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Auction 81, 18-22 Nov 2024

Auction 80, 13-17 May 2024

Auction 79, 21-24 Nov 2023

Auction 78, 23-26 May 2023

Auction 77, 22-25 November 2022

Auction 76, 17-20 May 2022

Page 1276 of 1858 Results 25501 - 25520 of 37146
80 1126 Photography Elsken E van der 80 1126 Photography Elsken E van der
80/1126 [Photography]. Elsken, E. van der. Een liefdesgeschiedenis in Saint Germain des Prés. Amst., De Bezige Bij, n.d. (1954), 1st ed., (116)p., photogr. ills. and orig. cl. w. dustwr. by ED VAN DER ELSKEN, 4to.

- A few lvs. w. some tiny surface dam. spots. Dustwr. sl. creased and worn.

= Parr/ Badger I, p. 245: "Ed van der Elsken was the best known internationally of the Dutch photographers of the 1950s and 60s, due in no small measure to this book, which took the genre of the Dutch photonovel to a new level (...)."

€ (100-150) 150
80 1127 Photography Feldmann H P 80 1127 Photography Feldmann H P
80/1127 [Photography]. Feldmann, H.-P. Ein Energieunternehmen. Versuch einer photographischen Bestandsaufnahme unter Einbeziehung des Klimas, der Landschaft, der Orte, der Städte. Maria Enzersdorf, EVN, 1997, 143,(1)p., orig. pict. wr., 4to.
€ (30-50)
80 1128 Photography Finkelstein N 80 1128 Photography Finkelstein N
80 1128 Photography Finkelstein N 80 1128 Photography Finkelstein N
80 1128 Photography Finkelstein N 80 1128 Photography Finkelstein N
80 1128 Photography Finkelstein N 80 1128 Photography Finkelstein N
80 1128 Photography Finkelstein N 80 1128 Photography Finkelstein N
80/1128 [Photography]. Finkelstein, N. Duchamp by Finkelstein. Amst., Aenigma, 2004, book and 5 silver prints (signed and numb. in pen), 3 contact sheets and poem, published in 20 numb. copies, together in orig. cl. box by REDBONE BINDERY, folio.

= Comprises the book Etant donné Marcel Duchamp #5 (Paris, 2003, ills., orig. wr., 4to. Signed by N. FINKELSTEIN on htitle), 5 silver prints under passepartout depicting i.a. SALVADOR DALÍ, MARCEL DUCHAMP and ANDY WARHOL. The photographs were taken during a session in which Warhol photographed Marcel Duchamp.

€ (250-350) 500
80 1129 Photography Geven E 80 1129 Photography Geven E
80 1129 Photography Geven E 80 1129 Photography Geven E
80/1129 [Photography]. Geven, E. Ned X1. N.pl. (Twello), Erik Geven Fotografie, n.d. (2018), without pagination, richly illustrated, orig. boards, folio.

- Lower joint splitting at top of spine; backcover sl. scratched.

€ (70-90)
80 1130 Photography Hassink J 80 1130 Photography Hassink J
80 1130 Photography Hassink J 80 1130 Photography Hassink J
80/1130 [Photography]. Hassink, J. The Table of Power. Amst., M. van de Koppel, 1996, 1st ed., 1st printing, (3),XL,(4),21,(9)p., 21 double-p. col. photogr. ills. by JACQUELINE HASSINK, printed in 1000 numb. copies, orig. gilt cl., 12,3x9,3 cm.

= Parr/ Badger II, p.278. Series of photographs of (empty) boardroom tables of European multinational corporations. "The Table of Power is at once a completely objective book and a wholly subversive one. (...) the book's subversiveness emanates from its very objectivity. It presents the simple facts about a particular and powerful symbol of power, and by drawing our attention to it forces us to think about what these facts might represent and conceal - a large subject contained in a deliciously small package" (Parr/ Badger).

€ (120-150) 130
80 1131 Photography Isenfels P 80 1131 Photography Isenfels P
80/1131 [Photography]. Isenfels, P. Getanzte Harmonien. Stuttg., Dieck & Co., (1927), 3rd ed., (7) textp., 120 photogr. plates by P. JSENFELS, orig. giltlettered cl. w. dustwr., 4to.

- Dustwr. frayed. Otherwise fine.

= Cf. Derra de Moroda 1368 (6th ed.). Fine photographic studies of dancers in various surroundings outdoors.

€ (50-70)
80 1132 Photography Kando A 80 1132 Photography Kando A
80 1132 Photography Kando A 80 1132 Photography Kando A
80 1132 Photography Kando A 80 1132 Photography Kando A
80/1132 [Photography]. Kando, A. Droom in het woud. Text T. Kando. Amst./ Antw., Contact, 1957, 1st ed., (42)p., photogr. ills. by A. KANDO, orig. cl. w. dustwr., 4to.

- Small annot. on first free endpaper. Dustwr. sl. rubbed in outer corners and sm. tear in upper margin of backwrapper.

Idem. Kalypso & Nausikaä. Amst., De Verbeelding, 2004, 1st ed., (48)p., (full-p.) photogr. ills. by A. KANDO, orig. boards., 4to.

€ (80-100) 80
80 1133 Photography Keuken J van der 80 1133 Photography Keuken J van der
80/1133 [Photography]. Keuken, J. van der. Achter glas. Text R. Campert. Hilversum, C. de Boer Jr., 1961, 2nd ed., (100)p., num. photogr. ills. and orig. wr. by JOHAN VAN DER KEUKEN, 4to.

= Cf. Parr/ Badger I, p.244.

Elsken, E. van der. Eye love you. Bussum, Holkema & Warendorf, 1977, 1st ed. (?), no pagination, num. col. photogr. ills., orig. clothbacked boards, 4to. - AND 8 others, i.a. N. VAN ONNA, NYC360 (n.pl., 2012, full-p. col. photogr. ills., orig. boards, folio) and K. WESSING, China 85/07 (Antw., 2007, num. ills., orig. boards, obl. 4to).

€ (80-100)
80 1134 Photography Keuken J van der 80 1134 Photography Keuken J van der
80/1134 [Photography]. Keuken, J. van der. Achter glas. Text R. Campert. Hilversum, C. de Boer Jr., 1961, 2nd ed., (100)p., num. photogr. ills. and orig. wr. by J. VAN DER KEUKEN, 4to.

- Corner frontwr. creased; edges backwr. sl. dustsoiled. = Parr/ Badger I, p.244.

Idem. Wij zijn 17. Introd. S. Carmiggelt. Bussum, C.A.J. van Dishoeck, n.d. (±1960), 4th ed., no pagination, photogr. plates and orig. wr. by J. VAN DER KEUKEN.

- Lamination loosening along spine. = Parr/ Badger I, p.244.

AND 5 others, i.a. E. ANDRIESSE, Beeldroman. Text J.B. Charles (The Hague, 1956, 1st ed., num. photogr. ills., orig. cl., 4to); N. JESSE, Mensen van Menko (Enschede, n.d. (1956), 1st ed., num. photogr. ills., orig. boards, 4to) and G. HEYEN, Waren wij maar 17. Introd. R. Campert (Amst., 1958, photogr. ills., orig. boards, sm. 8vo).

€ (50-70) 60
80 1135 Photography Keuken J van der 80 1135 Photography Keuken J van der
80 1135 Photography Keuken J van der 80 1135 Photography Keuken J van der
80/1135 [Photography]. Keuken, J. van der. Paris mortel. N.pl., n.publ., n.d. (Hilv., C. de Boer Jr., 1963), 1st ed., (69)p., 65 (double-p./ full-p.) photogr. ills. by JOHAN VAN DER KEUKEN, orig. cl. w. dustwr., bound as a blockbook, 4to.

- Cloth sl. browned. Frontwr. sl. stained/ discoloured and sl. worn along extremities.

= Parr/ Badger I, p.248-249.

AND 1 other by the same: Wij zijn 17 (Bussum, n.d., 4th ed., ills., orig. wr. Owner's entry on inside wr.).

€ (200-300) 250
80 1136 Photography Kooiker P 80 1136 Photography Kooiker P
80 1136 Photography Kooiker P 80 1136 Photography Kooiker P
80/1136 [Photography]. Kooiker, P. Hunting and Fishing. Amsterdam, Basalt, 1999, Jap. ed., no pagination, num. full-p. col. ills., orig. limp boards w. dustwr. Idem. Room service. Ibid., Van Zoetendaal Gallery, 2008, Jap. ed., 116,(2)p., num. col. ills., orig. limp boards w. dustwr. - AND 1 other by the same: Sunday (ibid., 2011, num. full-p. col. ills., orig. limp boards w. dustwr., obl. 4to).
€ (60-80) 60
80 1137 Photography Löwy Franz 80 1137 Photography Löwy Franz
80 1137 Photography Löwy Franz 80 1137 Photography Löwy Franz
80 1137 Photography Löwy Franz 80 1137 Photography Löwy Franz
80/1137 [Photography]. Löwy, Franz. Das schöne nackte Weib. Introd. by Ferdinand Feldegg. Vienna and Leipsic, Frisch & Co., 1921, text vol.: 12p., 13 (of 14) photogr. ills. w. female nudes on loose mounts, printed in 1000 numb. copies, signed by both the photographer and introduction author in pencil on verso frontcover, loosely inserted in orig. rebacked board portfolio, folio.

- Lacks one plate; rebacked w. cloth; boards sl. chafed.

= Rare photography portfolio. Löwy was an Austrian photographer who specialized in portrait and atelier photography, including the Belle monde of Vienna (i.a. actors and artists). After the Anschluss he emigrated to Brasil with his wife. According to the colophon 1000 copies were printed, but because of its rarity probably much less.

€ (100-150) 110
80 1138 Photography Mamatsashvili L a o 80 1138 Photography Mamatsashvili L a o
80/1138 [Photography]. Mamatsashvili, L. a.o. Masters of 19th Century Photography. Dimitri Ermakov. Photographer and Collector. Tbilisi, Georgian National Museum, 2014, 302p., num. tinted photogr. ills., orig. boards, 4to. Lowry, B. and I.B. The Silver Canvas. Daguerreotype Masterpieces from the J. Paul Getty Museum. Los Angeles, J. Paul Getty Museum, 1998, XV,(1),240p., (col.) ills., orig. cl. w. dustwr., 4to. Éclats d'Histoire. Les collections photographiques de l'Institut de France 1839-1918. (Paris), Institut de France/ Actes Sud, 2003, 318,(1)p., tinted photogr. ills., orig. boards, 4to. - AND 2 others, i.a. J. COPPENS a.o., "...door de enkele werking van het licht...". Introductie en integratie van de fotografie in België en Nederland, 1839-1869 (n.pl., n.d., ills., orig. die cut wr., 4to).
€ (50-70)
80 1139 Photography Manen B van 80 1139 Photography Manen B van
80/1139 [Photography]. Manen, B. van. East Wind West Wind. Amst., De Verbeelding, 2001, 232p., col. ills. by BERTIEN VAN MANEN, orig. wr. w. mylar dustwr.

= Parr/ Wassink Lundgren, The Chinese Photobook from the 1900s to the Present, p.398.

Idem. Give me your image. Gött., Steidl, 2006, no pagination, full-p. col. photogr. plates by the same, orig. boards.

= SIGNED in pen on title-p.

AND 2 others by the same, i.a. Vrouwen te gast (Amst., 1979, ills., orig. limp boards, obl. 8vo).

€ (80-100)
80 1140 Photography Manen B van 80 1140 Photography Manen B van
80/1140 [Photography]. Manen, B. van. Vrouwen te gast. Amst., Feministische uitgeverij Sara, 1979, 178p., num. ills., orig. pict. wr., obl. 8vo (sm. stamp on first free endpaper). Veen, L. van der. Beeldhouwersportretten. Introd. J.N. van Wessem. Venlo, Van Spijk B.V., (1984), 1st ed., (11) textp., 83 photogr. portraits by L. VAN DER VEEN, orig. photogr. boards, 4to (ex-library copy). - AND 7 others on photographers/ photography, i.a. M. CORBIJN and M. BRIL, Toeval bestaat niet (Amst., 1988, num. ills., orig. boards, sq. 4to); R. VERSLUYS and S. DE SITTER, Another look (ibid., 1990, num. ills., orig. cl., portfolio, obl. 4to. AUTOGRAPH SIGNED DEDICATION by R. VERSLUYS) and DU. DER PHOTGRAPH ROBERT FRANK. Year 22, no.251 (Zürich, 1962, num. ills., orig. wr., 4to).
€ (70-90)
80 1141 Photography Markerink C 80 1141 Photography Markerink C
80 1141 Photography Markerink C 80 1141 Photography Markerink C
80/1141 [Photography]. Markerink, C. Memory Traces. Amst., Ideas on Paper, 2009, 201,(1)p., double-p./ fold. col. photogr. plates by C. MARKERINK, orig. cl. (still shrinkwrapped), folio, together w. 2 vols. by the same: HÖFFDING STEP and DARK STAR (ibid., idem, 2009, photogr. plates, orig. unif. wr.), in orig. cardboard box, typography and book design by IRMA BOOM.
€ (50-70)
80 1142 Photography Masclet D 80 1142 Photography Masclet D
80 1142 Photography Masclet D 80 1142 Photography Masclet D
80 1142 Photography Masclet D 80 1142 Photography Masclet D
80/1142 [Photography]. Masclet, D. Nus. La beauté de la femme. Paris, D. Masclet, (1933), (6),(4)p., 96 photographic plates, orig. stiff wr. w. cord, sm. folio.

- Wrappers trifle soiled/ backstrip browned; spine-ends chipped.

= Album du premier Salon International du nu photographique Paris 1933. Photographs of female nudes by i.a. L. Moholy-Nagy, E.O. Hoppé, Man Ray, G. Platt Lynes, F. Drtikol, A. Feininger and H. von Perckhammer.

€ (150-250) 220
80 1143 Photography Muybridge E 80 1143 Photography Muybridge E
80 1143 Photography Muybridge E 80 1143 Photography Muybridge E
80 1143 Photography Muybridge E 80 1143 Photography Muybridge E
80 1143 Photography Muybridge E 80 1143 Photography Muybridge E
80 1143 Photography Muybridge E 80 1143 Photography Muybridge E
80/1143 [Photography]. Muybridge, E. Animals in Motion. An Electro-Photographic Investigation of Consecutive Phases of Animal Progressive Movement. London, Chapman & Hill, 1899, (1),264p., num. photogr. ills., orig. giltlettered cl., obl. folio.

- Loosening; upper hinge broken; first free endpaper loose. Backstrip wrinkled and mounted on bookblock.

= SEE ILLUSTRATION PLATE XXXIII.

AND 1 similar by the same: The Human Figure in Motion (ibid., 1901, 2nd ed., num. photogr. ills., orig. giltlettered cl., obl. folio. Hinges broken; a few lvs. loose; owner's entry).

€ (300-500)
80 1144 Photography Natkiel M 80 1144 Photography Natkiel M
80/1144 [Photography]. Natkiel, M. Paradiso Stills. Introd. in Dutch, Engl. and French by D. Ozon. Amst., Stichting Fragment Foto, 1986, 1st ed., no pagination, num. photogr. portraits and orig. wr. by MAX NATKIEL.

- Backstrip and upper edge frontcover sunned. = Van Sinderen p.278.

€ (70-90) 70
80 1145 Photography Nord M introd 80 1145 Photography Nord M introd
80 1145 Photography Nord M introd 80 1145 Photography Nord M introd
80/1145 [Photography]. Nord, M. (introd.). Amsterdam tijdens de hongerwinter. Amst., Contact/ De Bezige Bij, n.d. (1947), 7(text)p., num. photogr. plates by i.a. C. OORTHUYS, E. ANDRIESSE, C. BEYER, C. HOLTZAPPEL, A. WINDIG, orig. hcl. w. dustwr., 4to.

- Dustwrapper sl. chipped/ foxed.

= Parr/ Badger I, p.196: "This book was published two years after the liberation of Holland from the Nazis. It marks both an end and a beginning. When it was published, the leading members of the Underground Camera group, like the country, were about to move on. As members of a new group, GKf, most of them took part in the exhibition 'Foto '48'. Amsterdam tijdens den[sic] hongerwinter [...] looked back, while 'Foto '48' looked forward, but both shared a manifesto that made a passionate plea for an anti-formalist documentary photography that would help forge a more just and free Holland, following the occupation. [...] Nevertheless, the publication's first task was to bear witness [...]. This snatched, off-kilter approach generated an immediate, spontaneous aesthetic of its own, which fed directly into postwar Dutch photography in an extremely positive way. So this was an important book in that sense also. It was a landmark publication by a group of photographers with both an ethical and an aesthetic attitude, a group who would exert a great influence on Dutch photography and the Dutch photobook in the late 1940s and 50s."

€ (50-70)
Page 1276 of 1858