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80 5206 Ryûtei Senka 1804 1868 80 5206 Ryûtei Senka 1804 1868
80 5206 Ryûtei Senka 1804 1868 80 5206 Ryûtei Senka 1804 1868
80 5206 Ryûtei Senka 1804 1868 80 5206 Ryûtei Senka 1804 1868
80/5206 Ryûtei, Senka (1804-1868). Setsubai houtan inu no soushi. Vol. 32. Ehon, Tokyo, Kôeidô, 1853, 2 parts in 1 vol. w. continuous pagination, 20lvs., w. nanushi censor seals of Murata Heiemon and Kunigasa Fusajiro, w. date seal, woodcut ills. by KUNIYOSHI, 2 col. woodcut frontcovers forming a diptych by TOYOKUNI I, orig. wrs.

- One vol. of 56(?); (sl.) wormholed. Two parts bound together.

= Setsubai houtan inu no soushi is a shorter version of Kyokutei Bakin's original 106 volume novel Nanso Satomi Hakkenden, commonly translated as the Eight Dog Chronicles or the Tale of Eight Dogs. The Eight Dog Chronicles is considered to be the longest novel in Japanese literary history.

ADDED: 1 unrelated Japanese vol. containing col. woodcut ills. (1960).

€ (50-70) 50
80/5207 Shinran Shonin e kotobaren 80/5207 Shinran Shonin e kotobaren
80/5207 Shinran Shonin e kotobaren 80/5207 Shinran Shonin e kotobaren
80/5207 Shinran Shonin e-kotobaren. Ehon, n.pl., publ. unread, 1800, 3 vols., 2,57; 74; 42lvs., num. woodcut ills., orig. unif. wr. w. hashira-titles.

- Partly foxed, ills. for the most part fine. Wrs. soiled and (sl.) nibbled.

= Three illustrated volumes on the life of Shinran Shonin, Buddhist monk and founder of the Jôdo Shinshû sect, who lived between 1173 and 1263.

€ (40-60) 60
80 5208 Sobun Morikawa 1847 1902 80 5208 Sobun Morikawa 1847 1902
80 5208 Sobun Morikawa 1847 1902 80 5208 Sobun Morikawa 1847 1902
80 5208 Sobun Morikawa 1847 1902 80 5208 Sobun Morikawa 1847 1902
80 5208 Sobun Morikawa 1847 1902 80 5208 Sobun Morikawa 1847 1902
80/5208 Sobun, Morikawa (1847-1902). "Miyako Meisho Niju-go kei" (Twenty-five Famous Places of Kyoto). Orihon (leporello), Kyoto, Tanaka Jihei, 1895, 25 col. woodcuts, each 20,5x27,5 cm., orig. cl. over boards.

- Contents sl. yellowed along margins, otherwise fine. Binding worn along extremities; covers loosening.

= SEE ILLUSTRATION PLATE XLVI.

€ (250-350) 400
80 5209 Sohou Tokutomi 80 5209 Sohou Tokutomi
80 5209 Sohou Tokutomi 80 5209 Sohou Tokutomi
80 5209 Sohou Tokutomi 80 5209 Sohou Tokutomi
80 5209 Sohou Tokutomi 80 5209 Sohou Tokutomi
80/5209 Sohou, Tokutomi. Sansui zuienki. Ehon, Tokyo, Minyû-sha, Taisho 3 (1914), 14 col. woodcut plates after HIRAFUKU HYAKUSUI, and a number of (photographic) plates, orig. cl. wr. w. hashira-title.

- Trifle foxed. Wrappers (sl.) soiled; front cover w. crease.

= Travel story by Sohô Tokutomi, a historian and journalist. Hirafuku Hyakusui was a nihonga-painter, who created illustrations for the newspaper Kokumin Shinbun (established by Sohô Tokutomi). After visiting Europe and exhibiting his work there, he was named a member of the Japan Art Academy.

€ (40-60) 60
80 5210 Sozan 1884 ? 80 5210 Sozan 1884 ?
80/5210 Sozan (1884-?). (Beauty and cherry tree). Col. woodcut mitsugiri-ban (39x17,5 cm.) from the series Setsu Getsu Ka (The Snow, The Moon, The Flower), signed Sozan, with artist's seal in red, publ. Watanabe.

- Very fine copy.

€ (80-100) 100
80 5211 Sozan 1884 ? 80 5211 Sozan 1884 ?
80 5211 Sozan 1884 ? 80 5211 Sozan 1884 ?
80 5211 Sozan 1884 ? 80 5211 Sozan 1884 ?
80/5211 Sozan (1884-?). (Bird perched on a flowering white chrysanthemum branch). Col. woodcut koban, signed Sozan, with red artist's seal, no publisher (fine).

Anonymous (1st half 20th cent.). (Family(?) group portrait). Watercolour with use of very thin onlaid mother of pearl, 19,1x25 cm., w. bevelled edges.

- Laid down. = Remarkable combination of watercolour and mother of pearl. Possibly Chinese.

Masao (1904-1974). Yomogyu (Weeds). Col. woodcut aiban, printed w. silver and gold pigments, w. artist's stamp printed in red, publisher Yamada Shoin, from Genji Monogatari (Tale of Genji).

= With the orig. accomp. flimsy with letterpress information on the print (in English and Japanese).

€ (120-150) 210
80 5212 Sozan 1884 ? 80 5212 Sozan 1884 ?
80/5212 Sozan (1884-?). (White egret perched on a large willow tree in stormy weather). Col. woodcut o-hosoban w. gauffrage, signed Sozan and with artist's seal in red, without publisher.

- Very fine.

€ (120-150) 120
80 5213 Taito II act 1810 1853 80 5213 Taito II act 1810 1853
80 5213 Taito II act 1810 1853 80 5213 Taito II act 1810 1853
80 5213 Taito II act 1810 1853 80 5213 Taito II act 1810 1853
80 5213 Taito II act 1810 1853 80 5213 Taito II act 1810 1853
80/5213 Taito II (act.1810-1853). Kachô gaden. Edo/ Osaka, Suzanbo/ Gungyokudo, (1848), vol. 1 (of 2), signed Katsushika Taitô-ga, col. woodcuts on 31 lvs., orig. wr. w. hashira-title.

- Wrappers worn; lacks most of the binding cord, contents almost loose.

= The first vol. of two featuring birds and flowers, by Hokusai's pupil who was given the name Taitô, a name Hokusai himself used between 1811 and 1820.

ADDED: 2 other 19th cent. col. Japanese book-illustrations.

€ (100-150) 100
80 5214 Takahashi 1871 1944 80 5214 Takahashi 1871 1944
80/5214 Takahashi (1871-1944). Furuyado (Old Inn). Col. woodcut ô-hosoban, signed, w. artist's seal in red, n.publ.
€ (120-150) 160
80 5215 Takahashi 1871 1944 80 5215 Takahashi 1871 1944
80/5215 Takahashi (1871-1944). (Mount Fuji seen from Mizukubo). Col. woodcut, 23,x37 cm., signed Hiroaki, w. artist's seal in red, publ. Watanabe Shozaburo (fine).
€ (300-500) 425
80/5216 Textiles  Embroidery 80/5216 Textiles Embroidery
80/5216 [Textiles]. (Embroidery). Prob. Chinese, late 19th/ early 20th cent.(?), col. lace on silk, 47x20 cm., framed.

= Symmetrical composition with trees, flowers, people, butterflies, a temple and a bridge.

€ (50-70) 50
80 5217 Tibetan drawings  Anonymous 19th cent ? 80 5217 Tibetan drawings Anonymous 19th cent ?
80/5217 [Tibetan drawings]. Anonymous (19th cent.?). (Tibetan medical thangka showing the four medical tantras). Gouache and watercolour on cloth, 45x38 cm., framed.
€ (100-150) 180
80 5218 Tôho 1875 1930 80 5218 Tôho 1875 1930
80 5218 Tôho 1875 1930 80 5218 Tôho 1875 1930
80/5218 Tôho (1875-1930). (Mountain view). (Wild Geese over Mountains). Two hanshita-e, brush and black ink w. some grey wash, each ±36,5x22,5 cm., on Japanese.

- Both (sl.) yellowed/ browned; w. (fold?)line running down the middle; doubled w. Japanese.

€ (60-80) 60
80 5219 Toyokuni I 1769 1825 80 5219 Toyokuni I 1769 1825
80 5219 Toyokuni I 1769 1825 80 5219 Toyokuni I 1769 1825
80/5219 Toyokuni I (1769-1825). (Two actor portraits). Both col. woocuts, (1804), from Yakuse awase kagami (Mirror Images of Kabuki Actors) vol. 1, both 21,5x15 cm., n.publ.

- Both browned and faded; both (partially) mounted on board.

€ (100-150) 100
80 5220 Toyonobu 1859 1886 80 5220 Toyonobu 1859 1886
80 5220 Toyonobu 1859 1886 80 5220 Toyonobu 1859 1886
80 5220 Toyonobu 1859 1886 80 5220 Toyonobu 1859 1886
80/5220 Toyonobu (1859-1886). Hideyoshi and Yodo-gimi and their consorts enjoy the cherry-blossom picnic. Col. woodcut ôban polyptych w. gauffrage, consisting of 3 diptychs (total of 6 loose sheets), total size 37x148,5 cm., each diptych signed Toyonobu ga, publisher Matsuki Heikichi.

- Very fine.

= From the series Shinsen Taiko Ki (New Biography of Toyotomi Hideyoshi). Rare.

€ (150-250) 300
80 5221 Yamaguchi Soken 1759 1818 80 5221 Yamaguchi Soken 1759 1818
80 5221 Yamaguchi Soken 1759 1818 80 5221 Yamaguchi Soken 1759 1818
80/5221 Yamaguchi, Soken (1759-1818). Yamato jinbutsu gafu (People of Japan Picture Album). Ehon, signed Yamaguchi Soken-ga, Imperial Capital (=Kyoto)/ Naniwa (=Osaka)/ Eastern Capital (=Tokyo), Hishiya Magobe/ Noda Denbe/ Kawachiya Kihe and Nagamura Tasuke, 1799, vol. 3 (of 3), 17,(1)lvs., (double-p.) woodcut ills., contemp. wr. w. hashira-title.

- Contents occas. sl. fingersoiled, but otherwise a good copy. Wrs. creased and (sl.) worn; lacks lower part of hashira-title.

= A series of woodcut illustrations showing Japanese people in everyday situations. People are shown at work or at leisure, for example having a nap, selling their wares or making merry.

€ (40-60) 130
80 5222 Yoshiiku 1833 1904 80 5222 Yoshiiku 1833 1904
80/5222 Yoshiiku (1833-1904). "Sanmi koremori" (?). Col. woodcut ôban, signed Yoshiiku-hitsu, w. date seal, 1867.

- Re-backed w. Japanese text leaf; trifle soiled, w. a stain on the title cartouche.

= The right panel of a tryptich.

€ (70-90)
80 5223 Yoshimune Arai 1873 1945 80 5223 Yoshimune Arai 1873 1945
80/5223 Yoshimune, Arai (1873-1945). (Moonlit Sky over Suma Beach). Col. woodcut, 23x35,5 cm., w. red seal, publisher Hasegawa, laid down on silk covered mount.

= Probably a later edition, ±1920.

€ (100-150) 120
80 5224 Yoshitora 1827 ±1880 80 5224 Yoshitora 1827 ±1880
80/5224 Yoshitora (1827-±1880). (Raikō Shitennō [Minamoto Yorimitsu] and the earth spider). Drawing, brush and ink, 14,5x25,3 cm., signed on mounted strip of mica paper on verso of mount.

- Laid down on mount.

= Perhaps an unused hanshita-e or a prelimimary design. With the collector's mark of Berend Modderman (1870-1944) (not in Lugt) on verso mount.

€ (150-250) 150
80 5225 Yoshitsuya 1822 1866 80 5225 Yoshitsuya 1822 1866
80/5225 Yoshitsuya (1822-1866). (Three actors playing Ken, the game of gestures). Col. woodcut ôban, signed Ichiyusai Yoshitsuna ga, publisher Aito (Sagamiya Tôkichi), date seal.

- Outer margins laid down under passepartout.

€ (60-80) 110