- Owner's entry on htitle; bookplate on upper pastedown. Binding rubbed/ sl. worn along extremities.
= One of 150 copies of the regular edition. Personal Structures Art Projects Number 05
- Slipcase dented on top and cl. unglued at part of top-edge; both vols. fine.
= One of 75 numb. copies signed by the editor, bound in unif. calf w. gilt spine and vignette on frontcover, t.e.g., cl. slipcase. Rare.
Sirén, O. Léonardo de Vinci. L'Artiste et L'Homme. Paris/ Brussels, G. Van Oest, 1928, 1 textvol.: VIII,210,(2)p. and 2 plate vols.: 204 plates, contemp. unif. hmor. w. giltlettered spine, folio.
= All vols. w. bookplate of Baron van der Borch van Verwolde on upper pastedown.
- Corners w. folds/ creased; lower right blank corner lacking sm. portion. Verso w. large ms. instruction concerning the reproduction of the photograph, i.a. to eliminate the dedication.
= "Aux sympathiques lecteurs de Fluxus, Avec le reconnaissance affectueuse de Martial Raysse".
Idem. (Quotations). Milan, Galleria Iolas, (1967), fold. broadside, 52x18,5 cm., printed on yellow paper.
= Published on occasion of the exhibition "Martial Raysse Opere 1963-1966".
- Sl. foxed, mainly first/ final few p. (plates fine).
AND 6 other works in 7 vols., all (attractively) bound in contemp. (unif.) gilt(lettered) hmor., all (large) 4to, i.a. A. FONTAINAS, L. VAUXCELLES and G. MOUREY, Histoire générale de l'art français de la Révolution à nos jours (Paris, 1922, 3 vols., num. plates/ ills.) and E. BOSC, Dictionnaire de l'art, de la curiosité et du bibelot (ibid., 1883, num. woodengr. plates/ ills.).
- Mint.
= Provides fundamental documentation and a wealth of information on Rembrandt's paintings and on paintings (formerly) attributed to Rembrandt. Stichting Foundation Rembrandt Research Project.
- Hinges splitting, particularly upper hinge, otherwise fine.
= Probably a deluxe copy with the frontispiece and the plate supplied in 2 copies, both before and with letters. WITH tipped-in AUTOGRAPH LETTER SIGNED "C. Vosmaer" to "Waarde Vriend" [= "De heere Alph. Willems"] concerning the editing of his book (1 fold. leaf, (3)p.).
- Without vol. 1-3; 2 vols. still shrinkwrapped.
= IV. The self-portraits; V. Small-scale history paintings; VI. Rembrandt's paintings revisited.
- Bookplate (of Brand Whitlock) on upper pastedown. Backstrip a few trifle rubbed spots. Fine copy.
= On the drypoint by Renoir, "Le chapeau epingle" (titled "Jeunes filles fleurissant leurs chapeaux" in the book) see Delteil 8, 2nd state (of 2).
= Catalogue raisonné, describes the etchings, line engravings, ex-libris and occasional graphics, lithographs and posters.
Utermann, W. (ed.). Christan Rohlfs. Das druckgraphische Gesamtwerk. Dortmund, Galerie Utermann, 1987, 195p., num. col. ills., orig. boards w. dustwr., 4to. - AND 2 monographs on Emil Orlik and A. Paul Weber.
= Verso w. autograph text: "Rinke-Baumgartl Projekt: maskulin / feminin. Tokyo - Biennale 70 ab: Hong Kong".
IIdem. Primärdemonstrationen (Zeit - Raum - Körper - Handlungen). N.pl., (the artists), n.d. (±1970), 3-panel artist's booklet, (6)p. incl. 1 full-p. photogr. ill.
= Rare.
AND 3 brochures/ leaflets for performances by Ulay and Abramovic (1x w. filing holes).
- Occas. trifle foxed. Very fine copy.
= Arntzen/ Rainwater E59: "A standard work on all types of artists' marks".
= Rare. Published on the occasion of the Stamp Art Show (Amst., 1976).
- Yellowed. Postfolio dam. on edges.
= Dobke B8 and p. 159. Legendary issue of Kwadraatblad, a Dutch journal for graphic design, visual art, literature, architecture and music, published by Pieter Brattinga.