= Laboureur 332, 1st state, the sky still empty. Edition of 17, but this copy unsigned and unnumbered.
Idem. Le portrait de Dorian Gray. Three (of 20) engravings, all 10x11 cm., all monogrammed in pencil.
= Part of a suite, published as part of the edition of O. WILDE, Le Portrait de Dorian Gray by Le Livre (Paris, 1928). Laboureur, Livres Illustrées 369.
- Sl. yellowed in blank margins.
= "Witold luistert naar de Poolse pianiste"; "Witold komt eten"; "Witold en ik zien Fryderyk"; "Wachten op Witold".
- Yellowed; outer blank margins some traces of former mounting.
- Trifle yellowed in blank margin along former passepartout. Otherwise fine.
- Trifle yellowed; sl. foxed in blank margins; lacks part of blank margin in lower right corner.
= Arwas 169, 4th state (of 5). With the publisher's mark of Gustave Pellet below the image (Lugt 1193).
- Trifle yellowed; a few foxed spots in upper part.
= Arwas 380, one of the first 4 states (of 6). With the publisher's mark of Gustave Pellet below the image (Lugt 1193).
= Arwas 381, one of 4 states. With the publisher's mark of Gustave Pellet below the image (Lugt 1193).
- Paper very thin along part of upper platemark. = Arwas 392, first state (of 4).
- Trifle yellowed.
= Arwas 400, one of 5 states. With the publisher's mark of Gustave Pellet below the image (Lugt 1193).
AND 2 others by the same, showing different states of the same aquatint and drypoint: La Caresses de la lune ou les Caresses de la brise (1 signed in pencil and in the plate, each numb. "3/5" or "20/20" in pencil. Arwas 465).
= Arwas 406, 409 and 410, later states. Part of a never published series inspired by Baudelaires Les Fleurs du Mal.