= With AUTOGRAPH SIGNED POEM in pen and ink by A. Roland Holst on passepartout below: "*Ik zal de halmen niet meer zien,/ noch binden ooit de volle schoven/ maar doe mij in den oogst gelooven/ waarvoor ik dien." From his poem "De ploeger", first published in Voorbij de wegen (1920). Provenance: the collection A.M. van den Broek. SEE ILLUSTRATION PLATE LXXXVI.
= With the engravings after the drawings from Historiae Celebriores Veteris Testamenti (Neurenberg, Christoph WEIGEL, 1708). Sold at auction Mak, Amsterdam, January 1941 (lot 866). With a blindstamped collector's mark "PL" (intertwined) on manuscript annotation on mount, not found in Lugt. SEE ILLUSTRATION PLATE LXXXVI.
= Provenance: the collection A.M. van den Broek, w. his collector's stamp on verso.
- A few small stains on verso shining through on recto; one closed tear.
- Sl. foxed/ duststained. = SEE ILLUSTRATION PLATE LXXXVII.
= Attribution in contemp. hand in pencil on verso. Attractive scene.
- Some parts worn away; waterstain in lower part along lower edge; somewhat soiled.
= With an annotation on recto mount: "Lord Hampden's Collection" and on verso "Coll Sir John (...?)". SEE ILLUSTRATION PLATE LXXXVII.
- One gouache w. sm. specks. All others fine.
= Views of "Napoli dal Carmine", "Napoli da Mare" (w. eruption in the background), "Albergo della Vittoria", "Isola di Nisita", "Isola di Procida", "Isola d'Ischia", "Isola di Capri". From the collection of the artist Francina Schot (1816-1894). SEE ILLUSTRATION PLATE LXXXVIII.
- Laid down on board; yellowed; lacks sm. portion from blank lower right corner. Mount w. remants of former passepartout.
- A few foxed spots.
= With a mounted 19th century annotation on passepartout with information on this drawing: "NB men berigt dat den heer van Citters deze tekening duyzent guldens gekost heeft. Het is een wonder van uytvoering". Provenance: present owner, Hans van Leeuwen (1911-2010) with his collector's mark on verso (Lugt 2799a), art gallery Deirkauf (Utrecht), sold in 1968; collection van Citters (probably Willem Arnoud Kien van Citters, 1756-1794).
- With upper part of a collector's(?) monogram stamp in lower blank margin (the lower part of the stamp is supplied on verso of the frame); together the monogram reads as "SM" within a circle (not found in Lugt).
= SEE ILLUSTRATION PLATE LXXXVI.
= SEE ILLUSTRATION PLATE LXXXVIII.
= Provenance: the collection A.M. van den Broek, with his annots. on verso. SEE ILLUSTRATION PLATE LXXXIX.
= Provenance: the collection A.M. van den Broek, both with his annots. on verso.
= Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
- Sm. section of upper right corner torn.
- Some soiling/ foxing.
= On laid paper with the watermark of the French papermaker Claude de George and the Dutch paper merchant Gillis van Hoven (sign of the Seven Provinces (rampant lion holding arrows within double circle) and the monogram "GVH" )(cf. Laurentius, Watermarks 784), dated late 17th century.
- Trimmed just outside the framing line.
= Cartouche reading: "Pieter Mathijs zijn knegt genaamd Niebert Adriaensz heeft deze [illegible] Haerlem in Z. Sparend. 23 December Ao 1610". Provenance: the collection A.M. van den Broek, with his collector's mark on verso.