82 4404 Lucebert 1924 1994 
82 4405 Lucebert 1924 1994 
- Portfolio sl. (finger)soiled/ sunned. = SEE ILLUSTRATION PLATE XXII.
82 4406 Lucebert 1924 1994 
= Lucebert in het Stedelijk 863-G.
82 4407 Lucebert 1924 1994 
= Lucebert in het Stedelijk 863-G.
82 4408 Lucebert 1924 1994 
= Lucebert in het Stedelijk 729-G.
82 4409 Lücker Eugène 1876 1943 
- Some old oblique folds and a few vague foxed spots. = Lemmens/ Kollewijn 62.
82 4410 Lücker Eugène 1876 1943 
= Lemmens/ Kollewijn 80.
82 4411 Lücker Eugène 1876 1943 
82 4411 Lücker Eugène 1876 1943 
= Lemmens/ Kollewijn 21, 108, 105 and 121.
82 4412 Lücker Eugène 1876 1943 
= Lemmens 137 and 176b
= Lemmens 176.
82 4414 Lücker Eugène 1876 1943 
82 4415 Lücker Eugène 1876 1943 
= Lemmens/ Kollewijn 70.
= Contains attractive and skilful drawings of i.a. plants and seashells. Remy Ludolphy designed embroideries for Margriet during the 1990s.
82 4417 Lugthart Gerrit 1896 1958 
82 4417 Lugthart Gerrit 1896 1958 
82 4417 Lugthart Gerrit 1896 1958 
82 4417 Lugthart Gerrit 1896 1958 
82 4417 Lugthart Gerrit 1896 1958 
= Very interesting collection of drawings by the artist Gerrit Lugthart. At a very young age he was deeply inspired by the symbolist works of Albert August Plasschaert (1866-1941) and his religious and spiritual approach to art. The art critics of the time mention (mockingly) a 'School of Plasschaert'. Lugthart was not simply a follower but emulated Plasschaert's style very closely. This uncanny similar style is mentioned in the article by E. van Ittersum-Schuurman in De Derde Weg year 1, no.1 (p.17), the periodical founded by i.a. Plasschaert and W. de Lorm. According to the Alkmaar archives he was a clerk in 1921, one of the drawings (dated 1934) is on a business card of Lugthart, advertising him as decorative painter, illustrator and framer in Rijswijk. What is also interesting is that most works are monogrammed "GL", but a small part is (also) monogrammed "J. A.B. L." or signed "Johannes Anj. Bert. Lugthart" and 2 drawings bear the name "Gerda Loki". Both are clearly pseudonyms of the artist, but for unknown reasons abandoned. Lugthart was probably part of a group of young artists mentored by Plasschaert at his address in Dordrecht ("Bureau voor Rythmische Kunst Rozenhof 30- Dordrecht") around 1915-1918. Cf. in extenso G. IMANSE, Albert August Plasschaert (1988), p.53-59. "(...)Het werk van de zoogenaamde jonge Dordtenaren (er zijn ook Rotterdammers en anderen bij) is alles in dit huis en eigendom van Karel Wasch, die bij mij inwoont. Het 'Rythmische Kunstwerk' van de jongeren is onder mijn leiding ontstaan en met mijn persoon beveilig ik hun vrijheid van onpersoonlijk zijn. Zij werken alleen onder pseudoniem en niemand anders dan Wasch en ik kennen hun Burgerl. Standsnamen" (p.53, quoting Plasschaert in a letter to his cousin). There are also drawings that bear the monogram "GL" and the "J.A.B.L." monogram on the mount. A few mounts mention the name: "Bureau voor Rythmische Kunst Rozenhof 30- Dordrecht". The part "Anj. Bert: " of the name "Joh. Anj. Bert. Lugthart" refers to the name Anjana Bertos, according to Plasschaert a reincarnation of Christ in the form of a painter-poet. Plasschaert sometimes used this name as a pseudonym, but "Deze Anjana Bertos moet dus eigenlijk gezien worden als een hoger wezen, dat werkzaam kon zijn in anderen, maar ook in Plasschaert (...)" (Imanse, p.56).
WITH: a sm. archive of newspaper clippings on the artist and lists of the posthumous sale of his works in 1959. - AND 9 naturalistic drawings/ sketches by Lugthart (?) and prob. other artists, including a (self)portrait by the artist).
82 4418 Lugthart Gerrit 1896 1958 
= Artist who worked in the style of Albert Plasschaert.
82 4419 Lugthart Gerrit 1896 1958 
= SEE ILLUSTRATION PLATE XXII.
82 4420 Lugthart Gerrit 1896 1958 
- Sm. dam. spot near top.
82 4421 Lugthart Gerrit 1896 1958 
82 4422 Luijn Dick van 1896 1981 
- A few tiny foxed spots. = Juffermans 209.
82 4423 Luijt Arie Martinus 1879 1951 
- Sl. yellowed and foxed along edges from former framing.