80 1106 Oriental and tribal arts Shôno Sládek M 
Barth, M., Hirsch, M. and Klose, D.O.A. a.o. (ed.). Japanische Lackkunst für Bayerns Fürsten. Die japanischen Lackmöbel der Staatlichen Münzsammlung München. Munich, Staatlichen Münzsammlung München, 2011, 224p., num. col. ills., orig. pict boards, large 4to.
80 1107 Ornaments Jöker W 
80 1107 Ornaments Jöker W 
80 1107 Ornaments Jöker W 
- Lacks 7 plates ; 1 plate w. tear; occas. tiny marginal tears in plates. Portfolios trifle rubbed along extremities and on titleplates.
= Rare set.
80 1108 Ornaments Racinet A ed 
80 1108 Ornaments Racinet A ed 
80 1108 Ornaments Racinet A ed 
80 1108 Ornaments Racinet A ed 
- Vol. 1 only; textlvs. w. some foxing; textlvs. occas. outer edge frayed.
= Colas 2471; Vicaire VI, p.944; S. Durant, Ornament (1986), p.22: "Racinet's work was clearly modelled on Jones' Grammar of Ornament, but actually surpassed it in the splendour of its chromolithographic plates. L'Ornement Polychrome was the most extensive published compendium of decoration and was so successful that a second volume was published in 1883".
Dolmetsch, H. Der Ornamentenschatz. Ein Musterbuch stilvoller Ornamente aus allen Kunstepochen. Stuttg., J. Hoffmann, 1887, 1st ed., (6)p., 85 (chromo)lithogr. plates, partly printed in gold, w. accomp. descriptive text lvs., loose as issued in contemp. hcl. portfolio, folio.
- Textlvs. sl. foxed.
AND 2 others on ornaments: D. GUILMARD, La connaissance des styles de l'ornamentation. Histoire de l'ornament et des arts qui s'y rattachement (Paris, n.d., 4th ed., 42 lithogr. plates, loosely inserted in orig. clothbacked lithogr. portfolio, folio) and MUSTER-ORNAMENTE aus allen Stilen in Historische Anordnung (Stuttg., n.d., title-p. and 303 woodcut plates, without binding, folio).
80 1109 Ortega J 
- Cloth tape loosening at top of spine.
AND 12 others, all concering Spanish art in the 1960's, i.a. 3 issues of Suma y sigue del arte contemporaneo and various sm. publications by/on Estampa popular de Valencia.
= Provenance: the estate of Kees Broos and Liesbeth Brandt Corstius.
80 1110 Oulmont C 
- Foxed (plates fine).
AND 1 other: E. DILLON, Rubens (London, 1909, 1st ed., engr. frontisp., num. plates, contemp. gilt hmor.).
80 1111 Penck A R = R Winkler 
80 1111 Penck A R = R Winkler 
80 1112 Photography Adams A 
80 1112 Photography Adams A 
80 1112 Photography Adams A 
- Endpapers foxed; stamp on first free endpaper. Binding sl. rubbed along extremities.
= "How to do it" Series, no. 8.
Weegee and Speck, G. Creative Photography. London/ Melbourne, Ward, Lock & Co., 1964, 64p., richly illustrated, orig. boards w. dustwr., 4to (owner's entry). - AND 3 others on photography, i.a. M. NATKIN, L'Art de voir et la Photographie (Paris, 1945, num. ills., orig. wr., 4to).
80 1113 Photography Araki N 
80/1114 Photography Araki N The Works of Nobuyoshi Araki No 1 20 
80/1114 Photography Araki N The Works of Nobuyoshi Araki No 1 20 
= Rare complete run of this series which is effectively a catalogue raisonné of the artist's production until 1997.
80 1115 Photography Arts et métiers graphiques Photographie 
80 1115 Photography Arts et métiers graphiques Photographie 
80 1115 Photography Arts et métiers graphiques Photographie 
- Generally a good/ fine set. Covers occas. sl. worn along extremities; wr. some scratches etc. Vol. 1939 frontwr. w. tear.
= Periodical on the art and design of the book etc., these specific issues dealing w. photography. Year 1930-1940 and 1947.
80 1116 Photography Avedon R and Baldwin J 
- Contents fine; owner's stamp of Gust Romijn on title-p. Covers vaguely fingersoiled along spine; spine-ends sl. rubbed/ trifle worn. Slipcase worn/ rubbed along extremities and sl. yellowed.
80 1117 Photography Bennett T 
80 1118 Photography Blazer C 
80 1118 Photography Blazer C 
80 1118 Photography Blazer C 
80 1118 Photography Blazer C 
80 1118 Photography Blazer C 
- Contents occas. sl. yellowed. Boards trifle soiled. = Thijsen, Het bedrijfsfotoboek, no. 22.
N.V. Nederlandsche Aanneming Maatschappij v/h Fa. H.F. Boersma. The Hague, v/h Fa. H.F. Boersma, n.d. (1934), 119p., num. photogr. ills., design and orig. wr. by H.TH. WIJDEVELD, a.e.g., 4to.
- Some rust offsetting of a paperclip on htitle and inside frontwr. Wr. trifle frayed.
= Nice commemorative volume.
Buijs, J.W.E. and Lürsen, J.B. N.V. Drukkerij en Uitgeversmaatschappij De Arbeiderspers. N.pl., n.publ., n.d. (Amst., De Arbeiderspers, 1931), (48)p., 1 plan, 42 photogr. ills., orig. (sl. frayed) wr., obl. 8vo. - AND 7 other corporate (photo)books on i.a. ACZC (Thijsen, no.96), PLEM, Provinciale Limburgsche Electriciteits-Maatschappij (Thijssen, no.80) and BBB: Bouwen en Industrie, Bouwen en speurwerk, Bouwen en organistatie (Thijssen, no. 86).
80 1119 Photography Blossfeldt K 
80 1119 Photography Blossfeldt K 
- Binding sl. dustsoiled.
= Cf. Parr/ Badger I, p.96 (1st ed., 1928; "one of the most striking books in photographic history").
80 1120 Photography Boersma P Mentzel V Toussaint D and Wessing K 
80 1120 Photography Boersma P Mentzel V Toussaint D and Wessing K 
80 1120 Photography Boersma P Mentzel V Toussaint D and Wessing K 
80 1120 Photography Boersma P Mentzel V Toussaint D and Wessing K 
- Wrappers sl. foxed; otherwise fine.
= Vivid photographic record of the strong rebellion against the destruction of the old Nieuwmarkt in Amsterdam, where the leftist municipal government had planned an underground line for the Amsterdam metro. Eventually there was such strong opposition by a significant part of Amsterdam citizens living in the area that the authorities cancelled further destruction/ construction for the Amsterdam metro in the city centre. Rare. Parr/ Badger III, p.68f; Giertsberg a.o., Het Nederlandse fotoboek, p.175.
80 1121 Photography Boltanski C 
80/1122 Photography China reconstructs Photographs 1952 1961 
= This booklet showcases and glorifies the "success" of the revolution and subsequent effort to remake Chinese society, economy and culture, featuring portraits of workers, artisans, farmers and athletes, urbanized constructions and industrial factories, as well as art works from well-known artists.
80/1123 Photography Chinese Photograpy Photographie Chinoise 1964 no 3 6 1965 no 1 6 1966 no 1 and 2 
80/1123 Photography Chinese Photograpy Photographie Chinoise 1964 no 3 6 1965 no 1 6 1966 no 1 and 2 
80/1123 Photography Chinese Photograpy Photographie Chinoise 1964 no 3 6 1965 no 1 6 1966 no 1 and 2 
80/1123 Photography Chinese Photograpy Photographie Chinoise 1964 no 3 6 1965 no 1 6 1966 no 1 and 2 
80/1123 Photography Chinese Photograpy Photographie Chinoise 1964 no 3 6 1965 no 1 6 1966 no 1 and 2 
- Apart from some unobtrusive defect, all fine.
= Rare publication with many (propagandistic) photographic reportages on Chinese everyday life. Many with loose table of contents in French or English inside.
80 1124 Photography Coppens M 
- Very fine copy.
= Parr/ Badger II, p.190: "Martien Coppens was considered one of the more traditional postwar Dutch photographers (...). In 1958, however, he made a photobook for the paper company Lecturis based in Eindhoven, which spectacularly threw off his somewhat staid image. Much of the credit for this, though, must go to the graphic designer, Herman Rademaker, who fabricated a highly experimental design using photographs that Coppens had taken in the marshy region of De Peel, in Brabant. There, the burnt down trees and stumps - as Coppens writes in the book - had assumed the form of grotesque monsters". SEE ILLUSTRATION PLATE XXXIII.
80 1125 Photography Dibbets J ed 