= Hefting, no.16, 1975. Provenance: the collections Dr. Johan B.W. Polak (1928-1992) and A.M. van den Broek and sold in auction Christie's 1992. SEE ILLUSTRATION PLATE CXXIV.
- Waterst. in blank margins. = SEE ILLUSTRATION PLATE CXXV.
WITH a sketch of the drawing on board (same size).
= Provenance: the collection A.M. van den Broek with his collector's mark on verso.
= Provenance: the collection of A.M. van den Broek with his collector's mark on verso.
- Laid down on modern stiff paper; with a few worn spots repainted w. watercolour. Provenance: the collection of A.M. van den Broek.
- Laid down on mount.
= Provenance: the collection A.M. van den Broek with his collector's mark on verso mount. Van den Broek attributed this drawing to Hendrik Keun.
- Somewhat yellowed.
- Yellowed; a few vague foxed spots.
= With the collector's mark of Albert van Loock on verso (Lugt 3751). Composition in the style of Nicolaes Berchem.
= View of the estate Groot Zomerzorg, near Bloemendaal, Haarlem in the background. Provenance: the collection of A.M. van den Broek.
= Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
- Yellowed; dam. spots along lower edge from a former frame. = SEE ILLUSTRATION PLATE CXXV.
- A few rubbed spots.
= The vage outline of a fisherman with his rod can be seen, next and below the hunter.
- Tipped onto mount.
= Cf. T. Laurentius, Een kabinet van Haarlemse gezichten (Alphen a/d Rijn, 1968), p.43. Provenance: the collection of A.M. van den Broek with his collector's mark on verso.
- Sl. foxed; vague oblique fold in upper margin.
= Provenance: the collection A.M. van den Broek, w. his collector's stamp on verso.
- A few foxed spots and 2 sm. stains near right edge. = Provenance: the collection of A.M. van den Broek.
- Varnish yellowed; worn spots/ sm. scratches along edges.
= View of the alley nowadays called Achter de Kerk towards the small gate in one of the buttresses. The original design drawing is in the Rijksmuseum (RP-T-1900-A-4438). Lamberts changed the design slightly. The buttress on the left was probably added for the sake of the composition. On verso a wrong attribution to Gerard Lambrecht. SEE ILLUSTRATION PLATE CXXIV.
= Provenance: the collection A.M. van den Broek.
- Sl. foxed; tiny tear in left margin just affecting the image.
= With on verso the central part of a large pen and black ink drawing, showing a fisherman and a mill in a Dutch village. The Amsterdam city archive holds a drawing with the exact same composition.
- Browned.
= With attribution "Lamberts" in pencil on verso. And with a partial dedication "Vriendschap (...)n den heer Brentano (...)", probably the art collector J.A. Brentano (1753-1821).