- First print trimmed on/ just within the borderline; 2nd print somewhat unevenly browned; trimmed just outside the borderline.
= New Hollstein 130, 3rd state of 3 (numb. 63) and 131, 2nd state of 3 (numb. 3).
- Trimmed outside the border line, prob. on the platemark.
= Dark, strong impression. Rare. Hollstein 168; New Hollstein 170. Plate 7 (of 8) of the series of Roman Heroes. SEE ILLUSTRATION PLATE CXV.
- Closed tears/ repaired sections near centre and in lower left corner; foxed spots, mostly in lower part; unevenly browned; a few worn/ nibbled spots; trimmed on/ just within the borderline.
= (Very) rare. New Hollstein 311, 1st state of 3.
- Trimmed to the borderline.
= Rare. New Hollstein 149, possibly part of an unfinished series of the Seven planets.
= From the series of the Four Elements. New Hollstein 653, 3rd state of 3. With the collector's mark of Friedrich II August of Saxony (Lugt 971) on recto.
- Dam. (repaired) spot in upper margin. = Hollstein 731 copy a/I; Bartsch 84.
- Cut on/ just within the platemark; some parts strengthened on verso; a few sm. tiny closed marginal tears; sl. fingersoiled.
= New Hollstein 398, attributed to Jan SAENREDAM. From the series of The Wives of Patriarchs.
- Narrow paper strip on verso outer edges (from former mount/ passepartout); trimmed to the image.
= On contemporary laid paper. With 19th century manuscript collectors mark not found in Lugt ("A. W...?" and "847") and a collectors's mark "PMMH" (Pieter Hoogeweegen?, not in Lugt) and Albert Pieter van den Briel (Lugt 407a); Hollstein 2. SEE ILLUSTRATION PLATE CXVI.
- Some small marginal tears; verso upper margin traces of former mounting.
= Delteil 16; Harris13, 3rd edition.
- First two and final etching (badly) browned; a few etchings w. some smudgy colouring; sl. fingersoiled; partly printed eskew. Sold w.a.f.
= Series A, no.10-12; series B, no.1-12 (complete); series C, no. 3-6 (or 7) and 8-12; series D, no.1-4 and 8-12; series E, no.1, 4-7 and 10-12; series F, no.1-11; without series number, no. 1-4.
- Three plates w. sm. brown stain in lower (blank) margin. A good/ fine copy.
= Complete set of all 7 series (marked A to F, the last series without letter), each print w. series letter, number (1 to 12) and title engr. in caption. The 2nd state (of 3) of this fine series of Dutch sailing vessels. See De Groot/ Vorstman p.8 ("The most specialized artist in the field at the end of the eighteenth century was Gerrit Groenewegen, with his views of the port of Rotterdam and his series of eighty-four ship types, which was published in instalments"), p.20ff and no.191-202.
- Rebacked; binding browned and sl. rubbed. A fine copy.
= Complete set of all 7 series (marked A to F, the last series without letter), each print w. series letter, number (1 to 12) and title engr. in caption. The 2nd state (of 3) of this fine series of Dutch sailing vessels. See De Groot/ Vorstman p.8 ("The most specialized artist in the field at the end of the eighteenth century was Gerrit Groenewegen, with his views of the port of Rotterdam and his series of eighty-four ship types, which was published in instalments"), p.20ff and no.191-202.
- Two engravings very vaguely waterst.; otherwise fine.
= See De Groot/ Vorstman p.8: "The most specialized artist in the field at the end of the eighteenth century was Gerrit Groenewegen, with his views of the port of Rotterdam and his series of eighty-four ship types, which was published in instalments".
- Occas. browned.
Roux, Jacob, Christian (early 19th cent.). (Anatomical view of the male erogenous zones, showing arteries). Two partly handcol. lithogr. plates, each 71x51 cm., from TIEDEMANN, Tabulae arteriarum corporis humani, 1822.
- Each sl. foxed.
- Occas. sl. grey impressions; a few leaves restored w. Japanese or paper strip along outer or upper margin; a few leaves sl. browned in upper/ lower margin. Very fine copy.
= A fine collection of Hogenberg's Geschichtsblätter, rarely found thus complete. The series contains 2 extra unnumb. plates and 1 extra (unnumb.) portrait. The plate numbering skips one plate (no.184). F.M. 413: "Prentwerk (...) over de gebeurtenissen in Nederland, Frankrijk, Duitschland, enz., van 1558-1610, ook over het jaar 1535, en eenige platen over 1611-1632; te zamen 375 à 400 platen (...) Iedere plaat met een 12- of 16 reg. Duitsch vers (...). Dit uiterst belangrijke en vrij zeldzame werk is voor de kennis der Nederl. geschiedenis van groot gewigt, daar het ten tijde der gebeurtenissen zelve vervaardigd en uitgegeven is. (...) de meeste Exemplaren bevatten 375 à 400 platen; doch al die verschillende platen bijeengenomen wordt het een getal van 482, die zeker nooit bijeen te vinden zijn, en waarvan vele slechts in 1 of 2 Exemplaren werden gevonden. (...)." SEE ILLUSTRATIONS PLATE CXVII.
= Showing the events during the Dutch Revolt in the southern and northern Netherlands: the siege of Steenwijk, the battle near Aumale and The fall of Kinsale to the English in 1602.
= With engr. caption below the portrait reading "Gerardi Mercatoris Rupelmundi Effigiem annorduorum et sex-aginta, sui erga ipsum studii causa depingi curabat Franc. Hog. M.D.LXXIV." New Hollstein 36, 3rd state (of 4): "frontispiece in: Italiae, Sclavoniae, et Graeciae tabulae geographice (...) per Gerardum Mercatorem Cosmographum."
AND a small print of "De Compasse-maaker" (handcol. engr. by J. LUYKEN, framed).
- Small closed split on the plate mark near lower left corner.
= New Hollstein 1034, 3rd state (of 4). The letterpress Dutch commentary reads: "De Toorn van Antwerpen is in alle deelen een wonderlijk werk van het menschelijk vernuft, ende een groot gedenkteken van oude magt en Rijkdom, op het werk is in den jare 1518, het kruys geset."