= Global Avantgarde Latvia 18; Fraser L297. Left-leaning periodical published between 1928-1930. "The first two years of Signāls were characterized by plodding content but out-of-the-ordinary covers by different hands (...). Zandersone's color linocut design for the first issue echoed the Czech Devětsil-style in its linocut typography - a commendable start toward introducing a fresh, although short-lived, design concept." (Fraser).
- Flattened out horizontal knack in frontwr.
= Global Avantgarde Latvia 19; Fraser L296. Left-leaning periodical published between 1928-1930. "The first two years of Signāls were characterized by plodding content but out-of-the-ordinary covers by different hands, e.g., V. Leimanis (...)" (Fraser).
- Backstrip w. ruststains and sl. weak spots from staples.
= Global Avantgarde Latvia 21; cf. Fraser L296-304. Left-leaning periodical published between 1928-1930. "The first two years of Signāls were characterized by plodding content but out-of-the-ordinary covers by different hands (...)" (Fraser).
- Small owner's entry on frontwrapper.
= Global Avantgarde Latvia 23; cf. Fraser L296-304. Left-leaning periodical published between 1928-1930. "The first two years of Signāls were characterized by plodding content but out-of-the-ordinary covers by different hands (...). By February 1929 the 24-year-old Andrejs Grigelis began designing covers, bringing some degree of mainstream European vanguard style to these issues." (Fraser).
- Yellowed; first lvs. and frontwr. trifle waterst. in outer margin; frontwr. w. some strengthened/ restored spots.
= Global Avantgarde Latvia 24; Fraser L300. Left-leaning periodical published between 1928-1930. "The first two years of Signāls were characterized by plodding content but out-of-the-ordinary covers by different hands (...). By February 1929 the 24-year-old Andrejs Grigelis began designing covers, bringing some degree of mainstream European vanguard style to these issues." (Fraser).
- Owner's entry on first leaf; occas. sl. waterst.; a few lvs. at the end trifle mouldy in lower corner. Frontwr. sl. fingersoiled.
= Global Avantgarde Latvia 27; Fraser L301. Left-leaning periodical published between 1928-1930. "The first two years of Signāls were characterized by plodding content but out-of-the-ordinary covers by different hands (...). By February 1929 the 24-year-old Andrejs Grigelis began designing covers, bringing some degree of mainstream European vanguard style to these issues." (Fraser).
= Global Avantgarde Latvia 28; cf. Fraser L296-304. Left-leaning periodical published between 1928-1930. "The first two years of Signāls were characterized by plodding content but out-of-the-ordinary covers by different hands (...). By February 1929 the 24-year-old Andrejs Grigelis began designing covers, bringing some degree of mainstream European vanguard style to these issues." (Fraser).
- Yellowed and sl. brittle, due to the quality of the paper; owner's entry in pen on frontwr. and htitle; scribbling in red pencil on htitle (causing a sm. tear).
= Global Avantgarde Chile 5; Diagramming Modernity p.322. "(...) Huelén was associated with La Novela Nueva publishers between the years 1929 and 1930. This collaboration marked the beginning of a long career as a cover designer, during which he produced at least nine volumes. (...) The series of works opens with the attractive cover of Cap Polonio, by Joaquin Edwards Bello, followed by perhaps the most striking, that of El dueño de los astros, by Ernesto Silva Román (...). Indeed, a Futurist cover that included the silhouette of an airplane and skyscrapers, along with other elements that are combined with the titles, were followed by more advanced illustrations (...)" (Diagramming Modernity p.285f.).
- Backstrip worn; frontwr. sl. chipped in lower corner at foot of spine.
= Global Avantgarde Lithuania 22; Futurisms in the World p.674: "[Šimkus] declared his love of Futurism and that he had a programme cast from steel. He wrote poems filled with revolutionary enthusiasm in which he tackled the urban theme and the setting of the modern world, like the ones collected in the volume Pasakos iš cemento."
= Global Avantgarde Lithuania 31; Jankevičiūtė p.152; Futurisms in the World p.670: "In 1931 the poet, novelist and translator, Vytautas Sirijos Gira (Vilnius, 1911-97), published his first book of poems Golas į ateitį, whose modernist spirit found expression in the choice of themes like the aeroplane, the cinema, the city, dynamite etc. These found a fitting counterpart in the graphics of the cover, designed by Vytautas Kazimieras Jonynas, one of the most famous Lithuanian illustrators of the 20th century."
- Fine copy. = Global Avantgarde Bulgaria 40 (other issue). Monthly published German language tutorial.
- Two textlvs. lower corner torn off (w. slight loss of text). Backstrip w. some weak/ dam. spots.
= Global Avantgarde Latvia 53 (variant in red).
- Backstrip dam.; wr. sl. foxed.
= Global Avantgarde Russia 6 (other issue). Periodicial containing many first Russian translations of (fragments of) western works. A total of 6 issues was published.
- Wrappers reattached to paper stub; backwr. sl. foxed and stained; edges creased.
= Global Avantgarde Lithuania 39. Journal on the Lithuanian printing industry.
Menas ir Literatūra. No.1. Vilnius, Ruch, 1934, 102,(1)p., (tinted woodcut) plates, orig. wr. (monogrammed "B.M.").
= Global Avantgarde Lithuania 38.
- Fine.
= Global Avantgarde Czechoslovakia 36 (other issue w. diff. colours); Baudin p.70 (other issue); Primus p.151 ill. 295 (other issue). Contains i.a. contributions by Mart Stam (Contre les décorateurs du logement) and Karl Teige (the 2nd and final part of his La théorie du constructivisme) (both Czech text).
- Trifle creased and yellowed as usual. = Hoek 659b3; Purvis/ De Jong p.79.
- Contents sl. browned/ foxed; the plate frayed and some dustsoiling. Wr. sl. discoloured and (dust)soiled.
= Global Avantgarde Netherlands 1; Ex/ Hoek p.36. Original fourth issue of the first year of one of the most important and influential modernist periodicals of the 20th cent. Contains i.a. contributions by J.J.P. Oud ("Kunst en machine"), P. Mondriaan ("De nieuwe beelding in de schilderkunst") and V. Huszar ("Aesthetische beschouwingen").
- Sl. dogeared; first few lvs. w. sm. waterstain, mainly in blank inner margin. Wrappers worn, sl. soiled and w. restored spots and retouches.
= Global Avantgarde Australia 4 (other issue w. diff. colours). First issue of the 3 that were published.
Ink! No.1. Ed. C. Robertson. Sydney, The Society of Women Writers of N.S.W., 1932, 96,XXIV(advert.)p., ills., orig. wr. w. anonymous des., 4to.
- Foxed. Backstrip lacks sm. portion at spine-ends. = Global Avantgarde Australia 6.
- Loose, yellowed. Spine neatly split; backwr. some chips: lacks sm. portion from blank upper corner and a few sm. pieces along foot of spine.
= Global Avantgarde Germany 66.
- Title-p. foxed; mouldy stain in upper corner almost throughout.
= Global Avantgarde Lithuania 25; Futurisms in the World p.675.