82 1224 Ulay 
82 1224 Ulay 
- Titleplate on frontcover sl. nibbled by silverfish.
= One of 12 copies signed and numb. ("XI/XII") in pencil and reserved for Ulay.
Idem. What is that thing called photography. Landgraaf, Artists' Books Johan Deumens, 2000, without pagination, (col.) (photogr.) ills. by i.a. ULAY, printed in 900 copies (100), orig. wr. w. glassine wraparound slip, 4to.
- Tear in slip.
= One of 100 copies signed and numb. by Ulay with a C-print of a Chinese man taking a picture loosely inserted (signed "Ulay", numb. "86/100" and "98.2000" in red pen on verso).
Ulay, Bojan, M.R. and Cassin, A. Whispers: Ulay on Ulay. Amst., Valiz Foundation, 2014, 536p., richly illustrated, orig. boards, 4to (with an AUTOGRAPH SIGNED DEDICATION). - AND 2 others by Ulay.
= Provenance: the collection of Johan Deumens.
82 1225 Ulay 
82 1225 Ulay 
82 1225 Ulay 
= One of 100 copies signed and numb. by Ulay with a loosely inserted C-print of a Chinese man taking a picture (signed "Ulay", numb. "96/100" and "98.2000" in red pen on verso).
AND 2 others by/ on the same, i.a. F. GIERSTBERG and K, PIETSCH, Ulay. What is that thing called polaroid? (Amst./ Rott., 2016, num. (col.) ills., orig. limp boards, 4to).
82 1226 Vantongerloo G Boxelaer P van a o ed 
82 1226 Vantongerloo G Boxelaer P van a o ed 
= ICSAC Cahier 1. The first of 10 vols. published 1983-1996 by the Internationaal Centrum voor Structuuranalyse en Constructivisme.
- All vols. w. sm. stamp on first free endpaper; bookplate of the Sesame Club on upper pastedowns.
82/1228 Velde B van Derrière le Miroir No 216 and 240 Bram van Velde 
82/1228 Velde B van Derrière le Miroir No 216 and 240 Bram van Velde 
= Contains a text by P. ALECHINSKY: "Bram van Velde, le maitre".
AND 2 others similar on Francois FIEDLER and KEMENY (DLM 167, 1967 and 172, 1968).
82 1229 Velde E van de Keyes G S 
- Sm. stamp on first free endpaper.
= Aetas Aurea Monographs on Dutch & Flemish Painting vol. IV. Contains a catalogue raisonné and a biographical chapter by J.G.C.A. Briels.
82/1230 Velde G van Derrière le Miroir No 51 Geer van Velde 
- Sl. yellowed/ a few small marginal imperfections.
82 1231 Velde W van de Robinson M S 
- Both vols. w. stamp on first free endpaper and wrappers frayed.
82 1232 Velde W van de Robinson M S 
- Sm. stamp on first free endpapers. = Catalogue raisonné of the paintings.
82/1233 Veranderde tijd 
82/1233 Veranderde tijd 
= Provenance: the collection of Michel van Overbeeke.
82 1234 Verclas T 
82 1234 Verclas T 
82 1234 Verclas T 
82 1234 Verclas T 
82 1234 Verclas T 
= Provenance: the collection of Johan Deumens. SEE ILLUSTRATION PLATE XXI.
82 1235 Verhulst R Notten M van 
82 1235 Verhulst R Notten M van 
82 1235 Verhulst R Notten M van 
- Contents fine. Binding sl. rubbed along extremities. = Rare.
82/1236 Verve An Artistic and Literary Quarterly Vol I no 1 
82/1236 Verve An Artistic and Literary Quarterly Vol I no 1 
- Sl. waterstained in upper inner margin of p.10-32; lithogr. plate by Miró reattached w. thin paper tape on inner margin (covering 1 cm. of image); contents sl. yellowed. Wr. trifle foxed and cut trifle short.
= With literary contributions by i.a. A. Gide, G. Bataille, A. Malraux, H. Michaux, J. Dos Passos and F.G. Lorca.
82/1237 Verve The French Review of Art Vol 2 no 8 
82/1237 Verve The French Review of Art Vol 2 no 8 
82/1237 Verve The French Review of Art Vol 2 no 8 
- Tear in frontwr.; backwr. w. a few sm. holes; worn along extremities and sl. chipped; spine dam.
82 1238 Vianen A van 
82 1238 Vianen A van 
82 1238 Vianen A van 
82 1238 Vianen A van 
- Title-p. browned; a few plates a trifle foxed, but overall a fine copy.
= Réproductions danciennes gravures dorfèvrerie hollandaise I.
82 1239 Viollet le Duc E 
82 1239 Viollet le Duc E 
82 1239 Viollet le Duc E 
- Partly foxed/ yellowed.
= Lipperheide Fa 36; Colas 3024; Hiler p.882. Deals in an extensive way with medieval furnishings, household objects, costume and armour.
82 1240 Völger G and Dykerhoff U 
82 1242 Vroom N R A 
- Fine.
= Arntzen/ Rainwater L69: "The final volume of the series of inventory catalogues of the Dutch and Flemish schools and the culminating achievement of the author."
AND 9 others, i.a. A.M. KETTERING, The Dutch Arcadia. Pastoral art and its audience in the Golden Age (Montclair, 1983, num. ills. on plates, orig. cl. w. dustwr., large 4to).
82/1243 W U R Werstands Universal Robots 
- Some vague brownish stains in lower section.
= Rare program leaflet for the "Utopistisches Kollektivdrama in einem Vorspiel und drei Akten" by Karel Čapek (German transl. Otto Pick) on Friday November 2nd, listing all participants, i.a. Friedrich Kiesler for "Dekorationen". Friedrich Kiesler (1890-1965) had his first great success with the electro-mechanical stage design for Karel Èapek's play in 1923 at the Theater am Kurfürstendamm and thus literally jumped onto the stage of the avant-garde.