- A few foxed spots. = Provenance: the collection of Eli Content.
- Original (?) vertical middle-fold (as published?). = Provenance: the collection of Hank Onrust.
= A. Wagtberg Hansen, Henri Verstijnen: p.48.
AND a woodcut by Theo KURPERSHOEK: "Eerste meeuw" (signed, titled and "10/70" in pencil).
= A. Wagtberg Hansen, Henri Verstijnen: p.48.
AND 9 others, i.a. a duplicate of the preceding and a woodcut by C. van der WERFF.
- Slightly yellowed/ foxed; tiny tear in upper margin. = A. Wagtberg Hansen, Henri Verstijnen: p.48.
= Maria van Es (1919-2014) was the daughter of the artdealer J.M. van Es, and curator of the Singer Museum, Laren. SEE ILLUSTRATION PLATE XXXII.
- Clumsily closed tear in lower right corner of the image. = De Ginestet/ Pouillon E94, only state.
AND 9 miscell. others, i.a. an etching by Charles Albert WALTNER, a wood engraving by Auguste-Louis LEPÈRE and 2 col. (offset) lithographs by Thèophile STEINLEN.
- Trifle browned; outer left blank margin small chip; tipped onto mount.
= De Ginestet/ Pouillon E78. With the collector's stamp of Charles Hessele (Lugt 554) in lower left corner.
- Yellowed. = De Ginestet/ Pouillon E96, 2nd state (of 3), before the colouring.
AND 1 other similar by the same: Les Pêcheurs (2 closed (marginal) tears; De Ginestet/ Pouillon E162, 1st state (of 2)).
- Restored and expertly doubled copy (browned/ sl. waterst./ closed marginal tears).
= Rare. SEE ILLUSTRATION PLATE XXXIII.