- Very broad margins; fine impressions.
= Hollstein 11 and 13, 2nd state of 2, w. the rounded plate corners. On 17th cent. laid paper. With the collector's mark of A.P. van den Briel (1881-1971) (Lugt 407a).
- Cut on the platemark.
= Rare. Hollstein 21, mentioning this copy (1934?). With the collector's mark of Friedrich August II of Saxony (1797-1854) (Lugt 971) on recto and Albert P. van den Briel (1881-1971) (Lugt 407a). SEE ILLUSTRATION PLATE CXIX.
- Trimmed ±5 mm. outside the platemark; fine impression.
= Hollstein 4, the 1st state (of 2) before the number. With the collector's mark of A.P. van den Briel (1881-1971) (Lugt 407a).
- A few very sm. tears in left margin, repaired w. paper strip on verso.
= One of a series of Amsterdam street figures around 1770.
- One print w. some brown stains; sl. agetoned; edges sl. unevenly cut; prob. later impressions, w. the publisher's name (Le Blond) removed.
- Trfile dustsoiled..
AND 2 other etching and chiaruscuro woodcuts by Comte DE CAYLUS and Nicolas LE SUEUR from the same work (both yellowed/ (dust)soiled, 1x w tear in blank margin).
- Browned; some rubbed spots; a few closed tears in blank margins. = Later impression.
ADDED: Rossetti, Domenico (1650-1736). "Federico Imperatore postrato à terra bacia li piedi al Pontefice nella Salla del Gran Consiglio." Engraving after FEDERICO ZUCCARO, 37,8x50 cm., engr. captions below, from Il Gran Teatro di Venezia, ±1720.
- A few sm. (closed) tears in blank margins.
- A few engravings laid down on mount/ tipped onto mount and w. some small defects.
- Trimmed just outside/ on/ just within the borderline; vague remnants of red chalk. Fine impression.
= Inventaire du Fonds Français 84. In the style of Guido Reni. With the collector's mark of Thomas Clutterbuck (1775-1837) (Lugt 2424) in upper left corner recto. Rare. SEE ILLUSTRATION PLATE CXX.
= With the collector's stamp of Jules Gerbeau (Lugt 1166) in lower right corner above the signature. Lotz-Brissonneau 236
- Sl. fingersoiled in margins.
- Collector's mark shining through, otherwise fine; cut just outside the platemark; sl. grey, but still a fine impression.
= The New Hollstein 98a/ b. From the series Christ and the Apostles. With the collector's mark of Alessandro Castagnari (Lugt 86a) on verso.
- Trimmed on the platemark; sl. fingersoiled; some grey areas; tiny chip in upper left corner; paper strengthened on verso.
= With the manuscript collector's mark of (prob.) Adam Vassilievitch Olsoufiev (1721-1784) on recto (his initials (Lugt 1752) and "gp" (or 92?)). New Hollstein 155 (a/ c). Rare. SEE ILLUSTRATION PLATE CXX.
- Trimmed on the borderline; w. various sm. repairs/ strengthened spots on verso; larger repair/ closed section near upper edge, right of the tree; a few sm. brown stains; sl. grey impression w. a few parts not sharply printed (especially the right upper part), as called for in Hollstein.
= New Hollstein 78, 1st state of 3, a.
- Cut on the platemark; somewhat grey impression, but all lines still visible; tiny section along upper edge near left upper corner repaired and partly redrawn.
= On laid paper with no discernible watermark. New Hollstein and Filedt Kok 116(b?).
- Trimmed on/ just within the platemark, somewhat grey, but fine impression.
= Later impression on laid paper. New Hollstein 114, 1st state of 3 (b). SEE ILLUSTRATION PLATE CXX.
- Fine impression, cut on/ just inside the borderline.
= Hollstein 63, 2nd state of 3; state after the 2nd state as noted by the Rijksmuseum, but before the heavily reworked 3rd state (as noted by the British Museum, part of the series Diverse Tronikens, cf. B.M. S.96).