80/1146 Photography Nos Contemporains Album illustré biographique 
- Binding dustsoiled and sl. faded.
= Fine portraits of i.a. illustrious French and Dutch men and women, i.a. Sarah Bernhardt, Edouard Détaille, Anatole France, M. Mees, Jan Wolter Niemeijer, Otto Reuchlin, Edmond Rostand and D.T. Ruys. Rare.
80/1147 Photography Nos Contemporains Album illustré biographique 
80/1147 Photography Nos Contemporains Album illustré biographique 
- Lacks textp. of last portrait. Sl. foxed in blank margins; 2 textlvs. loose (1x sl. frayed). Otherwise fine.
= Rare. Fine portraits of illustrious Dutch people of the time, i.a. Queen Wilhelmina of the Netherlands, Prince Hendrik, W.H. de Beaufort, J. van Hoboken, W. Mengelberg, F.S. van Nierop, D.T. Ruys, A.S. Talma, J.V. Wierdsma.
80 1148 Photography Oorthuys C 
80 1149 Photography Pam M 
80 1150 Photography Parr M and Badger G 
80 1151 Photography Parr M and Badger G 
- Without vol. 1 and 2.
Karasik, M. The Soviet Photobook 1920-1941. Ed. M. Heiting. Göttingen, Steidl, 2015, 636p., richly illustrated, orig. pict. boards, 4to. - AND 2 others, i.a. F. GIERSTBERG and R. SUERMONDT, Het Nederlandse Fotoboek (Rott., 2012, num. col. ills., orig. pict. boards, 4to).
80/1152 Photography Le Point Revue artistique et littéraire 
= Comprises: XV. La petite ville (w. contributions by i.a. J. Cocteau and G. Simenon); XXXI. Imprimeries clandestines; XXXIV/XXXV. L'Art Roman du Roussillon; XXXVIII. Atelier de batisseur Le Corbusier - L'Unité d'habitation de Marseille (backstrip sl. dam.); XL. Le jazz (photogr. ills. mainly by ROBERT DOISNEAU); LVII. Bistrots (photogr. ills. by ROBERT DOISNEAU); LVIII. L'Aventure de la Musique au XXe siècle (ills., photogr. ills. mainly by ROBERT DOISNEAU).
80 1153 Photography Ray M 
80 1153 Photography Ray M 
- Contents loosening. A few trifle rubbed spots along extremities.
Modern Photography. The Studio Annual. Ed. C.G. Holme. London/ New York, The Studio, 1931, (17),119,(1)p., num. photographic plates/ ills., orig. wr., 4to.
- Bookplate on title-p. Backwr. foxed; frontwr. dam. in upper left corner; spine dam.
= Contains photographs by i.a. H. Bayer, E.O. Hoppé, G. Kiljan, Man Ray, L. Moholy-Nagy and P. Schuitema.
80 1154 Photography Reybrouck D van and Keyzer C De 
80 1155 Photography Roth A 
= A splendid chronological guide to collecting 20th century photography books.
Curtis, V.P. Photographic Memory. The Album in the Age of Photography. Ibid., Aperture, 2011, 288p., richly illustrated, orig. cl. w. mounted plates, 4to.
80 1156 Photography Singh D 
80 1156 Photography Singh D 
= Photographic diaries of travels in 7 different parts of India.
80 1157 Photography Snow D 
80 1157 Photography Snow D 
= Parr/ Badger III, p.100: "There is a succession of photographers who have photographed the hedonistic lifestyle (...) but Dash Snow did it with the most panache. This is perhaps because he actually lived the life to the full. Most photographers who capture the sex and drugs scene maintain a certain distance. They have to, or the work suffers. But Snow's art was his life, to a unique extent. Born into a wealthy family he kicked his background in the teeth, becoming the black sheep of the family. Snow tragically died of a drugs overdose in 2009, at the age of twenty-seven".
80 1158 Photography Snow D 
= Parr/ Badger III, p.100: "There is a succession of photographers who have photographed the hedonistic lifestyle (...) but Dash Snow did it with the most panache. This is perhaps because he actually lived the life to the full. Most photographers who capture the sex and drugs scene maintain a certain distance. They have to, or the work suffers. But Snow's art was his life, to a unique extent. Born into a wealthy family he kicked his background in the teeth, becoming the black sheep of the family. Snow tragically died of a drugs overdose in 2009, at the age of twenty-seven".
80 1159 Photography Struving F and Keuken J van der ed 
- Wrappers sl. worn along extremities. = Cf. Parr/ Badger I, p.244.
Idem. Wij zijn 17. Introd. S. Carmiggelt. Bussum, C.A.J. van Dishoeck, n.d. (±1960), 4th ed., no pagination, photogr. plates and orig. wr. by J. VAN DER KEUKEN.
- Wrappers trifle worn. = Parr/ Badger I, p.244 (1st ed., 1955).
AND 6 others by/ on the same, i.a. Paris mortel. Retouché (Amst., 2013, num. full-p. ills., orig. wr. w. dustwr., 4to); Quatorze Juillet (ibid., 2010, num. full-p. ills., orig. wr. w. dustwr., 4to) and Bewogen beelden (Breda, 2001, num. col. ills., orig. boards. w. dustwr., obl. 4to).
80 1160 Photography Sturges J 
80 1160 Photography Sturges J 
= On the art project by Ian Berry, who created a very large portrait of legendary Formula 1-race driver Ayrton Senna out of denim, donated by family members of Senna.
80 1161 Photography Vishniac R 
80 1161 Photography Vishniac R 
80 1161 Photography Vishniac R 
- Hinges weak; endpapers yellowed. Spine sunned.
= Parr/ Badger II, p.215: "A superb, if forlorn, collection of documentary photographs of Jewish life in Eastern Europe." A rare early post-war portrayal of the Jewish communities in East-Europe within the context that they were destroyed.
80 1162 Photography Vorobeichic M 
- Owner's entry on first free endpaper; occas. sl. foxed. Corners showing.
= Schaubücher 27. Parr/ Badger I, p.130: "In the same year that his Paris was published, Moï Ver - under his real name of Moshé Vorobeichic - produced Ein Ghetto im Osten (...). Once again, he used a variety of New Vision strategies, the most obvious being to take many images from upstairs windows looking on to the narrow streets of Vilnius's old Jewish quarter. (...) He also introduced cinematic cutting and montaging techniques to heighten the interest. He combined elements of imagery, sometimes by double-printing negatives, sometimes by repeating identical or similar pictures, sometimes by pasting different photographs together, often with self-conscious free-form edges".
80 1163 Photography Wessing K 
80 1163 Photography Wessing K 
80 1163 Photography Wessing K 
- Wrappers yellowed.
= Parr/ Badger p.229: "Despite the difficulties of taking photographs in such a tense and difficult situation [the military coup of 1973 in Chili], Wessing never forgets the value of composition and lighting control. The main thrust of the book is the coup's immediate aftermath, the shock and grief of the people, the rounding up of Allende's supporters (or suspected supporters) by the army, and their herding into the now notorious National Stadium in Santiago, where many would be tortured and killed. Wessing vividly captures one of these executions, in a two-page squence that forms the book's climax."
80 1164 Photography Wilmering L 
= SIGNED by the author.
AND 1 similar by the same: Promise me something (ibid., 2002, num. full-p. photogr. ills., orig. pict. boards. SIGNED)
80 1165 Photography Yamamoto Masao 
- Dustwr. trifle frayed.