- A few foxed spots.
= Provenance: the collection of A.M. van den Broek, w. his collector's stamp on verso.
- Neatly restored in upper right corner; extended margins. = SEE ILLUSTRATION PLATE LXXXIII.
- Mediocre condition. Waterst./ browned; tear in left margin; verso traces of former mounting.
AND 3 other drawings: a gouache by monogrammist "L.M." and an early 19th cent. arcadian watercolour landscape by P.O SNIJDERS.
- Varnish yellowed; worn spots/ sm. scratches along edges.
= View of the alley nowadays called Achter de Kerk towards the small gate in one of the buttresses. The original design drawing is in the Rijksmuseum (RP-T-1900-A-4438). Lamberts changed the design slightly. The buttress on the left was probably added for the sake of the composition.
- Lower left corner bunmped/ restored; trimmed to the framing line.
= The original drawing is in the Rijksmuseum (RP-T-FM-80). Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
= From the collection of the artist Francina Schot (1816-1894).
= SEE ILLUSTRATION PLATE LXXXIV.
- Trimmed to the framing line; a few foxed spots. = With Van den Broek's attribution on verso. SEE ILLUSTRATION PLATE LXXXV.
AND 2 similar drawings of the same subject, i.a. an anonymous pen and brush drawing after the first drawing.
= Provenance: the collection A.M. van den Broek.
- Drawing trimmed to the framing line; very vague oblique fold.
= Provenance: the collection A.M. van den Broek, with his collector's marks and attribution on verso. Previously attributed to Jan de Beijer.
- Drawing trimmed to the outer framing line; a few foxed spots; trifle yellowed.
= In the early 18th century, the church was restored at the expense of Paulus Loot, master craftsman of Zandvoort. In 1728 he had the burial chapel built for his family, which is clearly visible in this drawing. Provenance: the collection A.M. van den Broek, with his collector's mark and attribution on verso.
- Drawing trimmed to the framing line.
= On paper with a fleur-de-lis watermark. Provenance: the collection A.M. van den Broek, with his collector's mark and attribution on verso.
- Laid down along upper margin on contemp. laid paper mount (w. drawn frame).
= On paper w. a part of a "Pro Patria"(?) watermark. Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
- Drawing trimmed to the framing line.
= Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
- Doubled, causing signature to be vaguely visible; drawing trimmed to the framing line.
= On laid paper with a watermark by "D. & C. Blauw". Sold with incorrect attribution to Paul van Liender at auction: Mak van Waay, 14-01-1974 (lot 1056). Provenance: the collection A.M. van den Broek, with his annots. and the collector's mark of Hans van Leeuwen on verso (Lugt 2799a).
- Drawing trimmed to the framing line.
= On paper w. the crowned part of a "Pro Patria"(?) watermark. Provenance: the collection A.M. van den Broek, with his collector's mark on verso. SEE ILLUSTRATION PLATE LXXXV.
= On laid paper with a watermark showing "...ledary". Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
= Splendid allegorical drawing serving as a "souvenir" for the exhibition taking place from 24 June to 11 August, 1861. Showing an honorary arch incorporating "Souvenir", allegorical scenes, 12 coats of arms of the Dutch provinces and 2 larger coats of arms of Haarlem and The Netherlands. Under the arch a view of the exhibition space visible, with i.a. a statue of Laurens Janszoon Coster and many visiting people. Provenance: the colleciton A.M. van den Broek. SEE ILLUSTRATION PLATE LXXXII.
- Trifle yellowed.