- Owner's entry and annots. on first leaf. Backstrip dam.; wr. sl. stained. = Global Avantgarde Lithuania 35.
Lietuviškas baras. Vilniaus krašto lietuvių kultūros žurnalas. No.2. Vilnius, n.publ., 1933, 50p., orig. wr. (monogrammed "B.M."(?)), 4to.
= Global Avantgarde Lithuania 40.
AND 1 other: KNYGŲ KATALOGAS 7 (Kaunas, 1933, orig. wr. w. anonymous design, sm. 8vo. Global Avantgarde Lithuania 37).
- Dustwr. frayed and dam. at spine, but carefully restored and strengthened on verso.
= Global Avantgarde USA 21. With the rare dustwr. and with AUTOGRAPH SIGNED DEDICATION to Edwin D. Meier on htitle, dated "Dec 19, 1927".
- Inner flap of frontwr. loose(ning); frontwr. discoloured/ dustsoiled along edges; spine-ends chipped.
= With contributions by i.a. Louis Aragon, whose poem Le Front Rouge led to his prosecution by the French authorities.
- Final lvs. sl. waterst. in upper corner. Backstrip and portion of backwr. browned.
= Global Avantgarde Russia 29. Illustrated overview of the first 5 years of the Moscow State Jewish Chamber Theatre (Moskovskij GOSEKT).
- Dustwr. some sl. soiling and with restored/ strengthened spots/ pieces/ marginal tears on verso, rubbed on folds; some retouches.
= Global Avantgarde Mexico 21; Diagramming Modernity p.477; The Avant-garde Applied p.293 (L219). Rare.
- Owner's entry on first free endpaper. Dustwr. sl. soiled and waterst. = Rowell/ Wye 915.
- Fine. = Global Avantgarde Czechoslovakia 52 (other issue).
- Some underlining in col. pencil. Wr. sl. foxed and creased; backstrip worn.
- Wrappers and edges sl. foxed. Otherwise fine. = Global Avantgarde Italy 46.
Index. Appendice all'Annata VI delle Cronache d'Attualità. Ed. A.G. Bragaglia. No.107, Fascicolo dedicata al teatro stagione. Rome, Casa d'Arte Bragaglia, 1929, (32)p. (incl. wr.), (photogr.) ills., orig. wr. des. by MEDIN, sm. 8vo.
- Spine splitting at foot.
= Rivisti Futuriste p.1006-1017; Le Fonds Paul Destribats 277. The last issue that was published of this periodical.
= Global Avantgarde Germany 84. After his dismissal as head of set design at the Baden State Theater in 1933, the Jewish stage designer Torsten Hecht (1903-1974) joined the French Resistance and took French citizenship under the name Alex Brochet. After the war, he returned to Germany.
Funk. Die Wochenschrift des Funkwesens. Ed. L. Kapeller. Year 5, no.1. Berlin, Weidmannsche Buchhandlung and Julius Springer, 1928, 4 parts in 1 vol., ills., adverts., orig. wr. des. by ERICH METZOLDT, 4to.
- Yellowed and loose in wrappers. Backstrip rubbed. Otherwise good/ fine.
= Global Avantgarde Germany 100.
- Dustwr. w. tiny chips on upper corners and on joints at top of spine. Otherwise fine.
= Global Avantgarde Great Britain 19.
- Sl. yellowed. Small tear in blank fore-edge; tiny dam. in upper corner frontwr. near spine.
= Rare periodical of which 9 issues were published between 1922-1928. Contains contributions by i.a. L. Kassak and T. Tzara and advertisements for i.a. Der Sturm, De Stijl, Mécano and MA. Global Avantgarde France 21; Le Fonds Paul Destribats 186; Futurisms in the World p.493ff; The Avantgarde Applied p.248.
- Sl. yellowed; first few lvs. (water)stained in upper blank margin. Wrappers soiled/ stained; frontwr. loosening; backwr. sm. tear in upper margin; backstrip dam. and w. ms. title in pen and ink.
= Salaris, Bibliografia del Futurismo p.48; Hulten, Futurism & Futurisms p.514: "With his "explosive novel" 8 Anime in una bomba (8 Souls in a Bomb, 1919), Marinetti used his own free-word theory for a more complex literary composition. He was now able to accept what he had earlier rejected: sentimental and narrative contents, psychology, and a swift, springy syntax that allows for metaphors, analogies, colours - here Marinetti's poetic inspiration reaches its highest peak." With AUTOGRAPH SIGNED DEDICATION on first blank: "a Decima[?] De Angelis/ con viva/ simpatia/ F.T. Marinetti/ Corso Venezia 61/ Milano".
- Horizontal middle fold; sm. bump/ dam. in upper blank margin thoughout; spine dam.
= Special issue (year XI, no.6) of the periodical Natura, devoted to the Pavilion of the Futurist Movement at the Triennale designed by Enrico Prampolini.
- Spine-ends chipped; backwr. vaguely waterst.
= Rare periodical on experimental theatre. Only two issues were published.
- Small tear in frontwrapper. Otherwise fine.
= Rowell/ Wye 482 and p.164; Lemmens/ Stommels, Russian Book Art 1904-2005, p.58. Contains caricatures of Raymond Poincaré, Mussolini, George Curzon, Józef Piłsudski, Hugo Stinnes, Samuel Gompers and Emile Vandervelde, accompanied by satirical verse.
- Spine renewed; front- and backwr. reattached and w. some creases and restored spots (first 3 letters of the author's name on frontwr. neatly reproduced).
= Rowell/ Wye 617. Cycle of poems written during the author's stay in Paris (1924-1925).
- Frontwrapper neatly restored along margins (tiny portions lacking at upper edge) and reattached; backwr. and spine renewed; bookplate on verso frontwr.
= Rowell/ Wye 505 and ills. p.210f; Compton, Russian Avant-Garde Books 1917-34, p.85; Khan-Magomedov p.118f: "In 1923 Mayakovsky's poem Pro Eto was published, with illustrations by Rodchenko which are today regarded as a seminal work of photomontage. In fact, it could be claimed that the painter was the co-author of this work, since he had not limited himself to illustrating the poem in order to render its meaning clearer, but had created a series of artistic compositions, capable of conjuring up profound associations of meaning."
- Vague sm. stamps and annot. on backwr.; spine-ends sl. worn.
= Rowell/ Wye 803; Krichevsky, Nikolai Ilyin p.49.
- Backstrip dam./ partly lacking.
= Global Avantgarde Georgia 24. Rare publication with wrapper design by one of Georgia's most prolific avantgarde artists.