- Old glue remnants in the corners on verso, causing sl. creasing.
= Hollstein 97. Study after a detail of the painting of St. Martin dividing his cloak. Rare.
- (Very) fine impression on 17th cent. paper w. watermark showing a foolscap; a few small specks; wide margins of 15 to 18 mm.
= Hollstein 3, the 2nd state (of 3); Ackley 96. SEE ILLUSTRATION PLATE CIV.
- Fine impression; cut just outside/ on the borderline.
= Hollstein 15, probably the 4th state (of 4), with the short diagonal scratch on the wall to the left and reworked.
- Creases/ folds and dustsoiled.
= From the series Emblemata Evangelica (1585) (title and 12 plates) by Adriaen COLLAERT, showing scenes from the New Testament in connection with the labours of the month and headed by the signs of the zodiac at top centre of each plate (here November and Sagittarius). New Hollstein 82.
- Small margins. = Hollstein 288.
AND 1 other engraving by Cornelis GALLE after Peter Paul RUBENS: The four Church Fathers, published by the same.
- Trifle foxed; oblique fold in right corners; 2 sm. closed tears/ remnants of sellotape in blank margins.
= Later impression. Hollstein 298.
- Cut just inside/ outside the borderline. Restored tear; a few small restorations in outer margins; sl. foxed; old flattened midde-fold.
= Hollstein 56. With collector's marks/ entries on verso, i.a. "P. Mariette 1693" (Lugt 1788) and "F.A. Maglin 1893" (Lugt 1777). SEE ILLUSTRATION PLATE CV.
- Lower margin trimmed just within the image, otherwise just outside; laid down.
= Very rare. Bartsch 20. SEE ILLUSTRATION PLATE CV.
- Trrimmed on/ inside the borderline (affecting captions in left margin). Some neatly closed tears in lower margin (in the image).
= New Hollstein 152; Lebeer 26. SEE ILLUSTRATION PLATE CVI.
- Cut just to/ just inside the borderline. Professionally rebacked w. thin Japanese. Old flattened middle-fold; sl. yellowed.
= New Hollstein 56, first and only state. SEE ILLUSTRATION PLATE CVI.
- A few foxed spots; closed scratch in centre.
= There is a set known of friezes showing huntings scenes by Abraham de Bruyn, but they are different in style and with a different looking monogram. Cf. Hollstein 61-66. Rare. SEE ILLUSTRATION PLATE CV.
- Trimmed just outside the platemark; sl. agetoned.
= Rare. New Hollstein 400-405, 2nd state of 4. SEE ILLUSTRATION PLATE CVII.
- Vertical tear in centre repaired; a few other sm. repairs, i.a. in caption near upper right corner, w. added pen; a few sm. holes/ marginal tears.
= Hollstein 6, 1st state of 2 (before the name of Titian).
- Cut well outside the platemark; appears to have been cleaned (vague remnant of an oval collector's mark still visible on verso).
= Hollstein 180; Guilmard p.368; Atlas van Stolk I, 413. With the collector's marks of J.F. Bianchi (1878-1963) (Lugt 3761) and Robert Scholtz (1834-1912) (Lugt 2241) on verso. On this particular print: Expos. Coll. Edm. de Rothschild, Ornemanistes du XVe au XVIIe siècle, no.68. Beautiful transformation print.
Idem. "De Hoopman van weisheyt. Le capitaine prudent." "De Hoopman van Narheit. Le capitaine des follie". Two circular engravings, Ø 12 cm., first print w. engr. "The de Bri f. et ex" and "J. Wolff exc."
- First print cut just within the platemark on the upper, lower and outer points of the circle, otherwise wide margins; appears to have been cleaned. Second print trimmed to the borderline; sm. paper remnants of former mount on verso; strong dark impression.
= Supposedly the portraits of William the Silent and his adversary the Spanish duke Alva. Hollstein 178 and 179; Guilmard p.368; Atlas van Stolk I, 413. All three medallions part of a series of 4 designs for ornamented dishes. SEE ILLUSTRATION PLATE CVII.
- Yellowed.
= Consisting of a view (17,9x25,2 cm.) w. (parts of) 5 small other views in left and lower margin, of which 3 w. resp. "Montmartre" and (both in reverse) "au Boulevard des Italiens" and "Chauffeurs publics" in the plate. Beraldi 128.
- (Broad) blank margins foxed/ dustsoiled and w. some creases, chips and (sm.) tears and waterst. in lower left corner.
= Rare complete series: 1. Arrivée des Taureaux/ Llegada de los Toros; 2. Essai et achat des Chevaux/ Ensayo y compra de las Cavallos; 3. Toreros avant la Course/ Toreros antes de la Funcion; 4. Le Picador/ Suerte de Picador; 5. Chevalier tuant le Taureau d'un coup de lance/ Cavallero Rejoneador; 6. Les Banderilleros/ Los Banderillores. SEE ILLUSTRATION PLATE CVIII.
= On laid paper with double watermark showing a doubleheaded eagle and the monogram "IIF", probably from the Bartsch edition of 1796. Part of the triumphal procession of Maximilian I. This print pairs with the print showing the wagon on which Master Paul Hofhaimer and another musician are playing an organ.
AND 3 others by the same from the same series, no.8, 27 and 130. People from Calicut and the Chamois Hunters, both with the same watermarks.