80 5146 Hokusai 1760 1849 
- Margins cut sl. short; former central fold strengthened on verso; sl. rubbed/ yellowed/ faded along edges; fingersoiled; the yellow colours seem faded, turning the green into blue.
= Early impression, from the series Shokoku meikyō kiran (Remarkable Views of Bridges in Various Provinces). Forrer 1991, 38.
80 5147 Hokusai 1760 1849 
80 5147 Hokusai 1760 1849 
80 5147 Hokusai 1760 1849 
- A few sm. (worm)holes in the sky; formerly bound w. binding holes near left edge.
= Twelfth print of the series Hyakunin isshu uba ga etoki (One Hundred Poems explained by the nurse).
AND 2 other sm. prints.
80 5148 Iida Shikô 1896 1969 
80 5148 Iida Shikô 1896 1969 
80 5148 Iida Shikô 1896 1969 
80 5148 Iida Shikô 1896 1969 
80 5148 Iida Shikô 1896 1969 
80 5148 Iida Shikô 1896 1969 
80 5148 Iida Shikô 1896 1969 
80 5148 Iida Shikô 1896 1969 
80 5148 Iida Shikô 1896 1969 
80 5148 Iida Shikô 1896 1969 
- Heavily foxed, but particularly in the margins; some designs sl. dam. on the middle fold. Covers soiled and worn along boardedges.
= Each of these striking designs is inspired by one of the 100 poems of the Hyakunin isshu ("One hundred people, one verse"), famously compiled by Fujiwara no Teika (1162-1241) when he stayed in Ogura (near Kyoto). The poems are annotated at the end of each volume by Sasaki Nobutsuna, a poet and scholar of Nara- and Heian-period literature, whose work was supposedly the inspiration for Iida Shikô to create these designs. SEE ILLUSTRATION PLATE XLV.
80/5149 Inrô Five case lacquer inrô with houses and pine trees by a mountain 
80/5149 Inrô Five case lacquer inrô with houses and pine trees by a mountain 
80/5149 Inrô Five case lacquer inrô with houses and pine trees by a mountain 
- Worn; some lacquer chipped off along the sides; w. some white powder/ mould(?) on the inside and in the crevices.
AND a four-case lacquer inrô with a dragon, peonies and a phoenix, wood and lacquer w. some goldleaf, 8x6x2 cm., 19th/ 20th century (lid and second compartment stuck together, string broken). - ADDED: a netsuke(?) with leafy decoration, wood and lacquer and goldleaf w. a metal ring, late 19th/ early 20th century (fine).
80 5150 Ito Nisaburo 1910 1988 
80 5150 Ito Nisaburo 1910 1988 
80/5151 Japan Lot of 10 woodblock prints and brush and ink drawings 
80/5151 Japan Lot of 10 woodblock prints and brush and ink drawings 
80/5151 Japan Lot of 10 woodblock prints and brush and ink drawings 
- Includes one hanging scroll mounted on thick board. All in mediocre state, some faded, some (sl.) yellowed/ browned/ foxed, some rebacked due to wormholes, or mounted (under passepartout).
80/5152 Japanese Fairy Tale Series No 1 Momotaro / No 14 The Princes Fire Flash & Fire Fade 
80/5152 Japanese Fairy Tale Series No 1 Momotaro / No 14 The Princes Fire Flash & Fire Fade 
80 5153 Japanese Fairy Tale Series No 5 8 
80 5153 Japanese Fairy Tale Series No 5 8 
80 5153 Japanese Fairy Tale Series No 5 8 
- The first two tales occas. a trifle foxed in the right margin (unobtrusive), but contents otherwise fine. Spine-ends sl. worn.
= From a series of 16 separate Japanese fairy tales, richly illustrated w. col. woodcuts, of which the following 4 have been bound together: no.5 Kachi-kachi mountain; no.6 The mouse's wedding; no.7 The old man and the devils, and no.8 The firsher-boy Urashima. SEE ILLUSTRATION PLATE XLV.
80/5154 Japanese Fairy Tale Series No 22 The Flowers of Remembrance and Forgetfulness Told in English by Mrs T H James 
- Partly waterst., including frontcover; some of the fold. double-sided pages split open.
= No. 22 of the Japanese Fairy Tale Series.
80/5155 Japanese Fairy Tale Series Extra No Princess Splendor The Wood cutter's Daughter English transl E Rothesay Miller 
80/5155 Japanese Fairy Tale Series Extra No Princess Splendor The Wood cutter's Daughter English transl E Rothesay Miller 
- Two lvs. stained; 1 leaf splitting on fold. Lacks frontwr.; title-p. and backwr. dam. (restored w. paper tape on verso).
80/5156 Japanese lacquer album 
80/5156 Japanese lacquer album 
- Lvs. sl. foxed. Frontcover w. cracked spot and one sm. onlay piece lacking.
80 5157 Kawatake Mokuami 
80 5157 Kawatake Mokuami 
80 5157 Kawatake Mokuami 
- One vol. (of 5). One vol. frontcover sl. nibbled in upper left corner; all vols. trifle/ sl. soiled; one vol. w. modern cords.
= Shimoyo no kane jûji no tsujiura is a kabuki play in five acts by Kawatake Mokuami, written in 1880. The title is often shortened to Shimoyo no kane (The bell on the frosty night).
80 5158 Keinen 1845 1924 
- Both w. binding holes in (trimmed) blank margin; trifle yellowed; right panel of the diptych has "No 21" printed in upper margin, otherwise fine.
80 5159 Keinen 1845 1924 
80 5159 Keinen 1845 1924 
80 5159 Keinen 1845 1924 
= From the series of Keinen Kacho gafu (Four seasons, Autumn group).
AND 10 other woodcuts showing birds, i.a. 7 (double-p.) woodcuts (hansi-bon) by BAIREI.
80 5160 Keinen 1845 1924 
- Trifle yellowed; both prints w. small stain in blank margin; right panel of the diptych has "No 13" printed in upper margin, otherwise fine.
ADDED 1 other (restrike) print.
80 5161 Kôgyo 1869 1927 
- Minimal traces of mounting on verso. Otherwise a very fine copy.
= From the series Nogaku hyakuban (One hundred Noh plays). Schaap/ Rimer, The Beauty of Silence, appendix no. 103 and 104.
80 5162 Kôgyo 1869 1927 
80 5162 Kôgyo 1869 1927 
= From the series Nogaku hyakuban (One hundred Noh plays). Schaap/ Rimer, The Beauty of Silence, appendix no. 108, 67 and 92 (lefthand leaf of a diptych) respectively.
80 5163 Kôgyo 1869 1927 
80 5163 Kôgyo 1869 1927 
- Both formerly mounted.
= From the series Nogaku hyakuban (One hundred Noh plays). Schaap/ Rimer, The Beauty of Silence, appendix no. 115 and 67.
80 5164 Kôgyo 1869 1927 
- Prob. doubled w. Japanese.
= From the series Nogaku hyakuban (One hundred Noh plays). Schaap/ Rimer, The Beauty of Silence, appendix no. 37 and 38.
80 5165 Kôgyo 1869 1927 
80 5165 Kôgyo 1869 1927 
= From the series Nogaku hyakuban (One hundred Noh plays). Schaap/ Rimer, The Beauty of Silence, appendix no. 109.
Idem. (Two actors in a scene from a Noh play). Col. woodcut horizontal ôban, signed Kôgyo, w. artist's seal in red, without publisher.
= With added printed text leaf with description in Japanese.