- Stamp on title-p. Frontwr. sl. scratched, creased and w. some closed tears.
= Global Avantgarde Lithuania 21.
- Carefully retouched rubbed/ stained spot on frontp.
Impero Latino. La fondazione de l'Impero, 9 Maggio 1936-XIV. Milan, Sezione Lombarda, 1936, 32p., ills., adverts., orig. wr. des. by GODENZI, folio.
= Global Avantgarde Turkey 15 (other issue). Monthly newsmagazine.
AND 2 other issues of Turkish periodicals: CEM, no.34 (Istanbul, 1928, ills., orig. wr. w. anonymous design, 4to) and ALKIM, no.15 (Balýkesir, 1932, orig. wr. des. by NEBAHAT, 4to. Balýkesir school newspaper).
= Three important Turkish avantgarde periodicals.
- Bookblock and binding trifle warped.
= Rowell/ Wye 951 and p.217; Compton, Russian Avant-Garde Books p.152.
- Lacks general title ("Osszes versei"); orig. wr. sl. cut short and laid down. Binding sl. dried and rubbed.
= Global Avantgarde Austria 3; Futurisms in the World p.1170ff, also depicting some pages w. the interesting free typography, "(...) typographic illustrations that are derived from Futurist words in freedom".
- Backstrip sl. worn. = Catalogue of books published by Novaya Moskva (New Moscow).
Gosudarstvennoe Izdatel'stvo za pyat' let. Ibid., Gos. Izd., 1924, 172,(3)p., 2 portraits, (col.) plates (incl. facs. print samples), orig. wr. des. by BORIS TITOV.
- Trifle worn along extremities.
= Illustrated history of the first five years of the Soviet State Publishing House. Contains i.a. examples of title-pages and frontcovers (i.a. by A. Rodchenko).
Zhurnaly. Byulleten' no.1. Ibid., idem, 1927, 32p., ills., orig. wr. w. anonymous design.
- Wrappers professionally restored in margins.
= Dezső Keér was a Hungarian Jewish poet, who most likely didn't survive the holocaust. Rare.
- Blotted out owner's entry(?) on title-p. = Global Avantgarde Latvia 17.
- Owner's entry on title-p. = Global Avantgarde Latvia 41; Fraser L336.
= Year 2, no.11 w. portrait of Douglas Fairbanks from The Thief of Bagdad tipped onto frontwr.
- A few lvs. sl. dogeared. Otherwise fine. = Rare Ukrainian periodical devoted to cinema.
- Sl. yellowed and sl. occas. foxing. Spine sl. worn; wrappers a few tiny chips in fore-edge. Fine.
= Global Avantgarde Brazil 1; Diagramming Modernity p.188 and 191; Les Fonds Paul Destribats 169; Futurisms in the World p.154f (all incl. other issues w. diff. colours). Issue of the rare and most important Brazilian avantgarde periodical of which In total 9 issues (in 8 vols.) of the periodical were published in 1922-1923.
- Backstrip sl. worn; wr. trifle fingersoiled. = Global Avantgarde Estonia 38. Work on modern architecture.
- Spine-ends sl. worn/ splitting.
= Bimonthly periodical devoted to the publications of the State Military Publishing House. Wrapper design possibly by Solomon Telingater.
- Small stamp on title-p. and frontwr.
= Global Avantgarde Latvia 2; Fraser L97: "Another periodical with an even shorter life [than the periodical Taurētājs] was the single-issue Kolektīus (The Collective, September 1920), a social-democratic art and literature effort edited by Kārlis Dzelzītis, a lawyer, parliamentary deputy, and veteran of the Russian Imperial Army. The Strunke-designed cover image appears to be a version of yet another example of Latvian graphic cubism (...)".
- All but two lvs. strengthened/ repaired w. tape on (weak/ torn) horizontal middle fold; strengthened w. tape in inner margin; first and last leaf sl. creased; first leaf strengthened along upper margin and last leaf lacks sm. portion from upper margin.
= Global Avantgarde Sweden 20. The only issue published of this rare avantgarde periodical (monoskop.org); not in Le Fonds Paul Destribats.
- Margins of wrappers restored/ strengthened; closed tear in frontwr. = Global Avantgarde Russia 26.
= Global Avantgarde Latvia 29; cf. Fraser L262. Kreisā Fronte (Left Front) was one of the first Latvian-language socialist periodicals. "Olga Laicena and Jūlijs Ķipers recall a meeting in the Laicens' apartment, choosing the name of the journal and following the concept of Vladimir Mayakovsky's LEF (1923-1925). Although by the time that Kreisā Fronte began, it was more likely inspired by the design and content of Novyj LEF (The New LEF, 1927-1928)" (Fraser).
= Global Avantgarde Latvia 30; cf. Fraser L262. Kreisā Fronte (Left Front) was one of the first Latvian-language socialist periodicals. "Olga Laicena and Jūlijs Ķipers recall a meeting in the Laicens' apartment, choosing the name of the journal and following the concept of Vladimir Mayakovsky's LEF (1923-1925). Although by the time that Kreisā Fronte began, it was more likely inspired by the design and content of Novyj LEF (The New LEF, 1927-1928)" (Fraser).
= Global Avantgarde Latvia 31; cf. Fraser L262. Kreisā Fronte (Left Front) was one of the first Latvian-language socialist periodicals. "Olga Laicena and Jūlijs Ķipers recall a meeting in the Laicens' apartment, choosing the name of the journal and following the concept of Vladimir Mayakovsky's LEF (1923-1925). Although by the time that Kreisā Fronte began, it was more likely inspired by the design and content of Novyj LEF (The New LEF, 1927-1928)" (Fraser).