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80 6346 Portraits  Lot of ±100 prints 80 6346 Portraits Lot of ±100 prints
80 6346 Portraits  Lot of ±100 prints 80 6346 Portraits Lot of ±100 prints
80 6346 Portraits  Lot of ±100 prints 80 6346 Portraits Lot of ±100 prints
80 6346 Portraits  Lot of ±100 prints 80 6346 Portraits Lot of ±100 prints
80/6346 [Portraits]. Lot of ±100 prints, 17th to 20th cent., mainly bookillustrations, various techniques and sizes, i.a. a large handcol. lithograph "Charles Beckwith" by Achille DEVERIA (some foxing), a col. lithogr. "Koningin Wilhelmina" by Paul BERTHON (supplied in 2 copies), an engr. portrait of "J.P. Marat, l'Ami du Peuple" (browned) and portraits by i.a. W. LEIBL, John DIXON after (Robert Edge PINE) and Auguste ALLEBÉ.
€ (80-100) 110
80 6347 Portraits Centenarians  Noorde Cornelis van 1731 1795 80 6347 Portraits Centenarians Noorde Cornelis van 1731 1795
80 6347 Portraits Centenarians  Noorde Cornelis van 1731 1795 80 6347 Portraits Centenarians Noorde Cornelis van 1731 1795
80 6347 Portraits Centenarians  Noorde Cornelis van 1731 1795 80 6347 Portraits Centenarians Noorde Cornelis van 1731 1795
80/6347 [Portraits. Centenarians]. Noorde, Cornelis van (1731-1795). "Jan Christiaansz. van der Winde Gebooren te Lit, int Graaffschap Rheda, den 1 Mey 1663. Overleeden te Haarlem, den 18 April 1764". Etching, printed in brown, 1764, 22,5x16,5 cm. - AND 1 other engr. portrait of centenarian "Maria Kouwenhoven" by Pieter Hendrik Luitjes VAN DER MEULEN after Wybrand HENDRIKS (with letterpress sheet "Kort levensbericht van Maria Kouwenhoven" (Ekama 744)).

= Sliggers/ Van der Steur, Portretten van 100jarigen, portret c and e. Provenance: the collection A.M. van den Broek.

€ (50-70) 80
80/6348 Portraits Haarlem and surroundings  Lot of 9 portraits 80/6348 Portraits Haarlem and surroundings Lot of 9 portraits
80/6348 [Portraits. Haarlem and surroundings]. Lot of 9 portraits, i.a. Pieter Antony WAKKERDAK, "Kenau Simons Hasselaer" (mezzotint, w. caption and "P.A. Wakkerdak Fecit" engr. below image); D. DE BRAIJ after J. DE BRAIJ, "Salomon de Braij, Schilder en Bou-meester; tot Haerlem" (woodcut portrait, 18x12,8 cm. Two copies) and Cornelis VAN NOORDE after a selfportrait by Taco JELGERSMA , "Dit 's Tako Jelgersma, een schilder-geest gebooren; Mals van penseel; van aart inzoet, meer oog dan ooren" (engr. portrait, w. caption and date "1756" below image, 19,9x14,2 cm. Two copies).
€ (50-70) 50
80 6349 Potter Paulus 1625 1654 80 6349 Potter Paulus 1625 1654
80 6349 Potter Paulus 1625 1654 80 6349 Potter Paulus 1625 1654
80 6349 Potter Paulus 1625 1654 80 6349 Potter Paulus 1625 1654
80 6349 Potter Paulus 1625 1654 80 6349 Potter Paulus 1625 1654
80/6349 Potter, Paulus (1625-1654). The Grazing Cow. Two Oxen Fighting. Two etchings, 9,8x14 and 10,5x14 cm. - BOTH WITH: a copy after in the same direction.

- Hollstein 4 trimmed just outside the borderline and sl. soiled: Hollstein 7 trimmed outside the platemark.

= Hollstein 4 and 7, 2nd (or 3rd) state of 3. Three of the four with the collector's stamp of Albert Pieter van den Briel (1881-1971) (Lugt 407a); Hollstein 4 also with the manuscript collector's mark of Naudet (dated 1818) (Lugt 1937).

€ (200-300) 200
80 6350 Potter Paulus 1625 1654 80 6350 Potter Paulus 1625 1654
80/6350 Potter, Paulus (1625-1654). The plough horses. Etching, 25,2x23,4 cm., signed "Paulus Potter" and dated "f. 1652" in the plate.

- Previously folded, w. the fold still visible; cut just outside the platemark.

= On 17th century laid paper with what appears to be a foolscap watermark. Hollstein 12, 2nd state (of 3), with the plate-edge still uneven and marked at the foot.

€ (200-300) 200
80 6351 Potter Paulus 1625 1654 80 6351 Potter Paulus 1625 1654
80 6351 Potter Paulus 1625 1654 80 6351 Potter Paulus 1625 1654
80 6351 Potter Paulus 1625 1654 80 6351 Potter Paulus 1625 1654
80 6351 Potter Paulus 1625 1654 80 6351 Potter Paulus 1625 1654
80 6351 Potter Paulus 1625 1654 80 6351 Potter Paulus 1625 1654
80/6351 Potter, Paulus (1625-1654). Series of horses. Complete series of 5 etchings, each ±16x24 cm.

- Each trimmed 2-5 mm. outside border line.

= The Frisian horse (Hollstein 9, 3rd state (of 3), the tail lengthened. Without watermark); The neighing horse (Hollstein 10, 2nd state (of 2), with the rework of the foreground and church in background. Without watermark, The cropped horse (Hollstein 11, 3rd state (of 3), the tail made thinner. Unidentified watermark); The plough horses (Hollstein 12, 2nd state (of 3). Without watermark); The worn-out horse (Hollstein 13, 2nd state (of 2)). Provenance: the collection A.M. van den Broek, one w. his collector's mark on verso. Each w. collector's mark "KS" on verso (not in Lugt).

€ (400-600) 2750
80 6352 Potter Paulus 1625 1654 80 6352 Potter Paulus 1625 1654
80/6352 Potter, Paulus (1625-1654). The shepherd. Etching (and engraving), 17,6x26,5 cm., 1644.

- Sl. grey impression, but otherwise fine.

= On 17th century laid paper withwatermark showing crowned coat of arms of Amsterdam. Hollstein 15, 5th state, without address, date and number.

€ (250-350) 425
80 6353 Print cabinets  Oak print cabinet 80 6353 Print cabinets Oak print cabinet
80 6353 Print cabinets  Oak print cabinet 80 6353 Print cabinets Oak print cabinet
80/6353 [Print cabinets]. Oak print cabinet, early 20th cent., 134(w. top)x103(d.)x110(h.) cm., 2 panelled frontdoors w. brass lock and key, 10 sliding drawers w. (later) brass label holder.

- Top w. a few vague waterstains.

€ (2.000-3.000)
80 6354 Pyne William Henry 1769 1843 80 6354 Pyne William Henry 1769 1843
80 6354 Pyne William Henry 1769 1843 80 6354 Pyne William Henry 1769 1843
80 6354 Pyne William Henry 1769 1843 80 6354 Pyne William Henry 1769 1843
80 6354 Pyne William Henry 1769 1843 80 6354 Pyne William Henry 1769 1843
80/6354 Pyne, William Henry (1769-1843). (Military guard in costume). Contemp. handcol. aquatint, 23x24 cm., w. address of William Miller below, from W.H. PYNE, The Costume of Great Britain, 1808 (Colas 2447). Hogarth, William (1697-1764) (after). "The Times." "The Country Inn Yard." Two engravings on 1 leaf by T. COOK, 20,5x29,5 and 21,2x29,5 cm., London, G.G and J. Robinson, 1800 (cf. Paulson 167). - AND 2 others: 1 similar by HOGARTH and 1 similar to the first by PYNE.
€ (50-70) 50
80 6355 Raimondi Marcantonio ±1480 1527/34 80 6355 Raimondi Marcantonio ±1480 1527/34
80 6355 Raimondi Marcantonio ±1480 1527/34 80 6355 Raimondi Marcantonio ±1480 1527/34
80 6355 Raimondi Marcantonio ±1480 1527/34 80 6355 Raimondi Marcantonio ±1480 1527/34
80 6355 Raimondi Marcantonio ±1480 1527/34 80 6355 Raimondi Marcantonio ±1480 1527/34
80/6355 Raimondi, Marcantonio (±1480-1527/34). The Murder of the Innocents. Engraving after RAPHAEL, 27,5x43 cm., monogrammed "MA" in the plate.

- Professionally restored, backed w. thin paper.; w. various sm. closed holes and tears; formerly folded.

= Bartsch XIV, 18. The version with the pine tree on the right. Possibly a copy after.

Idem (after). Cleopatra reclining on a bed. Engraving, 10,5x17,6 cm.

- Sm. restorations/ repairs in upper corners and a small spot in right edge.

= Copy in reverse (w. a later added monogram "AD" in pen and ink). Bartsch XIV, 199 (copy C).

AND 3 others by/ after the same: Saint Cecilia, St Paul, St John the Evangelist, St Augustine and Mary Magdalen (Bartsch 116), Two women holding a book under a sign of the Zodiac (Bartsch 397) and Personification of Philosophy (cf. Bartsch 381). - ADDED: 2 very poor copies of engravings by Nicholas BEATRIZET (Fight between Love and Reason and Children's Bacchanal).

€ (300-500) 900
80 6356 Randon Claude 1674 1704 80 6356 Randon Claude 1674 1704
80 6356 Randon Claude 1674 1704 80 6356 Randon Claude 1674 1704
80/6356 Randon, Claude (1674-1704). "Centauro con Amore in Groppa che lo tiene legato (...)" "La Stessa Statua in altra veduta". Two engravings, both 30,5x25 cm., numb. in upper right, w. captions in Italian below, publ. by D. Rossi, from Raccolta Di Statue Antiche E Moderne, Rome, 1704, unif. framed.
€ (80-100) 80
80 6357 Rembrandt van Rijn 1606 1669 80 6357 Rembrandt van Rijn 1606 1669
80/6357 Rembrandt van Rijn (1606-1669). The adoration of the shepherds: a night piece. Etching, drypoint and burin, ±1652, 15x19,8 cm.

- Good impression, trimmed on/ just outside the platemark. Expertly doubled. Erased owner's entry on verso.

= New Hollstein 300; Hollstein/ Bartsch 46, 8th (final) state. With the collector's marks of i.a. Vicomte de Montfort (Lugt 1035) and A.P. van Briel (Lugt 407a).

€ (1.400-1.600) 1600
80 6358 Rembrandt van Rijn 1606 1669 80 6358 Rembrandt van Rijn 1606 1669
80/6358 Rembrandt van Rijn (1606-1669). The Baptism of the Eunuch. Etching, 18,1x21,2 cm., "Rembrandt f. 1641" in lower right corner.

- Washed copy.

= Probably a later impression of New Hollstein 186, 2nd state (of 4). On laid paper without watermark.

€ (500-700) 550
80 6359 Rembrandt van Rijn 1606 1669 80 6359 Rembrandt van Rijn 1606 1669
80/6359 Rembrandt van Rijn (1606-1669). A blind hurdy-gurdy player and family receiving alms. (Beggars receiving alms at the door of a house). Etching, 16,6x12,8 cm., "Rembrandt. f. 1648." in lower right.

- Yellowed/ browned; on 19th cent. paper, no discernable watermark; doubled w. Japanese.

= New Hollstein 243, 4th state (of 5).

€ (300-500) 300
80 6360 Rembrandt van Rijn 1606 1669 80 6360 Rembrandt van Rijn 1606 1669
80/6360 Rembrandt van Rijn (1606-1669). Christ and the woman of Samaria: an arched print. Etching, 12,5x15,9 cm.

- Trimmed just outside the borderline. Fine, strong dark impression on late 17th/ early 18th cent. laid paper, no watermark.

= New Hollstein 302, 4th state (of 5), before the restoration of the shadow on the wall between Christ and the woman.

€ (1.500-2.000) 1500
80 6361 Rembrandt van Rijn 1606 1669 80 6361 Rembrandt van Rijn 1606 1669
80/6361 Rembrandt van Rijn (1606-1669). Christ and the woman of Samaria: an arched print. Etching, 12,5x15,9 cm.

- Yellowed/ browned; trimmed just outside the plate mark. Printed from a worn plate (signature of Rembrandt almost invisible), on 19th cent. laid paper, no discernable watermark.

= New Hollstein 302, 4th state (of 5), before the restoration of the shadow on the wall between Christ and the woman.

€ (400-600) 600
80 6362 Rembrandt van Rijn 1606 1669 80 6362 Rembrandt van Rijn 1606 1669
80/6362 Rembrandt van Rijn (1606-1669). The Descent from the Cross: Second Plate. Etching, 53x40,6 cm., w. "Rembrandt f cum privil 1633", engr. below the image.

- Printed on thick and sl. yellowed paper, without watermark; w. vaguely visible horizontal fold; verso foxed.

= New Hollstein 119, 8th state (of 8) (Basan workshop). SEE ILLUSTRATION PLATE CXXV.

€ (2.000-3.000) 2500
80 6363 Rembrandt van Rijn 1606 1669 80 6363 Rembrandt van Rijn 1606 1669
80/6363 Rembrandt van Rijn (1606-1669). The flight into Egypt: a night piece. Etching, 1651, 12,8x10,8 cm.

= New Hollstein 262. 6th state of 10. On laid paper with no watermarks visible. With the collector's marks of Albert van den Briel (Lugt 407a), vicomte Philogene de Montfort (1806-1883, Lugt 1035 and manuscript "Ph. de Montfort 1?49" (cf. Lugt 1822) and Robelot (late 18th/ early 19th cent., Lugt 2141, this copy sold in Robelot's auction in 1847, lot 212). SEE ILLUSTRATION PLATE CXXVI.

€ (2.000-3.000) 2000
80 6364 Rembrandt van Rijn 1606 1669 80 6364 Rembrandt van Rijn 1606 1669
80 6364 Rembrandt van Rijn 1606 1669 80 6364 Rembrandt van Rijn 1606 1669
80/6364 Rembrandt van Rijn (1606-1669). The Goldsmith. Etching, 7,7x5,6 cm., "Rembrandt f. 1655" in lower left corner.

- Sm. restoration to the left blank margin and in both upper blank corners. On laid paper without watermark. Otherwise fine.

= New Hollstein 289, intermediate state between 2nd and 3rd state.

€ (700-900) 1500
80 6365 Rembrandt van Rijn 1606 1669 80 6365 Rembrandt van Rijn 1606 1669
80/6365 Rembrandt van Rijn (1606-1669). Landscape with a cow drinking. Etching and drypoint reworked by Claude-Henri Watelet, 10,3x12,9 cm.

- Restored/ repaired copy (especially upper right corner).

= New Hollstein 251, 3rd state (of 5) with the signature of Watelet in lower left corner invisible. With vague collector's mark "P.S" on verso.

€ (3.500-4.000)