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82 5464 Shunga  Eisen 1790 1848 82 5464 Shunga Eisen 1790 1848
82/5464 [Shunga]. Eisen (1790-1848). (Foreplay). Col. woodcut, 22,7x34,6 cm.

- Trifle fingersoiled in lower and left margin.

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82 5465 Shunga  Kitagawa Utamaro 1754 1806  after 82 5465 Shunga Kitagawa Utamaro 1754 1806 after
82 5465 Shunga  Kitagawa Utamaro 1754 1806  after 82 5465 Shunga Kitagawa Utamaro 1754 1806 after
82 5465 Shunga  Kitagawa Utamaro 1754 1806  after 82 5465 Shunga Kitagawa Utamaro 1754 1806 after
82 5465 Shunga  Kitagawa Utamaro 1754 1806  after 82 5465 Shunga Kitagawa Utamaro 1754 1806 after
82/5465 [Shunga]. Kitagawa Utamaro (1754-1806) (after). Bunka no haru (Spring in the Bunka period). Twelve col. woodcuts, signed Kitagawa Utamaro-hitsu w. seal Utamaro on verso frontwr., w. red (publ.?) seal (unread), 12x18 cm., late 19th/ early 20th century, bound as a blockbook, sm. obl. 8vo.

- Corners (sl.) fingersoiled. Backwr. (and last few lvs.) waterst,; corners bumped.

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82 5466 Shunga  Koryusai act 1764 1788 82 5466 Shunga Koryusai act 1764 1788
82/5466 [Shunga]. Koryusai (act. 1764-1788). (A couple having sex on a futon). Col. woodcut ôban yoko-e, from the series Shikido torikumi juniban (Twelve Holds of Love), ±1775.

- Trifle fingersoiled in left margin; sl. faded. = SEE ILLUSTRATION PLATE LXVII.

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82 5467 Shunga  Koryusai act 1764 1788 82 5467 Shunga Koryusai act 1764 1788
82/5467 [Shunga]. Koryusai (act. 1764-1788). (Lovers on a verandah with chrysanthemums). Col. woodcut ôban yoko-e, from the series "Enshoku ho ya ho (Sensual Colours: A Phoenix Released in a Field), ±1775.

- Doubled; sl. creased; sl. rubbed in right margin.

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82 5468 Shunga  Kuniyoshi 1797 1861 82 5468 Shunga Kuniyoshi 1797 1861
82/5468 [Shunga]. Kuniyoshi (1797-1861). (A couple in a passionate embrace, as a temari ball rolls away). Two col. woodcuts, both from the same unidentified series, both 23x33 cm., ±1840,

- First print several (closed) wormholes; second print num. unclosed wormholes.

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82 5469 Shunga  Shunsô 1726 1793 82 5469 Shunga Shunsô 1726 1793
82/5469 [Shunga]. Shunsô (1726-1793). (Couple having sex). Col. woodcut, 25,2x37,5 cm.

- Sl. faded. Otherwise fine.

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82 5470 Shunga  Utamaro 1754 1806 82 5470 Shunga Utamaro 1754 1806
82 5470 Shunga  Utamaro 1754 1806 82 5470 Shunga Utamaro 1754 1806
82 5470 Shunga  Utamaro 1754 1806 82 5470 Shunga Utamaro 1754 1806
82 5470 Shunga  Utamaro 1754 1806 82 5470 Shunga Utamaro 1754 1806
82 5470 Shunga  Utamaro 1754 1806 82 5470 Shunga Utamaro 1754 1806
82 5470 Shunga  Utamaro 1754 1806 82 5470 Shunga Utamaro 1754 1806
82/5470 [Shunga]. Utamaro (1754-1806). Ehon Komachi-biki ( Embracing Komachi). Six (of 12) col. woodcuts, 25x36,5 cm., Meji re-edition, tipped into modern album, modern dec. wr.

-Three prints (partly) yellowed; all prints sl. creases/ trifle dam./ worn in corners.

= SEE ILLUSTRATION PLATE LXVIII.

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82 5471 Sôzan 1884 ? 82 5471 Sôzan 1884 ?
82/5471 Sôzan (1884-?). Pea-hen. Col. woodcut ô-hosoban (38,5x17 cm.), unsigned but w. red artist's seals, publ. Watanabe Shozaburo, ±1920.

- Mounted along top under passepartout; (sl.) browned, otherwise fine.

= Rare print from before the 1923 Kantô earthquake.

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82/5472 Street Scenes Calendar for 1913 82/5472 Street Scenes Calendar for 1913
82/5472 Street Scenes Calendar for 1913 82/5472 Street Scenes Calendar for 1913
82/5472 Street Scenes Calendar for 1913. Tokyo, T. Hasegawa, 1912, 10 lvs. and orig. wr. all w. col. woodcut ills., 8,5x6 cm.

- Trifle/ sl. foxed. Modern thread.

ADDED: 7 Japanese printed ephemera (±1900-1940), i.a a 1936 copy of Fujin Kurabu (Women's Club Magazine), containing articles on a wide range of topics (i.a. on the Olympics), recipes, stories and advertisements, w. (col.) (photographic) ills.

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82 5473 Sukenobu 1671 1750 82 5473 Sukenobu 1671 1750
82 5473 Sukenobu 1671 1750 82 5473 Sukenobu 1671 1750
82/5473 Sukenobu (1671-1750). Ehon Yamato-hiji (Illustrations of Traditional Japanese Subjects). Vol. 4. (Kyoto), (Nikyûdô), (1742), 1 vol. (of 10), 20 lvs., 17 (double-p.) woodcut ills. by SUKENOBU, bound as a blockbook, contemp. wr.

- Only vol. 4 (of 10). Contents waterstained; partly (heavily) fingersoiled along bottom margin. Wr. (very) worn.

= Provenance: Felix Tikotin. Rare.

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82 5474 Surimono  Hokkei 1780 1850 82 5474 Surimono Hokkei 1780 1850
82 5474 Surimono  Hokkei 1780 1850 82 5474 Surimono Hokkei 1780 1850
82/5474 [Surimono]. Hokkei (1780-1850). (A scene from the Tales of Genji). Col. woodcut shikishiban surimono, w. gauffrage and touched w. silver and gold, signed Hokkei, ±1830.

- Sl. browned; sm. hole in lower left corner.

AND 7 other later (surimono) prints, i.a. shijo surimono.

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82 5475 Surimono  Shinsai ±1799 1823 82 5475 Surimono Shinsai ±1799 1823
82 5475 Surimono  Shinsai ±1799 1823 82 5475 Surimono Shinsai ±1799 1823
82/5475 [Surimono]. Shinsai (±1799-1823). Drum, cap and flowers. Col. woodcut shikishiban signed Shinsai, w. embossing and gold and silver gauffrage.

- Slightly soiled; w. a (sm.) stain.

= From the series Genji Monogatari. Keyes, p.518: No. 142, copies A or B w. three poems.

Hokkei (1780-1850). (Koto with music books and a fish bowl). Col. woodcut shikishiban, signed Hokkei, w. gold and silver gauffrage, probably early 20th cent.

- Slightly browned and spotted; w. two sm. wormholes; cut sl. short along top; w. a (sm.) waterstain in mid-upper half.

= From the series Mutsumigawa bantsuzuki Makura no soshi (The Pillow Book Series for the Mutsumi Group).

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82 5476 Surimono  Yanagawa Shigenobu 1787 1832 82 5476 Surimono Yanagawa Shigenobu 1787 1832
82 5476 Surimono  Yanagawa Shigenobu 1787 1832 82 5476 Surimono Yanagawa Shigenobu 1787 1832
82/5476 [Surimono]. Yanagawa, Shigenobu (1787-1832). Fugu no bijin to kurage no tomo (Blowfish Courtesan and her Jellyfish Attendant). Col. woodcut shikishiban w. gauffrage, signed Yanagawa Shigenobu w. artist's seal Yanagawa.

- Slightly browned; corners creased.

ADDED: Anonymous (20th cent.). (Kyoto, Maruyama). Col. woodcut, 14x9 cm., w. red seal "Kiyoshi" and unidentified seal, after Tsuchiya Koitsu's work with the same name, second half 20th cent.

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82 5477 Taito Katsushika II act 1810 1853 82 5477 Taito Katsushika II act 1810 1853
82 5477 Taito Katsushika II act 1810 1853 82 5477 Taito Katsushika II act 1810 1853
82/5477 Taito, Katsushika II (act. 1810-1853). Kachô gaden (Sketchbook of Flowers and Birds). Vol. 1. Tokyo (Edo), Sûzanbô, 1848, 1 vol. (of 2), 32 lvs., num. woodcut ills. in black and orange, bound as a blockbook, contemp./ sl. later wr.

- Most lvs. quite worn, particularly in lower margin; w. some annots. in Japanese in brush and ink. Rebound; binding sl. worn.

= An ehon by a pupil of Hokusai, as is evident in the style.

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82/5478 Tangram  Two Chinese tangram books 82/5478 Tangram Two Chinese tangram books
82/5478 Tangram  Two Chinese tangram books 82/5478 Tangram Two Chinese tangram books
82/5478 Tangram  Two Chinese tangram books 82/5478 Tangram Two Chinese tangram books
82/5478 [Tangram]. Two Chinese tangram books. N.pl., n.publ., n.d. (19th cent.), 2 vols., (7 text),42; 42 lvs. w. woodcut ills. on both sides, bound unif. as a blockbook, contemp. wr.

- Both w. a few worn/ dam. lvs. Both wrs. worn/ sl. dam.

= One vol. w. the outlines of the tangrams, and the other vol. w. the solutions.

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82 5479 Toshihide 1863 1928 82 5479 Toshihide 1863 1928
82/5479 Toshihide (1863-1928). (Chinese generals in Pyongyang begging for mercy, surrender to Imperial Japanese soldiers during the Sino-Japanese War, October 1894). Col. woodcut ôban triptych, signed Oju Toshihide ga with artist's seal, publ. Tsutsumi Kihibei, 1894.

- With manuscript title in French in pen and ink in upper blank margin.

= Effective use of lacquer technique for the shiny black uniform coats and the black shoes of the Japanese soldiers.

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82 5480 Toshihide 1863 1928 82 5480 Toshihide 1863 1928
82/5480 Toshihide (1863-1928). (Chinese generals in Pyongyang surrender to Imperial Japanese soldiers during the Sino-Japanese War, October 1894). Col. woodcut ôban triptych w. some gauffrage, signed Toshihide, w. seal, publisher unread.
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82 5481 Toshihide 1863 1928 82 5481 Toshihide 1863 1928
82/5481 Toshihide (1863-1928). Hôkôtô senryô Sakuma taii totsukan no zu (Captain Sakuma Raising a War Cry at the Occupation of the Pescadores). Col. woodcut triptych, signed Ôju Toshihide hitsu, publ. Matsuno Yonejirô, 1895.

- Foxed in upper half of left margin of left hand sheet. Otherwise fine.

= State before the block of the left sheet was recycled to be used in the Russo-Japanese war (where it shows Russian soldiers fleeing in panic from the advancing Japanese troops).

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82 5482 Toshimitsu Kobayashi act 1877 1904 82 5482 Toshimitsu Kobayashi act 1877 1904
82/5482 Toshimitsu, Kobayashi (act. 1877-1904). Waga gun Heijô o otoshiireru no zu (Pictures of our forces bringing about the fall of Pyongyang). Col. woodcut ôban triptych, signed ôju Toshimitsu, 1894.

= The Battle of Pyongyang was the second major land battle of the First Sino-Japanese War. It took place on 15 September 1894 in Pyongyang, Korea between the forces of Meiji Japan and Qing China.

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82 5483 Toyokuni I 1769 1825 82 5483 Toyokuni I 1769 1825
82/5483 Toyokuni I (1769-1825). (Actor crouching below a flowering branch). Col. woodcut ôban, signed Toyokuni ga, publ. Matsumura Tatsuemon, kiwame seal.

- Sl. foxed in lower margin; tipped onto mount along upper and lower margin. Otherwise fine.

AND 1 other by KUNICHIKA (A masked actor holding a dagger in his hand) (part of an ōban triptych. Cut short).

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