82 4505 Music Zoran 1909 2005 
82 4506 Naerebout Frans 1915 1988 
= Probably the original drawing for Fantastische Schepen (Rott., 1946).
82 4507 Nahuys Hans 1923 1992 
82 4508 Nam June Paik 1932 2006 
= SEE ILLUSTRATION PLATE XXV.
82 4509 Neumann Juul 1919 1997 
82 4510 Nieuwenhuis Theo 1866 1951 
= Proof w. variant colours of a prel. page for J. Perk, Gedichten (Amt., 1897); verso w. lithogr. decoration of a central ornament and 4 small butterfly ornaments in corners. Cf. Braches 1568 (w. ill. of this page on p.774). Provenance: auction Sotheby-Mak van Waay Oct. 1984, lot 182. SEE ILLUSTRATION PLATE XXVI.
82 4511 Nieuwenkamp W O J 1874 1950 
- Some creases. = Hubert and Braches & Heijbroek E128.
Idem. Toren van Amersfoort. Etching, 35,5x31,4 cm., signed, "Amersfoort" and "4-50" in pencil, monogrammed in the plate, on Japanese.
= Hubert and Braches & Heijbroek E86.
82 4512 Nieuwenkamp W O J 1874 1950 
- Foxed/ mouldy spots, especially in blank margins; left blank margin irregularly trimmed.
= Hubert and Braches & Heijbroek 25.
82 4513 Nieuwenkamp W O J 1874 1950 
= Hubert and Braches & Heijbroek, E25, the 1st state (of 3). Showing the Gasthuishofje, Haarlem. Provenance: the collection A.M. van den Broek.
82 4514 Nieweg Jacob 1877 1955 
82 4514 Nieweg Jacob 1877 1955 
82 4515 Nijland Dirk 1881 1955 
= Partly from the collection of Philip J., w. his collector's mark on verso.
82 4516 Noordewier Michiel 1868 1942 
82 4516 Noordewier Michiel 1868 1942 
82 4516 Noordewier Michiel 1868 1942 
82 4516 Noordewier Michiel 1868 1942 
82 4517 Nussbaum Jakob 1873 1936 
82 4517 Nussbaum Jakob 1873 1936 
- Sl. surface dam. (silverfish).
AND 3 etchings, i.a. by Pieter Paul KOSTER.
82 4518 Oey Tjeng Sit 1916 1987 
82 4518 Oey Tjeng Sit 1916 1987 
82 4519 Okx Kees 1939 2015 
82 4519 Okx Kees 1939 2015 
82 4520 Olger Ferdinand 1872 1929 
82 4520 Olger Ferdinand 1872 1929 
82 4521 Oort Johan Michiel 1867 1938 
82 4522 Orlík Emil 1870 1932 
82 4522 Orlík Emil 1870 1932 
= Orlik went to Japan in 1900 to learn about the technique of making woodblock prints. There he met the Dutch artist Gijs Bosch Reitz (1860-1938). They became friends and Orlik instructed Bosch Reitz how to produce woodcuts in the Japanese way (see: K.G. Boon, "A Dutch Artist in Japan", in: The Fascinating World of the Japanese Artist, ed. H.M. Kaempfer and W.O.G. Sickinge (The Hague, 1971), p.41-48). Comprises:
1. (Two Japanese women carrying children on their back). Woodcut on thin Japanese, 16x11,3 cm., signed "Orlik 1900" and "Probedruck" in pencil, monogrammed in the block. Illustrated on p.46 of the article above and in final state (printed in 4 colours) on the frontcover of the exhib. cat. by P. Voss-Andrae, Wie ein Traum! Emil Orlik in Japan (Hannover, Mus. Wilhelm Busch, 2021). SEE ILLUSTRATION PLATE XXVI.
2. (A Japanese women seen from the back with trees in the background). Colour woodcut, 9x5,6 cm., signed "Orlik 1900" and "Kyoto" in pencil, on Japanese.
3. (Pine tree). Woodcut, 5x5,5 cm., monogrammed in the block, on Japanese.
4. (Landscape with trees). Woodcut on thin Japanese, 4,8x6,2 cm.
5. "Ex libris Emil Orlik". Woodcut in black and red, 8,7x7 cm., monogrammed (in reverse) and "97" in the block, on thin Japanese.
6. (Portrait of a woman). Aquatint, 7,5x7 cm., signed "Emil Orlik 99", numb. "1-10" and (in outer lower margin) "[?] BR zu Neujahr 1901 Kyoto" in pencil, on Japanese.
7. (Repeated monogram "BR" [Bosch Reitz] with floral ornamentation). Drawing, pen and ink and watercolour, 8,5x28 cm., signed "Emil Orlik gr[?] Kyoto" in pen and ink, on Japanese.
8. (Monogram "GBR"). Drawing, pen and ink, 3x3,7 cm., on Japanese.
Provenance: ex collection Gijs Bosch Reitz; ex collection Six van Wimmenum Laren; sale A.L. Van Gendt & Co., Amsterdam, May 1977, lot 1458.
82 4523 Orth Ton b 1935 