80 6146 Gheyn II Jacques de 1565 1629 after 
80 6146 Gheyn II Jacques de 1565 1629 after 
80 6146 Gheyn II Jacques de 1565 1629 after 
80 6146 Gheyn II Jacques de 1565 1629 after 
- Mostly fine, a few w. sm. defects.
= New Hollstein 340, 4th state of 4 (French edition), 341, 342, 348, 358, 359, 361, 363, 365, 377, 379, 385, 386, 388, 389, 399, 409, 413, 422, 427, 431, 435, 438, 439, 445, 450, 452, 454, 457.
80 6147 Gheyn II Jacques de 1565 1629 atelier of 
- One print "Sforza" lower right corner torn off, repaired and entirely redrawn; 2x trimmed on the platemark; (partly) trimmed to the borderline.
= New Hollstein 234-237, 1st state of 2.
80 6148 Ghisi Giorgio 1520 1582 
- Vague horizontal fold; tipped onto mount.
= Bartsch 38; Lewis & Lewis 36, the third state (of 4). From a series of 7 designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau.
80 6149 Ghisi Giorgio 1520 1582 
- Doubled. Trimmed just inside the borderline.
= Bartsch 42; Lewis & Lewis 42, the 7th and final state. With the collector's stamp of Winfield Robbins of verso (not in Lugt).
80 6150 Giovani Francesco 1611 1669 
80 6150 Giovani Francesco 1611 1669 
- Soiled and stained; lower left corner lacks portion and repaired (not affecting the image).
= State before the name of Carlo Maratti in the lower left corner. Formerly attributed to Pier Francesco Mola. Cf. Bartsch p.203,2 (Mola), and The Illustrated Bartsch (Commentary, Giovane) 007. With the collector's mark of the sculptor Ernest-Theophile Devaulx (1831-1901) (Lugt 670), dated 1879.
AND 3 others.
80 6151 Girtin Thomas 1775 1802 
80 6151 Girtin Thomas 1775 1802 
80 6151 Girtin Thomas 1775 1802 
80 6151 Girtin Thomas 1775 1802 
80 6151 Girtin Thomas 1775 1802 
80 6151 Girtin Thomas 1775 1802 
80 6151 Girtin Thomas 1775 1802 
80 6151 Girtin Thomas 1775 1802 
- All w. ample margins; occas. trifle frayed/ soiled in blank margins; mostly fine.
= This complete series with splendid views is the only etched work by Thomas Girtin. The aquatint additions were made by several contemporary artists, such as Joseph Constantine Stadler and Frederick Christian Lewis. SEE ILLUSTRATION PLATE CXIV.
80 6152 Goltzius Hendrick 1558 1617 
- Cut on/ just within the borderline; sm. waterstain in lower left corner; paper flaw/ crease in right part.
= Rare. With the manuscript collector's mark of "Jo: Schwarzenbold, pictor Augspurg 1813" (not in Lugt). Perhaps Joseph Schwarzenbold (1786-after 1860?). New Hollstein 335.
80 6153 Goltzius Hendrick 1558 1617 
- Trimmed to the image; sl. fingersoiled and agetoned.
= New Hollstein 14, 5th state of 6 (with the outlines still visible). SEE ILLUSTRATION PLATE CXIV.
80 6154 Goltzius Hendrick 1558 1617 
- Trimmed just outside the platemark; a few closed holes in upper part and sm. tear in right margin; agetoned.
= New Hollstein 14, 6th state of 6 (all outlines removed).
80 6155 Goltzius Hendrick 1558 1617 
- Fingersoiled; trimmed 1 mm. outside the borderline.
= Rare. New Hollstein 127, only state. SEE ILLUSTRATION PLATE CXIV.
80 6156 Goltzius Hendrick 1558 1617 
- Doubled; sm. restoration in pen to borderline in lower right corner; trifle foxed. Otherwise fine.
= F.M. 627; New Hollstein 203: "Attributed to Goltzius by Bartsch. Rejected by Hirschmann as 'random attribution' (p.166) and by Strauss and TIB. Attribution to Goltzius confirmed by a document of 1580 according to which the city council of Haarlem payed Dirck Volkertsz. Coornhert as publisher and Hendrick Goltzius as engraver for this plate: 'zeekere plaet in coper gesneden nopende de clachte der laste van Haerlem aen den Prince van Orangien.'" Rare print.
80 6157 Goltzius Hendrick 1558 1617 
- Lower margin w. the caption repaired and strengthened along the edge on verso: lower left corner lacks portion (incl. the printed number "1"), repaired w. later paper and sm. section of image replaced in pen and ink; sm. closed tear (next to the monogram) in upper edge; trimmed 1-2 mm outside the borderline; lower margin trimnmed short, just within the caption.
= Rare. New Hollstein 144.
80 6158 Goltzius Hendrick 1558 1617 
= New Hollstein 275. Rare. With the collector's mark of Albert Pieter van den Briel (Lugt 407a) and the doublette mark of the Albertina, Vienna (Lugt 5g), and the manuscript collector's mark of Pierre Mariette II (1634-1716), dated 1669 (Lugt 1790).
80 6159 Goltzius Hendrick 1558 1617 
- Second print trimmed to the image, lacking the caption; first print trimmed just outside/ on the borderline, sl. yellowed.
= New Hollstein 129, 2nd or 3rd state of 4 and 131, 2nd state.
80 6160 Goltzius Hendrick 1558 1617 
- Doubled; trimmed to/ just outside the borderline. Sl. grey impression.
= Strauss 344; Hollstein 218, 2nd state (of 3). The famous "Goltzius dog".
80 6161 Goltzius Hendrick 1558 1617 
- Cut to/ just outside the borderline w. the caption cut off; upper right corner w. a repair; tiny closed tear in left margin, ±0,5 mm within the image; overall sl. fingersoiled. Good strong impression
= Hollstein 255 ; New Hollstein 288. With the doublette stamp of the print cabinet of Leyden University (Lugt 700b) on verso. SEE ILLUSTRATION PLATE CXV.
80 6162 Goltzius Hendrick 1558 1617 
- Sl. foxing, mostly in lower part; vague horizontal crease, w. 2 tiny holes. On thick laid paper.
= New Hollstein 13, 3rd state of 3; Hollstein 14, the 3rd state (of 5), the number "6" added, before the address of C.J. Visscher. Strauss 317: "this "Holy Family" is counted among Goltzius' "master engravings"". From the series of 6 engravings depicting the life of the virgin, the so-called Master pieces. SEE ILLUSTRATION PLATE CXV.
80 6163 Goltzius Hendrick 1558 1617 
= Hollstein 34, the second state (of 2).
80 6164 Goltzius Hendrick 1558 1617 
- A few specks; trimmed on/ just outside the border line; a few brown stains on verso.
= New Hollstein 31, 2nd state of 2. SEE ILLUSTRATION PLATE CXV.
80 6165 Goltzius Hendrick 1558 1617 
- Grey impression; cut just outside the borderline. = New Hollstein 234.