82 5344 Furuya Kôrin 1875 1910 
82 5344 Furuya Kôrin 1875 1910 
82 5344 Furuya Kôrin 1875 1910 
82 5344 Furuya Kôrin 1875 1910 
82 5344 Furuya Kôrin 1875 1910 
- A few lvs. w. glue residue; a few sm. stains; occas. trifle soiled. Wr. (sl.) worn along edges; sl. wrinkled.
= A lovely volume of colourful and imaginative designs by Furuya Kôrin, an artist, illustrator and designer active in Meiji period Kyoto. He was heavily influenced by Ogata Kôrin (1658-1716) of the Rinpa school of painting, to the point where he adopted the name Kôrin and referred to himself as "Kôrin of the modern age". Collector's seal of P. Hoffmann, one of the founding members of the Wiener Werkstätte, on colophon page and backwr. Provenance: from the collection of goldsmith and jewelry designer Christa Ehrlich.
82 5345 Gekko 1859 1920 
82 5345 Gekko 1859 1920 
= Chaïkin 34, illustrated at p.142.
AND one other triptych showing a battle scene from the same war by WATANABE NOBUKAZU.
82 5346 Gyokushô Kawabata 1842 1913 
82 5346 Gyokushô Kawabata 1842 1913 
82 5346 Gyokushô Kawabata 1842 1913 
82 5346 Gyokushô Kawabata 1842 1913 
82 5346 Gyokushô Kawabata 1842 1913 
82 5347 Hamada Josen 1875 ? 
- With a very sm. blue spot on the figure's face, possibly a printing flaw. Otherwise a fine copy.
= About this series: The New Wave, p.157: "This collaborative series of c. 1924 included the contributions by eleven different artists on the customs and manners of beauties corresponding to the twelve months. It was published by Murakami, about whom little is known except for his issuing of this series." Hamada Josen, mostly known for his kuchi-e designs, designed both this print, as well as a print for the month of December. Rare. SEE ILLUSTRATION PLATE LX.
82 5348 Hasui 1883 1957 
- Trifle foxed in blank margins and some traces of paper tape in blank margin on verso.
= Brown 282. SEE ILLUSTRATION PLATE LX.
82 5349 Hasui 1883 1957 
= Brown 598, w. Heisei seal M in right blank margin. SEE ILLUSTRATION PLATE LXI.
82 5350 Hirosada act 1819 1863 
82 5350 Hirosada act 1819 1863 
82 5350 Hirosada act 1819 1863 
- All prints tipped onto mount at corners; partly trifle foxed; one print w. sm. vague waterstain on his left shoulder.
AND 1 other similar by the same (tipped together with one of the previous 5 prints on one mount).
82 5351 Hirosada act 1819 1863 
- All lvs. tipped onto mount; trifle/ sl. soiled.
82 5352 Hiroshige 1797 1858 
- With extended margins. Sm. closed pinholes in each corner.
82 5353 Hiroshige 1797 1858 
82 5353 Hiroshige 1797 1858 
- Trifle foxed in lower margin; sharp horizontal fold (printing flaw) in upper half. = Early 20th cent. edition.
AND 3 others (2x by the same), i.a. Kazusa Kurodo no ura (Kurodo Bay in Kazusa Province) (col. woodcut ôban, from the series Fuji sanjûrokkei (Thirty-six Views of Mount Fuji) (col. woodcut ôban, signed Hiroshige ga, publ. Tsutaya Kichizô, 1858. Old vertical fold and thin vertical stripe on verso, both vaguely visible on recto) and KUNISADA, (Actor) (col. woodcut ôban, signed Gototei Kunisada-ga, publisher Nishimuraya Yohachi, w. kiwame-seal, 1830. Restored and doubled (closing wormholes and sm. dam. section in lower right corner; sl. faded).
82 5354 Hiroshige 1797 1858 
- Good copy.
= Station no. 39 from the series Gojû-san tsugi meisho zue, "Famous sights of the fifty-three stations", also known as the Vertical Tôkaidô.
82 5355 Hiroshige 1797 1858 
= Later restrike or impression from a recut block, probably early 20th century. Station 48 Seki, honjin hayadachi from the series Tôkaidô gojûsan tsugi no uchi (The Fifty-three Stations of the Tôkaidô Road).
82 5356 Hiroshige 1797 1858 
82 5356 Hiroshige 1797 1858 
- Margins cut short; fingersoiled; laid down on later paper (w. Japanese annotations on verso); lower corners w. paper remnants.
= Part of the series Rokuju-yo Shu Meisho Zue (Famous Places in the Sixty-odd Provinces).
Idem. Suruga, Miho no matsubara (Suraga Province: Miho pine grove). Col. woodcut ôban, signed Hiroshige ga, same publisher, 1853.
- Margins worn, paper occas. very thin; a few sm. wormholes.
82 5357 Hiroshige 1797 1858 
- With a few lightly creased spots (unobtrusive), but otherwise a good copy.
= Station no. 46 from the series Gojû-san tsugi meisho zue, "Famous sights of the fifty-three stations", also known as the Vertical Tôkaidô. SEE ILLUSTRATION PLATE LXI.
82 5358 Hiroshige 1797 1858 
82 5358 Hiroshige 1797 1858 
82 5358 Hiroshige 1797 1858 
- Fine copies.
= Later restrikes from recut blocks. from the series Fuji sanjurokkei (Thirty-six Views of Mount Fuji).
82 5359 Hiroshige 1797 1858 
- Margins sl. cut short, affecting part of the publisher and aratame seals.
= From the series Meisho Edo hyakkei (One Hundred Views of Famous Places of Edo). SEE ILLUSTRATION PLATE LXI.
82 5360 Hiroshige 1797 1858 
82 5360 Hiroshige 1797 1858 
- Cut out picture from a larger ôban print. Tipped onto mount in three corners; sl. soiled.
= Part of No. 12: Ishibe, Kusatsu, Ôtsu, Kyoto, from the series Tôkaidô harimaze zue (Cut out Pictures of the Tôkaidô Road).
Hasegawa, Konobu (act. late 19th cent.). (Seven Lucky Gods). Col. woodcut, chû-tanzaku yoko-e (15x36 cm.), signed Konobu-sen(?), publ. Motoya Yasuzô, ±1860-1870.
- Blank margins cut off; sl. dam. spot along right side.
82 5361 Hiroshige II 1826 1869 
- Margins trimmed; sl. yellowed.
= From the series Shokoku meisho hyakkei (100 Famous Views in the Various Provinces).
82 5362 Hiroshige II 1826 1869 
- Mostly sl. waterstained in lower left corner; partly w. sl. dam./ chipped in lower corner(s)/ margin; all prints w. sm. binding holes in right margin.
= The lot contains the following nos: 2, 4, 11, 12, 14, 15, 16, 17, 23, 25, 26, 27, 28, 29, 31, 35 and 36. Rare. SEE ILLUSTRATION PLATE LXII.
82 5363 Hiroshige II 1826 1869 
- Blank margins mostly under passe-partout, possibly cut sl. short; sl. rubbed lower corners; colours faded.
= From the series Shokoku meisho hyakkei (One Hundred Views of Famous Places in the Provinces).