- Some creases and closed tears around the edges, still an attractive print.
= One of a series of 3 prints, with extensive engr. captions (cut off and mounted on verso frame), i.a. identifying the depicted ships. "Dit Stel van drie platen voorstellende het vertrek uit de Haven van Portsmouth op den 2d. Juny 1833 van 12 Nederlandsche Koopvaardy Scheepen uit het Embargo ontslagen (...)". F.M. 6916: "Fraaije aquatinta".
- A few unobtrusively closed tears.
= The two steamships "Rotterdam" and "Maas" were built by the shipping company that eventually became known as the Holland America Line and were the first ships to succesfully sail on a regular basis from The Netherlands (Rotterdam) to the US (New York). Rare lithograph.
- View of Tivoli w. sm. stain; all w. ample margins.
= "Veue dune Porte de Tivoly a cinq lieues de Rome" (Faucheux, Rome series 9, no.9), "Veuë du pont Saincte Marie" (Faucheux, Rome series 8, no.4), "Veuë de l'arque de Constantin, et du Colisée" (Faucheux, Rome series 8, no.9) and "La Madona del Popolo" (Faucheux, eglises des stations de Rome, no.8). All with the collector's mark of Pieter Willem van Doorne (1896-1971, Lugt 4731) on verso.
- One plate by Jacquemart misbound at the beginning of vol. 1; occas. some foxed spots and a few plates yellowed; nevertheless most etchings in exceptionally fine condition. Both bindings w. a few chafed/ scratched spots.
= Extrememly rare set with 4 complete parts of the most iconic etchings from their time. Comprises i.a. Édouard MANET, Les Gitanos (28,5x20,5 cm., signed in the plate. Trifle yellowed); Seymour HADEN, "Fulham on the Thames" (11,5x28 cm., titled in the plate); Baptiste Corot, Souvenir d'Italie (29,5x22 cm.); Johan Bartold JONGKIND, Entrée du Port de Honfleur (22x30,5 cm., signed and "1863" in the plate); Charles-François DAUBIGNY, Les Vendanges (33,7x20 cm.) and Eugène DELACROIX, Juive d'Alger (20x15,5 cm., signed and "1833" in the plate). SEE ILLUSTRATION PLATE CXXXI.
= Landwehr, Splendid ceremonies 146; Landwehr, Romeyn de Hooghe as Book Illustrator 79; F.M. 2827.
AND 1 other by the same: 4 engravings on 1 leaf showing the murder of Johan and Cornelis De Witt.
- Lacks 18 plates; first few lvs. w. (vague) waterstain along vertical middle fold (mainly visible in broad upper and lower blank margin); some sl. occas. dustsoiling.
= F.M. 4032. Rare.
ADDED: 's Gravenhaegse Vrydagse Courant. Van dEn 4de February. Ao.1752. The Hague, A de Groot, 1752, (4)p., folio.
- Folds, sl. (dust)soiled/ foxed; 2 sm. rust holes at vertical middle fold.
= I.a. contains "Omstandige beschryving van de plegtige lyk-statie Van wylen Zyne Hoogvorstelyke Doorluchtigheyt, WIllem Carel Hendrik Friso, Prinse van ORanje en Nassau, Erf-Stadhouder der UniE, &c &c. &c."
= Landwehr, Splendid Ceremonies 234; F.M. 4097; Atlas van Stolk 4081; Lipperheide Sd 36.
AND 7 large engravings from J.L. GODFRIED, Historische Chronick oder Beschreibung der merckwürdigsten Geschichte (1743-59), i.a. of the passage of Queen Catherine of England in Lisbon.
- Sl./ trifle foxed; brown spot in lower margin.
= Hollstein 4, the 2nd state (of 2): "Formerly as by H. Goltzius (B. 297; Hollstein VIII, 430, as after Goltzius)." Filedt Kok, Hendrick Goltzius (Ned. Kunsthist. Jaarboek 41-42), p.184: "Several prints by De Jode after Spranger are accompanied by poems by Estius and were engraved in Goltzius' 'dough style'. Perhaps for these reasons, Bartsch attributed The Holy Family after Spranger, a print which must have been made in Goltzius' workshop, to Pieter de Jode." SEE ILLUSTRATION PLATE CXXXI.
- A vertical scratch in the image near the left edge; number prob. erased.
= Rare. Part of a series of 6 Landscapes. New Hollstein (de Gheyn family) 218.
- Cut on the platemark or just outside the borderline.
= Hollstein 1 (final state), 2 (final state?); 3 (3rd or 5th state), 4, 6-10 (all final state), 11 (3rd state of 4), 12 (final state). All with the collector's stamp of Albert Pieter van den Briel (1881-1971) (Lugt 407a) and with the manuscript collector's mark of the Parisian art dealer Naudet (variously dated 1787, 1799 and 1807) (Lugt 1937).
- No.2 lower margin trimmed to the borderline and sl. duststained; no.3 w. ample margins; one copy of no. 11 w. brown stains in upper part.
= Hollstein 2 (2nd or 3rd state), 3 (3rd state of 5), 4 (2nd and 3rd state of 3), 9 (3rd state of 3), 11 (2nd and 3rd state of 3). No.2 w. the collector's marks of John Binmer (Lugt 1410) on recto, no.4 w. the collector's mark of Josef Camesina de Pomal (1765-1827) (Lugt 429), all but two with the collector's marks of Albert van den Briel.
- Trimmed on/ just outside/ inside the platemark.; H.9 (Christ) w. closed tear in upper part; H.11 sm. section nibbled by silverfish; H.13 sm. spots/ sections strengthened on verso; H.15 lower left corner repaired w. loss of image; H.17 w. closed tear; H.18 w. closed holes near centre and w. strengthening on verso; H.20 w. repaired section near the knee of the figure; H.21 appears to be printed on 18th cent. laid paper.
= Without Hollstein 22 (Thomas?). Hollstein 9-21. Hollstein 9 (3rd state of 3), w. the collector's mark of Hubert Dupond (1901-1982, Lugt 3926), H.10 and 12, 2nd state of 2, Hollstein 11, 13, 19 and 20, 2nd state of 3, H.14, 1st state(?) (without number, not mentioned by Hollstein), all others only state. Hollstein 9, 10, 16, 18 and 19 on laid paper w. jug watermark.
= Hollstein 59, 2nd state (of 4) with the address of G. Banheynigh.
AND an engr. portrait of Theodorus Schrevelius by the same.
= Provenance: the collection A.M. van den Broek.
- Outer margins strengthened w. paper tape on verso; sl. yellowed.
- Doubled; some thin spots; a few vague creases in lower left corner; a few yellowed spots; traces of tipping onto mount on verso.
= With unidentified collector's stamp ("W" within circle) and owner's name in pen and ink on verso. Hollstein 11. Very rare (as is the complete series, which is only known in 2 copies). SEE ILLUSTRATION PLATE CXXXII.
- A few sm. closed tears and lower right corner repaired; horizontal central fold; soiled and w. various sm. creases.
= With the collector's mark of Eduard Friedrich Weber (1830-1907) (Lugt 913) and with a 17th/ 18th century (collector's?) annotation in pen and ink showing a monogram (?) and "568-30" on verso and "Ao (or No) 281" on recto.
- Section (13x5 cm.) of blank upper right corner restored.
= Hollstein 289, 1st state (of 2), without the added bindweed, 2 lilies and two flies. SEE ILLUSTRATION PLATE CXXXII.
- Fine impression.
= Very rare print (not traced in New Hollstein). "Johannes Teyler (...) produced, towards the end of the seventeenth century, engravings in colour (...). [He] brought the art of colour-printing so near to beauty-point that it becomes obvious that only the revival and perfection of the stipple were necesarry to establish it completely as a fine art" (J. Frankau, Eighteenth century colour prints p.60ff). SEE ILLUSTRATION PLATE CXXXII.