= Provenance: the collection of Johan Deumens.
= Provenance: the collection of Johan Deumens.
- Fine copy.
= Paris edition of the Situationist Times. Lithographs by i.a. P. Alechinsky, L. Castro, J. de Jong, A. Jorn, P. Klasen, W. Lam, R. Matta, A. Saura, A. Segui and Topor.
- Some sl. foxing. Portfolio partly yellowed/ browned; some foxing/ soiling and a few rubbed spots; spine some sm. tears.
Havelaar, J. (introd.). Jan Sluijters. Afbeeldingen naar zijn oeuvre. Amst., De Hooge Brug, 1919, (4),25,(3)p., 1 tipped-in col. plate, 48 monochr. plates, col. lithogr. wr. by J. SLUIJTERS, 4to.
- Bookblock loose. Backstrip sl. worn; wr. trifle soiled.
- Both vols. bookplate on upper pastedown. Both vols. spine-ends sl. worn/ dam.; covers rubbed along extremities.
= SIGNED "Jan Wolkers Texel 2003" on first free endpaper.
Blom, O. Mars zwart & titaan wit. Het beeldend werk van Jan Wolkers. Amst./ Leyden, De Bezige Bij, 2008, 244,(10)p., richly illustrated, book design by Irma BOOM, orig. boards. - AND 6 others, i.a. J. DONIA, Souvenirs. Herman Brood de schilder (Schiedam, 2002, richly illustrated, orig. boards, 4to); B. SCHIERBEEK, E. SLAGTER and LUCEBERT, Ezel mijn bewoner. Ed. A. Colpaart (Eindhoven, 2000, num. (col.) ills., orig. cl. w. dustwr., 4to) and L. TEN DUIS and A. HAASE, Ouborg schilder painter (The Hague, 1990, richly illustrated, orig. cl. w. dustwr., 4to).
- Dustwrs. slightly discoloured.
= Arntzen/ Rainwater M202 (on the first work): "An authoritative survey of French still life of the 17th century. (...)."
Greindl, E. Les peintres Flamands de nature morte au XVIIe siècle. Sterrebeek, M. Lefebvre, 1983, 413p., 92 col. plates/ ills., 249 monochrome ills., orig. cl. w. dustwr., folio. Tufts, E. Luis Meléndez. Eighteenth-Century Master of the Spanish Still Life with a Catalogue Raisonné. Columbia, Univ. of Missouri Press, 1985, X,230p., num. (col.) ills., orig. cl. w. dustwr., sm. 4to. - AND 7 others, i.a. E. HARDOUIN-FUGIER and E. GRAFE, French Flower Painters of the 19th Century (London, 1989, richly illustrated, orig. cl. w. dustwr., folio).
- Frontwr. w. closed tear along fold. flap. = The rare English language edition.
AND 5 others, i.a. N. HOSTYN and W. RAPPARD, Dictionaire van Belgische en Hollandse bloemenschilders geboren tussen 1750 en 1880. Ed. P. and V. Berko (Knokke-Zoute, 1995, richly illustrated, orig. cl. w. dustwr., folio); K. WETTENGL, Georg Flegel 1566-1638 Stilleben (Stuttg., 1993, num. (full-p.) (col.) ills., orig. cl. w. dustwr., large 4to) and G. CASALE (ed.), Gli Incanti Dell'Iride. Giovanna Garzoni pittrice nel Seicento (San Severino Marche, 1996, col. ills., orig. wr.).
= Contains a catalogue raisonné.
AND 3 others, i.a. Q. BUVELOT, De stillevens van Adriaen Coorte (werkzaam c.1683-1707) (The Hague/ Zwolle, 2008, num. (col.) ills., orig. cl. w. dustwr., sm. 4to. Contains the oeuvre catalogue).
= "20.Sept.-1.Nov. 1913/ Berlin/ Postdamerstr. 75".
Sturm-Ball. Künstler-Kostumfest (...). (Part of) entrance ticket, 8,6x6,5 cm., printed in black on green paper.
- Small hole, sl. affecting printed text.
= Irregulary torn off part of the entrance ticket ("Ehrenkarte") for the artists' costume ball on Saturday 9 March.
- One page w. tIny dam. spots from formely sticking to the opposite plate; one leaf lacks portion from upper blank margin; yellowed. Newly stitched; wr. w. rubbed strip along spine, backwr. w. sm. stain.
= Rare catalogue of an exhbition at the Ole Haslunds Hus in Copenhagen, with an introd. in Danish by Herwarth Walden "Definition af den nye Kunst" and a contribution by Rudolf Blümner "Die französische Kubisten". The catalogue lists 126 works (w. titles in Danish) and the plates show works by i.a. Archipenko, Willy Baumeister, Robert Delaunay, Jacoba van Heemskerck, Kurt Schwitters (2x) and Nell Walden.
- Spine w. rusty stains from staples. = Very rare. Bolliger II, 471.
= Contains the catalogue of his accepted works, tentatively accepted and questionable works, and works known only through descriptions.
Middendorf, U. Hendrik Jacobsz. Dubbels. Gemälde und Zeichnungen mit kritischem Oeuvrekatalog. Freren, Luca, 1989, 255p., 12 col. plates, 156 ills., orig. boards w. dustwr., 4to.
= Standard oeuvre catalogue.
Royalton-Kisch, M. Adriaen van de Venne's Album in the Department of Prints and Drawings in the British Museum. London, British Museum Publications, 1988, 368p., 105 col. ills., num. monochr. ills., orig. cl., obl. 4to. Haverkamp Begemann, E. Willem Buytewech. Amst., M. Hertzberger, 1959, VIII,232p.,152 monochr. ills. on plates, orig. cl. w. (sl. frayed/ soiled) dustwr., obl. 4to. Russell, M. Jan van de Cappelle 1624/6-1679. Leigh-on-Sea, F. Lewis, 1975, 112p., 96 ills on plates, printed in 600 copies, orig. cl. w. dustwr., 4to. - AND 11 others on i.a. Frans Post, Hendrick Avercamp, Rembrandt van Rijn and Allart van Everdingen.
- All vols. w. sm. stamp on first free endpaper.
= One of 250 numbered copies, luxuriously bound in boards w. cut-out section showing the same design as the loosely inserted reliëf print, signed "S. Tajiri '97" and numb. "19/250" in pencil (w. loose glassine leaf w. printed text in silver).
- All fine.
- Rubbed/ sl. worn along extremities binding.
= Interuniversitair Centr. voor de gesch. v.d. Vlaamse tapijtkunst. Verh. en Bouwstoffen vol.I.
AND 4 others in 5 vols., i.a. E. BEEKES, Maximiliaan van der Gucht (1603-1689) meestertapistier te Delft. Het leven en werk van een succesvol ondernemer in de Gouden Eeuw (n.pl., 2022, num. (col.) ills., orig. boards, obl. large 4to) and G.T. YSSELSTEIN, Geschiedenis der tapijtweverijen in de noordelijke Nederlanden (Leyden, (1936), 3 parts in 2 vols., num. ills. on plates, 140 ills. of marks, orig. unif. cl., 4to. Hinges weak; spines faded).
- Lacks 8 plates (LXXVIII, LXXIX, LXXXVIII, LXXXIX, CXII, CXIII, CXXIV and CXXV); plates C and CI misbound; several plates w. stamp on verso; two stamps on title-p.; bookblock cut sl. short (a few plates trimmed to image or w. (partial) loss of plate number). Binding sl. stained and chafed; cloth splitting at board edges.
= Siegelaub p.163. The plates are arranged in 6 parts of 25 plates each. "The first four parts of the work are devoted to the Jaipur carpets. The fifth is reserved for the famous Ardebil carpet, which is now one of the glories of the Indian Museum; and the last part contains, in addition to Persian carpets, a few from Turkey, which have been included in order to illustrate some of the main differences in design and workmanship between them and the Persian examples (...)" (introduction).