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82 5424 Kunisada 1786 1865 and Hiroshige II 1829 1869 82 5424 Kunisada 1786 1865 and Hiroshige II 1829 1869
82/5424 Kunisada (1786-1865) and Hiroshige II (1829-1869). Edo jiman sanjûroku-kyô: Ikegami Honmonji o-eshiki (Prides of Edo, Thirty-Six Interests: O-Eshiki Festival at Ikegami Honmonji). Col. woodcut ôban, signed Hiroshige-ga and kiô-Toyokuni-hitsu, publ. Hiranoya Shinzô, 1864, framed.

- With vertical central fold; a few sm. wormholes in corners; margins cut sl. short, cutting off the seal and publisher's mark.

= A print from a collaborative series by Kunisada and Hiroshige II. This print shows the autumnal o-Eshiki festival at Honmonji Temple.

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82 5425 Kunisada 1786 1865 and Sadahide 1807 1873 82 5425 Kunisada 1786 1865 and Sadahide 1807 1873
82/5425 Kunisada (1786-1865) and Sadahide (1807-1873). Ko Brigade, fifth group, Shibuya: actor Ichikawa Shinnosuke IV as Shibuya no Konnômaru. Col. woodcut ôban, signed Toyokuni ga and Sadahide ga, published Katôya Iwazô, 1863. Idem and Shigekiyo. Ginza Brigade, 2nd group, Kanamono no Jingoro. Col. woodcut ôban, signed Toyokuni ga and Shigekiyo, publ. by the same.

= Both from the series Edo no hana meishô-e (Flowers of Edo and views of Famous Places). The title panel refers to the firefighters brigades.

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82 5426 Kunisada II 1823 1880 82 5426 Kunisada II 1823 1880
82/5426 Kunisada II (1823-1880). (Courtesan holding a fan). Col. woodcut ôban, signed sansei Toyokuni-hitsu, w. toshidama ring, publ. Ebiya Rinnosuke, w. aratame zodiac seal, 1871.

- Two stains in image; w. sm. tear (3-4 mm.) and vertical crease in/ along right side, not affecting image; paper weak in corners.

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82 5427 Kuniyoshi 1797 1861 82 5427 Kuniyoshi 1797 1861
82 5427 Kuniyoshi 1797 1861 82 5427 Kuniyoshi 1797 1861
82 5427 Kuniyoshi 1797 1861 82 5427 Kuniyoshi 1797 1861
82/5427 Kuniyoshi (1797-1861). Five Stations: Ôiso, Odawara, Hakone, Mishima, and Numazu. Col. woodcut horizontal ôban, signed Ichiyûsai Kuniyoshi shukuzu, publ. Tsuruya Kiemon and Tsutaya Kichizô, w. kiwame seal, ±1830-1835.

- Faded band along top of print; browned/ foxed/ stained; w. two creases.

= Rare print from the series Tôkaidô gojûsan eki goshuku meisho (Views of the Fifty-three Stations of the Tôkaidô Road).

Hiroshige (1797-1858) (after). Gyotoku kihan (Boats returning to Gyotoku). Col. woodcut horizontal ôban, signed Hiroshige-ga, early 20th cent. recut.

- With a few spots in the centre of the print; lower right corner sl. waterst. (unobtrusive).

AND 1 other modern print from a recut block after HOKUSAI.

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82 5428 Kuniyoshi 1797 1861 82 5428 Kuniyoshi 1797 1861
82/5428 Kuniyoshi (1797-1861). (Kabuki actors). Col. woodcut ôban, signed Ichiyûsai Kuniyoshi, publ. Maruya Seijiro, censor's seals, ±1850.

- Tipped onto mount.

= Left hand part of the triptych Actors of the Ichikawa Family at Home.

AND 3 others: KUNICHIKA, (Oiran strolling through the Yoshiwara with her attendants) (col. woodcut ôban, signed Kunichika-hitsu, publisher unread, 1869. Some (slight) foxing. Middle panel of a triptych) and 2 ôban by KUNIYOSHI, both in mediocre condition, i.a. Musashi-bô Benkei reading his subscription roll to Togashi Saemon (chûban diptych, publ. Arita-ya Seiemon, ±1840. Doubled and flattened creases/ closed tears).

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82 5429 Kuniyoshi 1797 1861 82 5429 Kuniyoshi 1797 1861
82/5429 Kuniyoshi (1797-1861). (Ono Kudayû, Ono Sadakurô, Hayano Kanpei and Hirano's wife Okaru from Kanadehon Chûshingura). Col. woodcut ôban triptych, each leaf signed Ichiyûsai Kuniyoshi-ga, publ. Yamamotoya Heikichi, w. kiri seal, censor seals and date seal, 1852, framed.

- Left panel w. thin brown stripe/ stain in centre of print and very slight (barely visible) crease in upper right corner; right panel w. sl. faded stripe in bottom portion of print. Otherwise a very good copy.

= A scene from the famous kabuki play Kanadehon Chûshingura, the story of the 47 rônin.

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82 5430 Kuniyoshi 1797 1861 82 5430 Kuniyoshi 1797 1861
82 5430 Kuniyoshi 1797 1861 82 5430 Kuniyoshi 1797 1861
82/5430 Kuniyoshi (1797-1861). (Poem by Ônakatomi no Yoshinobu Ason: Kamiya Niemon). Col. woodcut ôban, signed Ichiyusai Kuniyoshi, publisher Ibaya Senzaburô, ±1846.

- Laid down; sl. browned/ foxed; vertical central fold.

= Part of the series Ogura nazorae hyakunin isshu (Ogura imitations of One Hundred Poems by One hundred Poets).

AND 5 others, all w. various defects (i.a. laid down/ yellowed), i.a. by KUNISADA and KUNICHIKA.

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82 5431 Kuniyoshi 1797 1861 82 5431 Kuniyoshi 1797 1861
82 5431 Kuniyoshi 1797 1861 82 5431 Kuniyoshi 1797 1861
82/5431 Kuniyoshi (1797-1861). (Woman watching falling leaves in the rain). Col. woodcut ôban, from the series Koto no kumiuta zukushi (A collection of Songs set to Koto Music), signed Ichiyûsai Kuniyoshi ga, publ. Eshima, ±1840.

- FIne copy. = Robinson 97.

AND 3 others by the same (incl. 2 mediocre copies), i.a. The actor Ichikawa Danjuro VIII as Tsunagoro (col. woodcut ôban, signed Ichiyûsai Kuniyoshi, publ. Ibaya Senzabûro, censor's seals Hama, Kunigasa. With vague reddish offsetting from another print and closed wormholes in left margin).

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82 5432 Kuniyoshi 1797 1861 82 5432 Kuniyoshi 1797 1861
82/5432 Kuniyoshi (1797-1861). Yazawa Jûjirô Motooki. Col. woodcut ôban, signed Ichiyûsai Kunisada-ga, w. kiri seal, publ. Ebiya Rinnosuke (Kaijudô), w. two censor seals, 1847.

- Slightly browned/ foxed; binding holes along right margin; left margin cut sl. short.

= No. 13 from the series Seichû gishi den (Stories of the True Loyalty of the Faithful Samurai).

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82 5433 Lu Zishu 1900 1978 82 5433 Lu Zishu 1900 1978
82/5433 Lu Zishu (1900-1978). (Lake view with a fisherman in a small boat). Hanging scroll, drawing, brush and ink, 98,5x30 cm. (leaf), 126x36 cm. (entire scroll), signed, w. two artist's seals.

- Paper browned.

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82 5434 Luo Ping 1733 1799  after 82 5434 Luo Ping 1733 1799 after
82/5434 Luo Ping (1733-1799) (after). Monks Hanshan and Shide. Col. silkscreen on silk, ±113x69 cm., 20th cent., framed.

- The image is mirrored.

= After a stone carving done by Tang Renzhai of a hanging scroll w. ink drawing by Luo Ping, the latter of which is currently in the collection of the Nelson-Atkins Museum of Art.

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82 5435 Masanobu 1686 1764  after 82 5435 Masanobu 1686 1764 after
82/5435 Masanobu (1686-1764) (after). (Bijin). Col. silkscreen on silk, ±90x52 cm., signed Okumura Masanobu w. (unread) seal, 20th cent., framed.

= After Masanobu's ca. 1740 print "Moon in Musashi Province".

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82/5436 Medicine  Lot of ±45 paper packets for traditional medicine 82/5436 Medicine Lot of ±45 paper packets for traditional medicine
82/5436 Medicine  Lot of ±45 paper packets for traditional medicine 82/5436 Medicine Lot of ±45 paper packets for traditional medicine
82/5436 [Medicine]. Lot of ±45 paper packets for traditional medicine, Toyama, Kôkandô, ±1900-1930, w. (col.) woodcut/ lithogr. text and ills., occas. stamped w. (apothecary?) seal.

- Does not contain medicine. Shows signs of use and age: partly foxed/ browned or w. tears.

= Packaging for medicines catering to a wide array of complaints, such as i.a. medicine w. bear gall for gastrointestinal discomforts, santonin for intestinal parasites, Jitsubosan ("Mother Powder"), and medicines for colds and fevers. Some of these products are still being produced by Kôkandô in Toyama (founded in 1876).

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82 5437 Morikawa Chikashige act 1869 1882 82 5437 Morikawa Chikashige act 1869 1882
82/5437 Morikawa, Chikashige (act. 1869-1882). (Ono no Michikaze watching a frog leap onto a willow branch). Col. woodcut ôban diptych w. gauffrage, signed Morikawa Chikashige-hitsu w. red toshidama ring, publ. unread, 1882.

- Right panel partly sl. browned and w. brown pattern (offsetting from another print?) in the centre. Otherwise fine.

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82 5438 Nakayama Masami 1898 1979 82 5438 Nakayama Masami 1898 1979
82/5438 Nakayama, Masami (1898-1979). "Fuji". Colour etching w. relief, 45x33 cm., signed "F.M. Nakayama 1966", tilted [also in Japanese] and numb. "131/200" in pencil.
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82 5439 Nakayama Shûko act 1920s 82 5439 Nakayama Shûko act 1920s
82/5439 Nakayama, Shûko (act. 1920s). Shin-ukiyo-e bijin-awase: hachigatsu, hazukashiki-hito (New Beauties of Ukiyo-e Compared: August, Shy Person). Col. woodcut dai-ôban (±42x30 cm.) w. some silver gauffrage, signed Shûko and w. red seal "Shûko", publ. Murakami, 1924, framed.

- Slightly soiled/ browned, in background and blank margins only. Otherwise a fine copy.

= About this series: The New Wave, p.157: "This collaborative series of c. 1924 included the contributions by eleven different artists on the customs and manners of beauties corresponding to the twelve months. It was published by Murakami, about whom little is known except for his issuing of this series." SEE ILLUSTRATION PLATE LXV.

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82 5440 Persian miniatures  Anonymous early 20th cent  82 5440 Persian miniatures Anonymous early 20th cent
82 5440 Persian miniatures  Anonymous early 20th cent  82 5440 Persian miniatures Anonymous early 20th cent
82/5440 [Persian miniatures]. Anonymous (early 20th cent.). (Four figures by a flowering tree). (Seven figures by a stream). Two gouaches, 10x19 cm., probably early 20th cent., w. Nastaliq script in pen and ink above and below image and on verso, within thin gold and red borders.
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82 5441 Persian miniatures  Anonymous 18th/ 19th cent  82 5441 Persian miniatures Anonymous 18th/ 19th cent
82/5441 [Persian miniatures]. Anonymous (18th/ 19th cent.). (A Mughal ruler seated on bench and reading). Gouache and gold paint, 21,5x14 cm., framed.
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82 5442 Persian miniatures  Anonymous 19th cent  82 5442 Persian miniatures Anonymous 19th cent
82 5442 Persian miniatures  Anonymous 19th cent  82 5442 Persian miniatures Anonymous 19th cent
82/5442 [Persian miniatures]. Anonymous (19th cent.). (Sagittarius). Persian miniature painting, natural pigments and gold on vellum paper, 19,4x29,4 cm., laid down on board.

- A fingernail size worn spot in top margin; a few small shaved spots in surrounding borders and some tiny flaked areas in blue swirling lines.

= Provenance: J.W. Niemeijer (director of the Rijksprentenkabinet from 1974-1990, and born in the sign of Sagittarius). Remarkable and very attractive richly decorated miniature, showing Sagittarius in the central panel surrounded by birds perched upon vine leaves with hanging bunches of grapes; this central panel is flanked on the left and right side by an intricate pattern of flowers, leaves, tiny dots and swirling decorated blue lines on gilt ground. Possibly one of a complete series of the signs of the Zodiac.

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82 5443 Persian miniatures  Okhovatpour Rasoul b 1955 82 5443 Persian miniatures Okhovatpour Rasoul b 1955
82/5443 [Persian miniatures]. Okhovatpour, Rasoul (b.1955). (Drinking scene, one woman pouring wine from a jug and another playing the harp). Large gouache on board, 71,5x50 cm., signed "Okhovat", "1369 [=1991]" and with (prob.) a quatrain from the Rubaiyat in lower right corner.

- A few sm. dam. spots along edges.

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