= The artist was asked, together with 26 other renowned European artists, to create the design of one of the 100 plates for one of the most ambitious publications of the Dutch Nieuwe Kunst, the Juliana-bible of 1900, i.a. with designs by Walter Crane, Lawrence Alma Tadema, Edward Burne-Jones, Benjamin Constant, Jean-Léon Gérôme, Pierre Puvis de Chavannes, James Tissot, Arthur Kampf, Max Liebermann, Sascha Schneider and Fritz von Uhde, Jozef Israëls, Ilja Repin, José Villegas Cordero and Juliaan De Vriendt. On this project and publication, cf. Anne van BUUL, Een eerbiedwaardig reuzenwerk De Geïllustreerde Bijbel (1900) (De Moderne Tijd, 2017, no.2, p.160-179). The engraving used in the Juliana bible was made after this painting.
80 5787 Costanzi Placido ±1690/ 1702 1759 
- Sl. duststained and w. a few tiny holes (from acid biting?).
= Annotation (signature?) on verso "Placido Costanzi" in pen and ink. On thick 18th century laid paper, no watermark visible. SEE ILLUSTRATION PLATE LXXVIII.
80 5788 Cranenburgh Hendrik van 1754 1832 
= On laid paper with a part of a large crowned watermark. Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
80 5789 Cranenburgh Pieter van 1792 1858 
80 5789 Cranenburgh Pieter van 1792 1858 
= On laid paper with a large "Pro Patria" watermark.
AND 1 similar by the same: "Aan de Bloemendaalsche Weg op de Beek te zien" (signed).
= Provenance: the collection A.M. van den Broek, with his manuscript collector's mark on verso.
80 5790 Does Simon van 1653 ±1717 school of 
- The outlines of the putto are perforated w. minuscule holes; ink sl. fading in areas; a few unobtrusive oblique folds.
80 5791 Dominichino = D Zampieri 1581 1641 school of 
- With "74" in contemp. manuscript in centre; sm. closed hole in left margin.
80 5792 Dongen Dionys van 1748 1819 
80 5792 Dongen Dionys van 1748 1819 
- Browned; closed tear in left part.
= With a small manuscript note with biographical records written by one of the organizers of a lottery at the Groningen art society in November 1905. This drawing was one of the prizes.
80 5793 Drift Johannes Adrianus van der 1808 1883 
80 5793 Drift Johannes Adrianus van der 1808 1883 
= Johannes Adrianus van der Drift, pupil of Andreas Schelfhout and one of the founders of the Haagsche Etsclub. Provenance: the collection A.M. van den Broek. SEE ILLUSTRATION PLATE LXXVIII.
80 5794 Eversen Adrianus 1818 1897 attrib 
- A few foxed spots. = Title supplied in pencil on verso.
80 5795 Eymer Arnoldus Johannes 1803 1863 
80 5795 Eymer Arnoldus Johannes 1803 1863 
80 5795 Eymer Arnoldus Johannes 1803 1863 
- Occas. sl. yellowed; some creases. = Provenance: the collection A.M. van den Broek.
80 5796 Eymer Arnoldus Johannes 1803 1863 
80 5796 Eymer Arnoldus Johannes 1803 1863 
80 5796 Eymer Arnoldus Johannes 1803 1863 
80 5796 Eymer Arnoldus Johannes 1803 1863 
80 5796 Eymer Arnoldus Johannes 1803 1863 
- Both trifle yellowed; a few tiny holes; one lacks tiny portion of left margin.
AND 7 others, all anonymous drawings, possibly by the same or by Leonard Johannes EYMER.
= Provenance: the collection A.M. van den Broek.
80 5797 Flowers Anonymous 2nd half 17th cent 
- Two folds in left blank part.
= Fine and delicate watercolour by an unidentified artist. With a watermark of the Seven Provinces (Churchill 110); verso mount numb. "No:57 in pen and ink in a contemp. hand.
80 5798 Flowers Anonymous 2nd half 17th cent 
= Fine and very delicate watercolour by an unidentified artist. With part ("CDG") of a watermark of the Seven Provinces (Churchill 110); verso mount numb. "No:56" in pen and ink in a contemp. hand. SEE ILLUSTRATION PLATE LXXIX.
80 5799 Flowers Anonymous 18th cent 
80 5799 Flowers Anonymous 18th cent 
- Slightly soiled; horizontal fold in centre; lacks sm. portion of lower margin; unevenly trimmed.
= Unfinished drawing. With on verso another watercolour by the same showing flowers and fruit (identical size). Provenance: the collection of A.M. van den Broek with his collector's mark on verso and an attribution to the artist Jan Severijnse (1760-1846). On laid paper with a large watermark showing the coat of arms of Holland.
80 5800 Flowers Anonymous 18th cent 
- Trifle soiled; sm. hole near lower edge just outside image.
= Provenance: the collection of A.M. van den Broek with his collector's mark on verso and an attribution to the artist Jan Severijnse (1760-1846). On laid paper with a large "Pro Patria" watermark. SEE ILLUSTRATION PLATE LXXIX.
80 5801 Flowers Sadler E M 19th cent 
- Tipped onto mount
= The artist's identification on verso of mount. Provenance: Henry Sotheran Ltd. (London).
80 5802 Gaal Pieter 1769 1819 
- Verso w. the collector's stamp of Van Eekelen (Lugt 5101). = Van Gaal was a pupil of Schweickhardt.
80 5803 Gabriel Paul 1828 1903 
80 5804 Gardens Anonymous 19th cent 
= Charming drawing, consisting of a plan and a bird's eye plan of the garden.
80 5805 Genoels Abraham 1640 1723 
- Three repaired chips and holes near/ along edges; sm. closed tear near upper edge.
= Genoels created an etching after this drawing. Cf. Hollstein 16.