80 6306 Ostade Adriaen van 1610 1685 
- Trifle yellowed; nevertheless fine.
= New Hollstein 33/ Godefroy 18, 8th and final state. With an unidentified collector's mark on verso (Lugt 2694).
80 6307 Ostade Adriaen van 1610 1685 
- Trimmed 2 mm. outside the platemark.
= New Hollstein 38, 1st state of 3. With the collector's mark of A. Schmidt-Benecke (first half 20th cent.) (Lugt 2265h). SEE ILLUSTRATON PLATE CXXIV.
80 6308 Ostade Adriaen van 1610 1685 
- Corners tipped onto mount. = Hollstein/ Godefroy 32, probably the 12th and final state.
80 6309 Ostade Adriaen van 1610 1685 
- Laid down on passepartout: strengthened along edges on verso; tiny closed tear in upper margin.
= New Hollstein 26, 4th/ 5th state of 10. The corners are rounded as found in the 5th state. The signature is strengthened but the "S" in the name is still large (as found in the 4th state). Strong dark impression, trimmed a few mm. outside the platemark. With the collector's marks of J. Fred. Bianchi (1878-1963) (Lugt 3761) and Martin Wigand (1846-1891) (Lugt 2623). SEE ILLUSTRATION PLATE CXXIV.
80 6310 Ostade Adriaen van 1610 1685 
- Fine. = New Hollstein 40/ Godefroy 9, 4th and final state.
80 6311 Ostade Adriaen van 1610 1685 
- Impression on 18th cent.(?) paper. = New Hollstein 40/ Godefroy 9, 4th and final state.
80 6312 Ostade Adriaen van 1610 1685 
80 6312 Ostade Adriaen van 1610 1685 
- Cut on the borderline.
= New Hollstein 21, 8th and final state. On laid paper with bunch of grapes watermark. SEE ILLUSTRATION PLATE CXXV.
AND a copy in reverse of the same composition, New Hollstein copies, copy G, without the address of Gerard Valk.
80 6313 Ostade Adriaen van 1610 1685 
- Trimmed just outside the platemark; w. vague dustsoiling.
= New Hollstein 30, 6th state of 8; Ackley 104. With the collector's mark of d'Arenberg (Lugt 567).
80 6314 Ostade Adriaen van 1610 1685 
- Paper trifle wrinkled in upper corners; otherwise fine.
= New Hollstein 31, 3rd state (of 3); Godefroy 40, 4th state (of 5).
80 6315 Ostade Adriaen van 1610 1685 
- Trimmed ±5 mm. outside the platemark.
= On laid paper. New Hollstein, 5th state of 5; Hollstein/ Godefroy 25, the 6th state (of 6).
80 6316 Ozanne Nicolas 1728 1811 
80 6316 Ozanne Nicolas 1728 1811 
80 6316 Ozanne Nicolas 1728 1811 
80 6317 Passe I Crispijn van de 1564 1637 
- Glue stains from former mount on verso; a few rubbed/ nibbled spots along edges and in corners.
= Rare. Title print of the series of Five Senses combined with months. This print representing January and February. Hollstein 511.
80 6318 Passe II Crispijn de 1594 1670 attrib 
80 6318 Passe II Crispijn de 1594 1670 attrib 
- Laid down and foxed.
= Rare. Franken 359; not in Hollstein. The series shows couples from all over the world in local dresses, combined with astrological signs. These engravings are attributed to Crispijn de Passe II, probably because the plates of the series appear in the inventories of the De Passe firm from 1639 (Veldman, p.453, nr. 199: 'Twaelf maenden in drachten in 12 plaetgen') and 1653 (Veldman, p.456, nr. 32). Franken was the first to ascribe the engravings (on the basis of only six plates: described as those 'très belles gravures') to Crispijn II.
Backer, Jacob de (1540/45-1590/91). (Allegory of Taste). Etching, 15x19,6 cm., "Iacob de Backer invenit" in the plate.
- Sl. fingersoiled; trimmed a few mm outside the borderline.
= Hollstein 4, 2nd state of 2. From the series of the Five Senses. According to annotation on the mount from the collection of Fred. J. Bianchi (but without his usual stamp).
80 6319 Passe II Crispijn de 1594 1670 attrib 
= Cf. Landwehr 918. These emblems come from Openhertighe Herten, also called 'Steek- of speldenboekje' ('pin book'), which was used by young lovers in the 17th century, who would hold the book in one hand and stick a needle into the fore-edge to reveal their particular emblem and poem.
80 6320 Pencz Georg ±1500 1550 
- Cut on the platemark, upper margin cut sl. short and irregular w. sl. loss of the rim of the cartouche; somewhat soiled. = Hollstein 135.
80 6321 Pencz Georg ±1500 1550 
- Cut on/ just outside the platemark; sl. grey impression.
= From the series of the Works of Mercy. Hollstein 73.
80 6322 Pencz Georg ±1500 1550 
- Sl. grey impression. = Hollstein 36, 2nd state of 2. On laid paper, prob. 17th cent.
80 6323 Pencz Georg ±1500 1550 
80 6323 Pencz Georg ±1500 1550 
- Strong impression, cut on the platemark. = Partly after Michelangelo. Hollstein 18.
Idem. Susanna and the Elders. Engraving, 4,7x7,4 cm., monogrammed in the plate.
- Cut a few mm. outside the platemark; sl. grey impression.
= Hollstein 20. Both prints from a series of 9 Scenes from the Old Testament.
80 6324 Pencz Georg ±1500 1550 
80 6324 Pencz Georg ±1500 1550 
- Closed horizontal tear near left edge; cut a few mm. outside the platemark; printed from a sl. worn plate, w. grey areas.
= Hollstein 5.
AND 1 other by the same: Joseph explaining his dreams (Hollstein 73. professionally restored/ repaired copy).
80 6325 Picart Bernard 1673 1733 
- Sl. fingersoiled; sm. marginal tear; trimmed just outside the platemark.
= Proof or unused leaf without the central scene. Used as ornamental border for scenes depicted in Antoine DE LA BARRE DE BEAUMARCHAIS, Le Temple des Muses: orné de 60 tableaux où sont représentés les événemens les plus remarquables de l'antiquité fabuleuse (Amsterdam, 1733).
AND 3 other ornament prints showing various designs of stair railings, etched copies in reverse after Daniel MAROT (still cordbound).