82 4824 Wiersma Ids 1878 1965 
- Sl. foxed, especially blank margins. = Possibly portraying the wife of the artist. Not in Oostra.
82 4825 Wiggers Derk 1866 1933 
82 4825 Wiggers Derk 1866 1933 
82 4826 Wijnberg Nicolaas 1918 2006 
82 4826 Wijnberg Nicolaas 1918 2006 
82 4827 Wijnberg Nicolaas 1918 2006 
82 4828 Willerding Karl Joseph 1886 1974 
82 4829 Wilson Donald Roller b 1938 
82 4829 Wilson Donald Roller b 1938 
82 4830 Wilson Donald Roller b 1938 
82 4830 Wilson Donald Roller b 1938 
82 4831 Windt Chris van der 1877 1952 
82 4831 Windt Chris van der 1877 1952 
82 4831 Windt Chris van der 1877 1952 
82 4831 Windt Chris van der 1877 1952 
82 4832 Winter Janus de 1882 1951 
= Janus de Winter was one of the first Dutch early followers of Wassily Kandinsky. Between 1912 and 1914 he attended various lectures in Germany by Kandinsky and other members of the Blaue Reiter. He painted classical landscapes for his living. But his real interest lay in painting the mystical unseen, emotions and sounds of music in a lyrical expressionist style of auras and other colourful abstract visions. He was introduced to Theo van Doesburg by Eric Wichmann in 1915. After having seen his expressionist work, Van Doesburg promoted the artist with ardour during lectures and in publications from 1916 onwards. SEE ILLUSTRATION PLATE XXXV.
82 4833 Witsen Willem 1860 1923 
- Mounted under passepartout
= De Groot 108, 6th state (of 6); Boon 102; Van Wisselingh 433.
82 4834 Witsen Willem 1860 1923 
- Sl. yellowed. = Rare. De Groot 79, 2nd state of 2; Van Wisselingh 412 (numb. I-X and 11-60).
82 4835 Witsen Willem 1860 1923 
82 4835 Witsen Willem 1860 1923 
- Heavily foxed; waterst. in margins. = De Groot 114, I; Boon 106; Van Wisselingh 439.
AND 1 unsigned etching by the same, Oude huizen aan de Krom Boomssloot (browned).
82 4836 Witsen Willem 1860 1923 
= De Groot 134; Boon 131; the 3rd and final state (of the 1st and 2nd state no copies known).
82 4837 Witsen Willem 1860 1923 
- Sl. foxed/ dustsoiled, especially in blank margins.
= De Groot 198; Boon 192. "Waarschijnlijk naar een studie uit 1917 of 1918. Onvoltooid gebleven doordat Witsen ziek werd en daaropvolgend werd opgenomen in het ziekenhuis eind november 1922." SEE ILLUSTRATION PLATE XXXV.
82 4838 Witsen Willem 1860 1923 
82 4838 Witsen Willem 1860 1923 
82 4838 Witsen Willem 1860 1923 
82 4838 Witsen Willem 1860 1923 
- Browned/ foxed. = De Groot 82; Boon 73; Van Wisselingh 408.
AND 4 other etchings (and aquatint) by the same, all w. defects, i.a. Ruine van de firma Thos. Emery Sons, San Francisco (unsigned. De Groot 186. Foxed/ partly waterst.).
82 4839 Witsen Willem 1860 1923 
- Round stain of a glass in left blank margin.
= De Groot 143, 6th state (of 6) as usual (the earlier 5 states not found by De Groot). Published as frontispiece to Willem Kloos, Honderd verzen en Okeanos (Amst., Versluys, 1909).
82 4840 Witsen Willem 1860 1923 
82 4840 Witsen Willem 1860 1923 
- Browned/ foxed. = De Groot 93b, only state; Boon 87; Van Wisselingh 419.
AND 1 other by the same: Voorstraatshaven VIII (signed and "No.77" in pencil. De Groot 100. Badly browned/ some tears/ dents (affecting image)).
82 4841 Witsen Willem 1860 1923 
- Trifle foxed and yellowed in blank margins.
= De Groot 94a, without address; Boon 88; Van Wisselingh 420.
82 4842 Witsen Willem 1860 1923 
- Sl. yellowed; blank margins trimmed. = Boon 95; Van Wisselingh 427; De Groot 101b.
82 4843 Witsen Willem 1860 1923 
- Some repaired imperfections in blank margins and on verso. = De Groot 139; Boon 130.