80 6386 Roghman Geertruydt 1625 1657 
80 6386 Roghman Geertruydt 1625 1657 
80 6386 Roghman Geertruydt 1625 1657 
80 6386 Roghman Geertruydt 1625 1657 
80 6386 Roghman Geertruydt 1625 1657 
- All ample margins; title sl. yellowed; otherwise all fine.
= Hollstein (G. Roghman) 9-22, only state; Hollstein (C.J. Visscher) 318 (title-p.); with i.a. cat. Harlemia Illustrata 175 and 176. Provenance: the collection A.M. van den Broek. SEE ILLUSTRATION PLATE CXXVIII.
80 6387 Rops Félicien 1833 1898 
80 6387 Rops Félicien 1833 1898 
= Cf. Exteens 364.
AND a drypoint by Berthe MORISOT, Le canard, with cancellation punch (sl. browned).
80 6388 Rubens Peter Paul 1577 1640 by/ after 
- On thick laid (18th cent.?) paper with large watermark showing a building; sl. grey impression.
= Hollstein 2 (Rubens) and Hollstein 48 (Pontius).
80 6389 Ruischer Johannes ±1625 after 1675 
- Fine impression on thin paper. Trimmed on or just outside the platemark; tipped onto mount.
= Fine etching, only known in later states, reworked by A. Waterloo. Hollstein/ Ruischer 14; Hollstein/ Waterloo 40, the 2nd state (of 3), with the address of Waterloo, but before the number.
80 6390 Ruisdael Jacob van 1628 1682 
- Very small closed tear in lower margin.
= Hollstein 1, the 2nd state (of 2), the sky etched and with retouches of dry-point.
80 6391 Sadeler I Johannes 1550 ±1600 
- Upper and outer margins cut to the image. Good strong impression.
= Hollstein 566. Part of a series of 8 prints showing Landscapes with biblical scenes from the Old and New Testament.
80 6392 Sadeler Aegidius 1568 1629 
- Trimmed to/ just inside the plate mark; sl. foxed, esp. in caption below image.
= Hollstein 148, 4th state (of 4). SEE ILLUSTRATION PLATE CXXVIII.
80 6393 Sadeler Raphael 1560 1632 
- Trimmed (sl. unevenly) on/ just within the platemark (w. tiny loss of the image); sm. closed tear in left edge and tiny hole in caption below; upper left corner repaired; formerly folded.
= Hollstein 13. Rare. SEE ILLUSTRATION PLATE CXXVIII.
80 6394 Saenredam Jan 1565 1607 
- Trimmed outside the platemark; somewhat grey impression, sl. weak impression.
= Hollstein 83, this 18th century state (Covens and Mortier started their business in 1721) not mentioned by Hollstein.
80 6395 Saenredam Jan 1565 1607 
80 6395 Saenredam Jan 1565 1607 
- Cut to the platemark; sl. soiled; sm. closed tear in upper part. = Hollstein 40, the first state (of 2).
Idem (after). The woman of Cana. Engraving from 5 Famous women of the New Testament after H. GOLTZIUS, 19,2x13,8 cm.
- Printed from a worn plate; a few translucent brown stains.
= Rare seventeenth century copy. Cf. Hollstein 38. With an unknown collector's mark "KP" or "PK" (not in Lugt) on verso (sl. shining through).
80 6396 Saenredam Jan 1565 1607 
- Trimmed well outside the platemark; fine copy. = Very rare. Hollstein 21. SEE ILLUSTRATION PLATE CXXIX.
80 6397 Saenredam Jan 1565 1607 
- Closed tear in lower part; sl. soiled (more on verso); sl. grey impression; trimmed on the platemark; glue remnants and edges partly strengthened on verso.
= Hollstein 88, 4th state (of 4), with the altered date.
80 6398 Saenredam Jan 1565 1607 
- Small margins, lower margin cut short and touching letters. Restored copy; some small foxed spots/ ruststains.
= Hollstein 133, the second state (of 2). With collector's mark of Winfield Robbins in lower right corner (just touching the image) (not in Lugt).
80 6399 Saenredam Jan 1565 1607 
- Large closed horizontal tear in centre; sm. section lower left corner cut off and replaced in manuscript; trimmed to the image.
= On laid paper with watermark showing an eagle with spreading wings and a halo. Hollstein 42, 1st state of 2. Part of the series Three Cardinal Virtues.
80 6400 Saftleven Herman 1609 1685 
- Broad margins; somewhat grey impression.
= On laid paper, prob. 18th century, perhaps early 19th century. Hollstein 19, 3rd state of 3. With the collector's marks of museum Boymans van Beuningen (Lugt 700a (doublure stamp) and 288).
80 6401 Sandrart Joachim von 1606 1688 after 
80 6401 Sandrart Joachim von 1606 1688 after 
= Both from J. VON SANDRART, L'Academia Todesca della Architectura, Scultura & Pittura: Oder Teutsche Academie der Edlen Bau-Bild- und Mahlerey-Künste (1675).
AND 10 others similar, all from the same work, i.a. "Flora", "Hygiaea", "Nilus" (fold in upper left corner), "Silenus" and "Viro Vestalis".
- Occas. (sl.) foxed/ yellowed in blank margins.
80 6402 Savery Roelant 1576 1639 after 
- Cut on the borderline, except the upper margin cut irregularly and within the borderline; upper right corner and right edge w. various closed tears and repairs; lower right corner lacks portion, added in pen and ink; a few sm. stains.
= This is the left half of a large landscape, printed on 2 sheets, as seen by Roelant Savery in Bohemia. Jacob Matham is the printer and therefore the print is usually attributed to him, although it is not in his usual style. New Hollstein (Matham) 345. This is the rare first state, not mentioned by Hollstein. The horseman below is not present in this state.
80 6403 Savery Salomon 1593 1683 
80 6403 Savery Salomon 1593 1683 
80 6403 Savery Salomon 1593 1683 
- The large profile w. ships (g), w. closed tear in lower part (beneath the central ship in the front), w. sl. yellowing along the tear; the plate w. the Magistrates taking leave of Maria (h) w. closed tears in margins.
= Hollstein 144c (1st state of 3), d (2nd state of 3), e and f (both 1st state of 3), g and h (2nd state of 3).
80 6404 Savery Salomon 1593 1683 
- Lacks a tiny part of lower left corner.
= From an early edition of W. BARTJENS, De vernieuwde cyfferinge (...) (possibly from the 1st edition of the second part, publ. Zwolle, 1637).
80 6405 Savery Salomon 1593 1683 
80 6405 Savery Salomon 1593 1683 
- Traces of mount on verso. Otherwise very fine. = Hollstein 88. Rare.
Cantarini, Simone (1612-1648). (Holy family in the clouds). Etching, 14,2x11,3 cm., "S.C. de Pesaro fe" in the plate in lower right corner,
- Cut inside the borderline; foxed.