4 plates sl. foxed.
- All. sl. grey impressions; ample margins.
= Hollstein 1, 3, 4, the 6th state (of 6), with all addresses erased and the numbers changed. Comprises: 1. The Woman on the hinny. Aqua negro between Bologna and Florence. 2. The ox-cart. View between Ancona and Sinigaglia. 3. The large tree.
AND a rare copy in reverse of the first print (on thick laid paper, w. two stains).
- Trifle yellowed; margins trimmed just outside the border line.
= Hollstein 10, state between the 3rd and 4th state, with the artist's name but before the number (not known to Hollstein).
- Most prints (water)stained and foxed in margins (mostly not affecting the image, but occas. affecting the engr. text below). Sold w.a.f.
= There are several editions of this series: the orig. edition, which was published in 1657 w. 52 plates and a later (early 18th cent.) edition (of 48? prints). The present series consist of 6 sets of 8 prints, each set numbered w. a different letter (a1-8, b1-8 etc.), the other edition numbers the prints consecutively without letter. Le Blanc III, p.589, no.21 listing the ed. w. 52 plates; cf. Gumuchian 3413 and 5982. SEE ILLUSTRATION PLATE LXXXV.
- Foxed. = Proof before letters.
Idem. Le couple de faisans. Etching w. remarque printed on vellum, 32,2x24,5 cm., signed "Bracquemond' in pencil, signed "Bracquemond 1899" in the plate below the image, printed by M. Chassaing. Lunois, Alexandre (1863-1916). Maroccains. Colour lithograph, 41x30 cm. (leaf 62x42,3 cm.), "No.100" in pencil, on Japanese, tipped onto mount.
- Some foxing. = With the collector's monogram of Giltay Veth in pencil in lower right corner (not in Lugt).
= People and their costumes from Kleve, Italy, France, the Netherlands, Venice and Germany. All from the series Omnium pene Europae, Asiae, Aphricae, Americae gentrum habitus. Hollstein 139.
- Trimmed 1-3 mm. outside border line. = Hollstein 207-254.
- Sl. foxed in margins; remnants of flimsie paper in upper corners.
= Bourcard/ Goodfriend 124, 4th state of 4.
= From the suite Images des Saints et Saintes issus de la Famille de l'Empereur Maximilien I (Vienna, F.X. Stockl, 1799).
- Somewhat grey impression; chafed spot in lower margin, sl. within the image.