- Sm. stamp on first free endpaper.
= Cf. Arntzen/ Rainwater M423, listing the original edition published in 10 vols. in 1908-1927 and this reduced format edition: "Includes the 8v. English ed. together with the last 2v. of the German ed. which were not transl. into English. An important work for research in Dutch Painting. Covers the work of 40 painters in the German ed. and 30 in English (33 treated by Smith) and 7 additional."
Wurzbach, A. von. Niederländisches Künstler-Lexikon. Amst., B.M. Israël, 1974, 3 parts in 2 vols., (6),IV,778; (6),910; (4),294p., orig. unif. cl.
- Sm. stamp on first free endpaper.
= Facs. reprint of the ed. 1906-1911. Arntzen/ Rainwater E 135: "The standard dictionary of Dutch and Flemish artists."
= Provenance: the collection of Johan Deumens.
- Without the almost always lacking board gramophone record.
= First edition (in Swedish) of this famous exhibition catalogue on kinetic art.
- Black felt on verso moth eaten.
= After a design made by Vilmos Huszár in 1921. SEE ILLUSTRATION PLATE XVI.
- Both issues lacking all the extra inserts, except for the 12" record for no.2: Supermassive by Christian Bök.
= Rare. Provenance: the collection of Johan Deumens.
- Some sl. foxiing.
= Rare exhibition-catalogue of the competition and exhibition as held upon the occasion of the IXth Olympics at Amsterdam in the fields of music, sculptures, literature and paintings.
De Onafhankelijken. Vereeniging van beeldende kunstenaars Amsterdam. Catalogus Voorjaarstentoonstelling. Amst., Sted. Mus., 1931, 64p., ills., orig. wr. by RAOUL HYNCKES. - AND 4 others similar (1x waterst. in upper corner).
= Contains an oeuvre-catalogue.
Claus, H. a.o. Hugo Claus. Beelden. Haarlem, H.J.W. Becht, 1988, 255,(3)p., richly illustrated, orig. cl. w. plate laid down on frontcover, folio. - AND 3 others on KEES VERWEY and ANTON HEYBOER.
- Covers sl. browned; dam. spot on backstrip; spine worn; hinges weakening.
= Söhn 253; Bolliger II, 506. First volume of the series of five. Contains original lithographs by M. Beckmann (Liebespaar, Gallwitz 267), B. Kretzschmar, Robert. Kohl and W. Kohlhoff; original woodcuts by W. Teutsch and F.M. Jansen.
- Lacks plates 3, 45, 58, 65, 76 and 91. Paper yellowed/ browned and brittle w. inevitable chips and sl. fraying. Covers soiled; spine w. remnants of labels; (dam.) ticket on verso frontcover.
= Rare artists' manual. The plates, dated between 1866 and 1877, are drawn by Emile Reiber after examples and objects from the collection of various collectors, like Henri Cernuschi, Fleuriot, Siegfried Bing, Malinet and Jules Legrain. A large part of the plates is devoted to the arts of the Far East, China and Japan, making this album one of the earliest publications on Japonism. - ADDED: 43 loose duplicate plates.
= An artist book focusing on the repetition of shapes.
= One of 34 DELUXE copies numb. "XVIII-XXXVI" in pencil with an ORIGINAL ETCHING by J. de Jong from La Folie endormie (signed, "30/35" and "61" in pencil). The facs. ephemera show snippets from a dialogue between the Danish painter Asger Jorn and his girlfriend Jacqueline de Jong.
= One of 100 hors commerce copies SIGNED and numb. "77/100" in pencil by J. de Jong. The facs. ephemera show snippets from a dialogue between the Danish artist Asger Jorn and his girlfriend Jacqueline de Jong.
- Year 1903 lacks wrs. and several textlvs.; contents loose(ning). Bindings sl. worn/ soiled. Sold w.a.f.