- Partly trifle foxed. Otherwise fine.
= Rare publication promoting cinema as the superior art form over the obsolete, old art of theatre. With fine constructivist plates. Krichevsky, Nikolai Ilyin p.26ff ("the most radical leftwing publication ever illustrated by Ilyin").
- Stamps on title-p. Some rubbed spots on frontwr.
= Collection of articles on the events that took place in Nizhnyj Novgorod surrounding the 1905 Revolution.
AND 1 other: I. NECHAEV, Revolyutsia 1905 goda v Nizhegorodskom kraye (ibid., 1931, plates, orig. boards w. anonymous design).
- Partly cut sl. short; spines sl. worn.
- Stamps on title-p. 1st issue. Spines sl. worn.
Nauka i Tekhnika. Year 8, no.61. Leningrad, Krasnaya Gazeta, 1930, 24p., ills., orig. wr. w. anonymous photomontage design, 4to.
- Yellowed; partly waterst. Spine dam.; wr. yellowed and frayed. Rather worn copy.
AND 1 other: AMERIKANSKAYA TEKHNIKA I PROMYSHLENNOST'. AMERICAN ENGINEERING AND INDUSTRY. No.9 (New York, 1932, ills., orig. wr., folio).
- Frontwr. foxed along edges. = Global Avantgarde Greece 3 (other issue).
To 3° máti. No.4-6. Ibid., Trito Máti, 1936, 3 issues in 1 vol., no pagination, ills., orig. wr. w. anonymous design, 4to.
- Partly trifle foxed. = Global Avantgarde Greece 15 (other issue).
- Vague horizontal middle fold.
= Rare. Of this periodical 6 issues were published 1920-1921. Le Fonds Paul Destribats 139; Bolliger II 538f, III 212f and IV 389: "(...) einer der seltesten und für die sprachliche Entwicklung der französischen Dadaismus und Surrealismus wichtigsten Zeitschriften." Contains contributions by i.a. Francis Picabia, Louis Aragon, Isadora Duncan, Jean Cocteau and Tristan Tzara.
- Inside yellowed and sl. brittle. Wrappers trifle foxed; backstrip restored.
= Global Avantgarde Italy 41. Published as vol.1 in the series Collezione "Documenti".
- Spine professionally restored; dustwr. some restored/ strenghtened spots/ pieces on verso (especially backstrip), rubbed on folds, some marginal creases and some retouches.
= Global Avantgarde Mexico 24; Diagramming Modernity p.678-679.
- Extensive underlining and annots. (incl. on verso frontwr.); waterst. in upper margin at the beginning; sm. bookplate on verso frontwr. Lower corner frontwr. restored; wrappers rubbed and sl. worn.
= Global Avantgarde Russia 2; Rowell/ Wye 306 and p.151 (illustration). First edition, with the original cover by Malevich. One of the few examples of colour lithography by the Suprematist artist, composed while he was at UNOVIS, where Lissitzky was working on his Proun images. Punin's essay calls for a renewal of Russian art, putting forward a more dynamic avant garde.
- Wrappers sl. fingersoiled; frontwr. vol. 2 lacks slim portion of lower corner.
- Wrappers sl. frayed.
Boltyansky, G. Kino-khronika i kak ee snimat'. Ibid., idem, 1926, 75,(5)p., ills., orig. wr. w. anonymous design, sm. 8vo.
- Backstrip partly worn off.
= Grigori Boltyansky directed footage of i.a. the October Revolution and Lenin's funeral.
- Yellowed; spine-ends sl. dam.; overlapping wr. w. inevitable tiny tears in blank margins.
= Global Avantgarde Argentina 32; Libros Argentinos p.175; Diagramming Modernity p.144.
- Stamp on htitle.
= Global Avantgarde Estonia 20. Märt Laarman was a prominent theoretician of the EKR (Eesti Kunstnikkude Rühm - The Group of Estonian Artists).
- Bookplate on verso frontwr. Frontwr. trifle foxed. = Global Avantgarde Estonia 36.
- A few occas. owner's stamps; sl. yellowed. Wrappers sl. rubbed at edges.
= Global Avantgarde Germany 11. Famous first hand account of the 1917 Russian October Revolution by the American socialist journalist John Reed (1887-1920).
- Backstrip restored and chipped at top of spine. = Global Avantgarde Turkey 21.
= Global Avantgarde Spain 44.
Rotary. Órgano Oficial de los Rotary Clubs de España. Year 6, no.61. Barcelona, n.publ., 1933, (8 advert.),22,(6 advert.)p., ills., orig. wr. des. by WILL FABER, 4to.
- Frontwr. cut sl. short in lower margin (as issued).
= Global Avantgarde Spain 52 (other issue w. diff. colours).
Garcia Guardiola, C. Mallorquinas. Ibid., Talleres Gráficos Hostench, 1929, 132,(2)p., 22 plates, ills. and orig. wr. by FERNANDO MANCHÓN AZCONA.
= Global Avantgarde Spain 16.
AND 1 other: EXPOSICION DE BARCELONA (...) Temporada de grandes revistas. Programa oficial (Barcelona, 1930, ills., orig. wr. des. by FRANCESC FONTANALS. Global Avantgarde Spain 25).
- Title-p. sl. foxed and sticking to frontwr. at upper corner. Backstrip sl. worn and chipped at spine-ends and w. title written in ballpoint.
= Global Avantgarde Turkey 5.
= Global Avantgarde Lithuania 9; Futurisms in the World p.673; Jankevičiūtė p.140.